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Jimmy Hamilton

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Jimmy Hamilton was for a quarter-century a mainstay of jazz's most important large ensemble, the Duke Ellington Orchestra. On clarinet, Hamilton was a model of polished, cool style and substance, while his less often featured work on tenor saxophone allowed him to reveal funkier inclinations. Hamilton was hired by Ellington as the replacement for Barney Brigard in 1943, and he stayed on with the Duke until 1968. Prior to joining Ellington, he had worked with Lucky Millinder, Jimmy Mundy, and most noticeably Teddy Wilson's sextet (1940-1942) and Eddie Heywood; Hamilton also recorded “Gloomy Sunday” with Billie Holiday

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Article: Liner Notes

John Swana: Philly Gumbo Vol.2

Read "John Swana: Philly Gumbo Vol.2" reviewed by C. Andrew Hovan


It seems like a lot of up and coming trumpeters these days go for the bop stylings of Freddie Hubbard and Woody Shaw as their main influence. Far fewer look to players like Art Farmer or Kenny Wheeler for inspiration. That's what has made watching the development of Philadelphia trumpet man John Swana so fascinating over ...

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Article: Album Review

Michael Dease: The Other Shoe: The Music of Gregg Hill

Read "The Other Shoe: The Music of Gregg Hill" reviewed by Jerome Wilson


Gregg Hill is a jazz composer favored by several jazz musicians who have recorded entire albums of his work, such as guitarist Randy Napoleon and bassist Rodney Whitaker. Here trombonist Michael Dease joins the party with a full album of Hill pieces arranged for a quintet. Hill's writing on this album delves into a ...

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Article: Jazz & Juice

Structure: Bordeaux Meets Duke Ellington

Read "Structure: Bordeaux Meets Duke Ellington" reviewed by Kristen Lee Sergeant


I'll begin with a maxim —Knowledge is Pleasure. The reward of learning (especially about music and wine) is the ability to enjoy what is studied all the more. To me, the mark of a connoisseur is not the expert ability to analyze, but being able to revel in both the nuance and totality of what makes ...

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Article: Album Review

Saxophone Summit: Street Talk

Read "Street Talk" reviewed by Chris May


Since coming together in 1999 to celebrate the late-period work of John Coltrane, the aptly named Saxophone Summit has lost only one original member. Michael Brecker passed in 2007 and was replaced by Ravi Coltrane, who has in turn been replaced by Greg Osby. The other principals, Joe Lovano and Dave Liebman, are unchanged, as is ...

Article: Interview

Matteo Pastorino: nome nuovo del clarinetto

Read "Matteo Pastorino: nome nuovo del clarinetto" reviewed by Libero Farnè


..."un clarinettista deciso e inventivo del quale risentiremo parlare." Con queste parole nell'agosto 2008 concludevo la mia recensione di Time in Sassari su questa rivista. Il clarinettista era Matteo Pastorino, allora diciannovenne, e in quell'occasione si esibiva all'interno dell'ottetto Viento Rojo, che raccoglieva i giovani più promettenti fra quelli che avevano frequentato i corsi di Nuoro ...

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Article: Big Band Report

"Lone Wolf" Finds Plenty to Chew On

Read ""Lone Wolf" Finds Plenty to Chew On" reviewed by Jack Bowers


With Betty sidelined by a bad cough, it was up to me to seek out local jazz events in February, and I managed to find a couple of pretty good ones, starting February 7 at the University of New Mexico's Keller Hall where SuperSax New Mexico performed for the third time in Albuquerque. As you may ...

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Article: Interview

Don Byron: Music Wikipedia

Read "Don Byron: Music Wikipedia" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ]I got my Bachelor's in Music Ed and Trumpet from Peabody Conservatory. I got my Master's in Jazz from Queens College. But I did my real graduate work playing with clarinetist Don Byron. My first gigs with Byron were playing Stravinsky ...

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Article: Album Review

Mark Masters Ensemble: Ellington Saxophone Encounters

Read "Ellington Saxophone Encounters" reviewed by Edward Blanco


Longtime big band arranger/bandleader Mark Masters happens to be President of the Pasadena, CA-based non-profit American Jazz Institute (AJI), while baritone saxophonist great Gary Smulyan sits on its Advisory Board. Together, the two have often joined forces on musical projects intended to foster and promote jazz; Ellington Saxophone Encounters is another one of their AJI collaborations, ...

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Article: Album Review

Mark Masters Ensemble: Ellington Saxophone Encounters

Read "Ellington Saxophone Encounters" reviewed by Dan Bilawsky


Countless albums have been made with the sole intention of honoring the great Duke Ellington by highlighting his personality, piano skills and pile of hits, but they don't tell the whole story; part of his legacy rests with the men who brought his music to life. The individuals who filled out the roster in Ellington's illustrious ...


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