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Grünes Blatt: Thirteen Ways

Read "Thirteen Ways" reviewed by AAJ Italy Staff

Sestetto pienamente nel segno di quelle che si è soliti definire “pari opportunità" (tre uomini e tre donne), questo Grünes Blatt, sorto nel 2008 e qui al suo album d'esordio, in cui folklore rumeno e jazz contemporaneo si incontrano in un cocktail coerente e sufficientemente originale. I climi tendono alla pacatezza e alla riflessività, raffinati e ...

ARTICLE: ALBUM REVIEWS

Thirteen Ways: Focus

Read "Focus" reviewed by AAJ Staff

Focus, the second record by the trio of Fred Hersch, Michael Moore, and Gerry Hemingway, continues with the same emphasis on intimacy and subtlety found on their self-titled debut. To quote from the fifth verse of the Wallace Stevens poem “Thirteen Ways of Looking at a Blackbird": I do not know which to prefer ...

ARTICLE: ALBUM REVIEWS

Thirteen Ways: Focus

Read "Focus" reviewed by Mark Corroto

For an artist the process of abstracting an idea reveals the genius of his/her work. Picasso would begin with the reality of say, a bull. He would draw it many ways, each time paring away the unnecessary elements until he had captured the essence of the bull. He said this simplifying leaves merely the idea of ...

ARTICLE: ALBUM REVIEWS

Thirteen Ways: Focus

Read "Focus" reviewed by Glenn Astarita

Music-Magic is likely to occur when you unite woodwind specialist Michael Moore with pianist Fred Hersch and the very “musical” drummer/composer Gerry Hemingway for a recording session! Each one of these fine modernists are equally at home whether performing free-improv, chamber, mainstream or music so indefinable that mere words or classifications could be rendered banal or ...

ARTICLE: ALBUM REVIEWS

Thirteen Ways (Hersch - Moore - Hemingway): Focus

Read "Focus" reviewed by Glenn Astarita

Music-Magic is likely to occur when you unite woodwind specialist Michael Moore with pianist Fred Hersch and the very “musical” drummer/composer Gerry Hemingway for a recording session! Each one of these fine modernists are equally at home whether performing free-improv, chamber, mainstream or music so indefinable that mere words or classifications could be rendered banal or ...


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