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Content by tag "Tone Center"

Steve Khan: Backlog

Read "Backlog" reviewed by Mark Sullivan

Latin jazz has rarely featured the guitar, but that hasn't stopped Steve Khan. Backlog continues in the vein of previous albums including Parting Shot (Tone Center, 2011) and Subtext (Tone Center, 2014): creative Latin arrangements of Great American Songbook standards and modern jazz tunes that are rarely played in Latin style (or in any style, in ...

ARTICLE: CD/LP/TRACK REVIEW

Steve Khan: Backlog

Read "Backlog" reviewed by Mark F. Turner

Steve Khan's love affair with Latin music germinated in the 1980's with his stellar Eyewitness recordings and continued to develop in a number of releases including 2011's Parting Shot and 2014's Subtext both on Tone Center Records. Backlog is third in this series and represents some of the esteemed jazz guitarist's finest work to date.

ARTICLE: INTERVIEW

Steve Smith: Drummer For All Seasons

Read "Steve Smith: Drummer For All Seasons" reviewed by R.J. DeLuke

Drummer Steve Smith has traced the history of jazz drumming--pretty much most of American music drumming--in his storied career that has seen him drive big bands, small jazz combos, and fiery fusion groups, including tenures with Jean Luc Ponty and the rock band Journey.

Though sometimes--as in the case of jazz-rock fusion--he was thrown ...

ARTICLE: CD/LP/TRACK REVIEW

Steve Khan: Subtext

Read "Subtext" reviewed by Mark F. Turner

From his obscure gems on Columbia Records--Tightrope (1977), The Blue Man (1978) and Arrow (1979), or the critically acclaimed 1980s Eye Witness recordings, to 2011's Latin-tinged Parting Shot (Tone Center), jazz guitarist Steve Khan continues to deliver his unique artistry--exquisite touch, expressive solos, and warm tonality--that's made his music identifiable. Subtext finds that mastery still intact ...

Steve Khan: Subtext

Read "Subtext" reviewed by Glenn Astarita

Steve Khan has always been a consummate, story-telling improviser. His extensive resume and distinguished solo career spans jazz fusion, modern mainstream, and with Subtext, he delves a bit deeper into the Latin element, when looking back at his days recording and performing with former Weather Report percussionist Manolo Badrena who was a member of Khan's early ...

Steve Khan: Subtext

Read "Steve Khan: Subtext" reviewed by John Kelman

Change is a fact of life, and it's something that's better to be embraced than challenged; as inevitable as death and taxes, it's one of those things that you may as well accept, because there are few, if any, options to do otherwise. That said, while the then-aptly titled Parting Shot (Tone Center, 2011) suggested that ...

Steve Khan: Subtext

Read "Subtext" reviewed by Dan Bilawsky

Guitarist Steve Khan's latter day work has been increasingly focused on Latin jazz fusion of various shapes, so the scope and direction of Subtext should come as no surprise to his longtime followers. This album arrives three years after Parting Shot (Tone Center, 2011) and runs along similar lines. That one was an originals-heavy, percussively-coated session ...

ARTICLE: CD/LP/TRACK REVIEW

Scott Henderson / Jeff Berlin / Dennis Chambers: HBC

Read "HBC" reviewed by Glenn Astarita

Not simply a super-group, but more like a jazz-fusion superpower as this formidable trio melds classic fusion works amid a few originals on its debut release, although the artists have crossed paths over the years. Bios and resumes would transcend the limitations of a review or analysis. So, it's the in-your-face attitude, creative impetus, and the ...

Tribal Tech: X

Read "X" reviewed by Ian Patterson

According to guitarist Scott Henderson, Tribal Tech never broke up; the band's work simply halted in 2000 when bassist Gary Willis moved to Spain. Henderson, keyboardist Scott Kinsey and drummer Kirk Covington continued to play in each others' respective projects in the following years. The first whispers of reunion came in 2009, and subsequently gathered force. ...

Tribal Tech: X

Read "X" reviewed by John Kelman

It's been more than ten years since Tribal Tech's last release, and if this uncompromising fusion group was beginning to show signs of wear and tear by the time of Rocket Science (ESC, 2000), its return to recording proves that sometimes a hiatus can be a healthy thing. After working through a number of personnel shifts, ...


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