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Organic Material
Label: Sachimay Records
Released: 2009
Track listing: Get It While You Can; Path; Device; You're So Perceptive; The Mature Weekend; Organic Material.
Dan DeChellis Trio: Organic Material
by Hrayr Attarian
Good ideas need to be expanded upon rather than repeated, since even the best of them may lose their appeal with multiple restatements. Dan DeChellis' Organic Matter is full of interesting musical concepts that are not really explored to their fullest; rather, they are repeated with each track multiple times, creating a pleasant, hypnotic effect that, ...
Path
Album: Organic Material
By Dan DeChellis
Label: Sachimay Records
Released: 2009
Duration: 8:51
Red Rooms & Twenty Minutes in Brooklyn
By Chainworks
Label: Sachimay Records
Released: 2003
Track listing: Red Rooms : RR1 (10:46) / RR2 (16:38) / RB (16:20) / RR3 (10:32). Twenty Minutes in
Brooklyn : (19:06).
Chainworks: Red Rooms & Twenty Minutes in Brooklyn
by Frank Rubolino
Chainworks is a futuristic trio playing otherworldly music for beings with expanded capacity for absorbing new directions. On Red Rooms, Dan DeChellis develops varied sonic possibilities on electric piano, Brian Moran submerges the soundscape with electronic supplements, and Matt Hannafin paints asymmetric rhythms from a palette of assorted shades and colors. Together, they unite to spontaneously ...
Chamber Music
Label: Sachimay Records
Released: 2000
Track listing: #1. Life on a Square; #2. Deliberate Steps; #3. Conversation Quench.
Levendis (duo): Actions, Productive Of A Process
by Glenn Astarita
The “Levendis (duo)” represents one half of the fine contemporary classical-improv troupe known as “Ensemble Duchamp”. With Actions, Productive of a Process, oboist Lenny Young once again demonstrates his considerable wares as a cunning improviser on these chamber-like yet altogether free-flowing works. Whereas pianist Joshua Yohe is a near-perfect foil for Young’s witty and semi-austere incantations ...
Dan DeChellis: Chamber Music
by AAJ Staff
Free jazz (and I mean the really free stuff) can approach pure improvisation. But the more abstract it gets, the more it can also approximate noise. The same can also be said for a lot of the “modern classical" that took off after John Cage. So sometimes it's hard to say exactly what's going on in ...
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