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Content by tag "Bix Beiderbecke"

ARTICLE: OPINION

Trumpet Miming in Film: Mostly Jive

Read "Trumpet Miming in Film: Mostly Jive" reviewed by Steve Provizer

No surprise that filmmakers want to feature trumpet players in their films. After all, we are a complicated, sometimes volatile and, ahem, sexy cohort. I've written here about the odd character-illogical bent that movies show toward the species, but in this post, I'll restrict myself to analyzing how well filmmakers pull off the act of shooting ...

ARTICLE: CD/LP/TRACK REVIEW

Nate Birkey: Rome

Read "Rome" reviewed by Victor L. Schermer

With this listenable and relaxed album, trumpeter Nate Birkey joins with four excellent musicians he hooked up with while playing in Italy to deliver a set of mostly ballads in his signature style with introspective improvising, empathic warmth, and minimal vibrato. His playing here is reminiscent of Bix Beiderbecke, one of Chet Baker's formative influences. The ...

ARTICLE: MUSICIAN 2 MUSICIAN

Enrico Rava and Tomasz Stanko: Elective Affinities

Read "Enrico Rava and Tomasz Stanko: Elective Affinities" reviewed by AAJ Staff

Enrico Rava and Tomasz Stanko have recently launched an ECM super-group with which in July they toured all over Europe, performing in Austria, Belgium, the Netherlands, Norway and Romania, as well as in their native countries, Italy and Poland. All About Jazz seized the opportunity to ask the two European trumpet masters to set aside some ...

ARTICLE: CD/LP/TRACK REVIEW

Anat Cohen Tentet: Happy Song

Read "Happy Song" reviewed by Geno Thackara

In his fascinating autobiography, Miles Davis once said that Gil Evans would call him on the phone now and then just to share a quick thought--you know, the kind of thing some people used to do before these random impulses were relegated to texts or Tweets. His classic example was a 3AM call where his longtime ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago" reviewed by Karl Ackermann

Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...

ARTICLE: MUSICIAN 2 MUSICIAN

Le affinità elettive

Read "Le affinità elettive" reviewed by AAJ Staff

Lo scorso luglio Enrico Rava e Tomasz Stanko hanno varato un super-gruppo ECM per un tour europeo di oltre due settimane, in Italia e Polonia, ovviamente, ma anche in Austria, Belgio, Norvegia, Paesi Bassi e Romania. Ne abbiamo approfittato per chiedergli di mettere da parte un momento di calma durante il frenetico tour per una “intervista ...

ARTICLE: UNDER THE RADAR

Preserving the Cradle of Jazz: The New Orleans Jazz Museum

Read "Preserving the Cradle of Jazz: The New Orleans Jazz Museum" reviewed by Karl Ackermann

The New Orleans Jazz Club's beginnings, according to a 1950s edition of their bi-monthly newsletter, sprang from a sidewalk meeting of four jazz fans on Mardi Gras in 1948. The impromptu gathering intended to listen to the marching band called King Zulu's. One member of that group inspired the others to begin a club for jazz ...

Wild Bill Davison: The Danish Sessions

Read "The Danish Sessions" reviewed by Chris Mosey

Wild Bill Davison was aptly described by Humphrey Lyttelton as the kind of drunken reveller who throws his arms around your neck one moment and tries to knock you down the next. Aside from his drinking, Wild Bill was, more importantly, a white Dixieland cornet player of considerable ability, with a fierce, uninhibited attack, whose heroes ...

"Georgia On My Mind" by Hoagy Carmichael

Read ""Georgia On My Mind" by Hoagy Carmichael" reviewed by Tish Oney

Great American Songbook composer, Hoagy Carmichael, (1899-1981) penned many more standards besides the timeless “Stardust" and “Georgia On My Mind..." He also is credited with writing “The Nearness of You," “Heart and Soul," “Skylark," and “I Get Along Without You Very Well," to mention a few more classics. Carmichael starred in a couple of films as ...

ARTICLE: INTERVIEW

David Finck: The Bass, Scatting Offenses, and the Back Hoe

Read "David Finck: The Bass, Scatting Offenses, and the Back Hoe" reviewed by Dr. Judith Schlesinger

David Finck is not only a first-call bassist with a long resume of high-profile recordings and gigs, but he's one of the most versatile musicians on any instrument. Finck has been in the studio, touring, and/or sharing the world's greatest stages with everyone from Andre Previn to Ivan Lins, Woody Herman to Natalie Cole and Kenny ...