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Content by tag "frode gjerstad"
Vision Festival 2018
23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018
Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...
Clean Feed 2018
Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...
read moreJon Rune Strøm Quintet: Fragments
Norwegian bassist Jon Rune Strøm, subscribes to none of the self-effacement which sometimes manifests itself on dates led by rhythm section mainstays. That is signaled straight away on the first cut of Fragments, where no other instrument is heard for the first six minutes. With bow in hand, he initially duets with fellow bassist Christian Meaas ...
read moreBorah Bergman/Peter Brötzmann/Frode Gjerstad: Left
Left brings together a particularly uncompromising triumvirate of veterans in pianist Borah Bergman (who died in 2012), German saxophone icon Peter Brötzmann and Norwegian reedman Frode Gjerstad. Although all three recorded after this date in various combinations, this performance from the 1996 Molde International Jazz Festival was the threesome's first and only appearance together on disc. ...
read moreFrode Gjerstad Trio: Steam In The Casa
Frode Gjerstad has been a key figure of Norway's free jazz scene since the 1970s. In 1981 he started a fruitful collaboration with John Stevens, who encouraged him to pursue his interests in free improvisation, eventually connecting him with a diverse range of important international musicians. A few years later he started working with a younger ...
read moreThomas Johansson/Øyvind Storesund/Paal Nilssen-Love: Revolution Before Lunch
There is probably no way to avoid the parochial mindset of the American jazz listener. Take the release Revolution Before Lunch by the Scandinavian trio of Thomas Johansson, Øyvind Storesund, and Paal Nilssen-Love. You might listen to a few notes of Johansson's trumpet as “Close As Hail" opens the affair and think, oh yeah, it's Magnus ...
read moreSomething old, something new, something reissued, something Brötzmann blew.
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
read moreBobby Bradford, Frode Gjerstad Quartet: The Delaware River
Sono più di trent'anni che le strade di Bobby Bradford e Frode Gjerstad si incrociano continuamente, dall'esordio nei Details di John Stevens per arrivare alla manciata di ottimi CD incisi in trio o in quartetto. Risulta così del tutto normale l'alto grado di intesa che si percepisce tra i due lungo i quaranta minuti scarsi di ...
read moreBobby Bradford / Frode Gjerstad Quartet: The Delaware River
This live date from Philadelphia in 2014 forms the seventh in a string of releases by the Bobby Bradford and Frode Gjerstad quartet. Their association dates back to 1986 when cornetist Bradford first encountered Norwegian reedman Gjerstad as part of co-operative group Detail, convened by drummer John Stevens. All of that experience shows in the relaxed ...
read moreShelton / Lonberg-Holm / Rosaly: Resounder
There is no connection whatsoever between the improvised electro-acoustic music of Resounder and Carl Stalling's musical accompaniment and his adaptations of music composed by Raymond Scott for Warner Brothers' Merrie Melodies and Looney Tunes cartoon. Except that, the music of Aram Shelton, Fred Lonberg-Holm, and Frank Rosaly evokes a sort of theatre of the mind. The ...
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Meeting of Minds by Bob Mintzer
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Encontros - Orquestra... by Antonio Adolfo
Story of the Day
I love jazz because it has allowed me to find my own voice. I was first exposed to jazz as a child through my parents. The best show I ever attended was Cassandra Wilson and Dianne Reeves. AMAZING!!! The first jazz record I bought was “Carmen Sings Monk.” My advice to new listeners is to listen with your heart and feel with your experiences.
By Shakera Jones
Member since: 2014
