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ARTICLE: RADIO

Eric Alexander, Tristano and Nat Cole Centennials & Ellingtonia

Read "Eric Alexander, Tristano and Nat Cole Centennials & Ellingtonia" reviewed by Marc Cohn

Tenor saxophonist Eric Alexander appeared in Baton Rouge Tuesday, November 19th @ the Manship Theatre, downtown Baton Rouge. So we warmed you up for his visit with his trio and quartet work, as well as a sideman with Mike LeDonne on the B-3 and pianist Junior Mance (knee deep in the blues). There's also our last ...

ARTICLE: HIGHLY OPINIONATED

Blue Note's 80th Anniversary Vinyl Initiative

Read "Blue Note's 80th Anniversary Vinyl Initiative" reviewed by Patrick Burnette

Blue Note moves in mysterious ways. It seems like only a few months ago that the storied jazz label announced its Tone Poet vinyl series, because, well, it was only a few months ago, and here they are with yet another entry in the vinyl reissue game: the Blue Note 80th Anniversary Series. Like the Tone ...

ARTICLE: RADIO

Ben Sidran on 50 years in jazz

Read "Ben Sidran on 50 years in jazz" reviewed by Leo Sidran

In this podcast, the multifaceted Ben Sidran (my dad) on his 76th birthday, talks about on falling in love with bebop as a young boy, counter culture in the 1960s, jazz as a form of journalism, how to get paid like a musician, his proudest moments, writing a misunderstood rock and roll anthem, getting to Carnegie ...

ARTICLE: RADIO

Newk, Clarinet Madness & More

Read "Newk, Clarinet Madness & More" reviewed by Marc Cohn

June 2019 was one of those months with 5 Saturdays, so we got to play around with the music more. As usual, a mix of newer music from the likes of Theo Hill, Kate Reid and Anat Cohen--the latter two duos with Fred Hersch on piano. Then we have two, yes two, “compare and contrast": one ...

ARTICLE: RADIO

The Chicago Sound (1956 - 1961)

Read "The Chicago Sound (1956 - 1961)" reviewed by Russell Perry

Because it acted as a safe harbor for the New Orleans diaspora of the teens and twenties, Chicago played a key role in early jazz. By the 1950s, much of jazz was understood in the dialog between cool jazz and hard bop, aka West Coast and East Coast, with Los Angeles and New York playing inordinately ...

ARTICLE: RADIO

Sons of the Jazz Messengers (1956 - 1964)

Read "Sons of the Jazz Messengers (1956 - 1964)" reviewed by Russell Perry

In 1956, with Horace Silver's departure, Art Blakey inherited the Jazz Messengers. Over the next five years, the Jazz Messengers took part in recording sessions that have resulted in almost 40 live and studio recordings. Also in this period, Blakey collaborated with players who became the stars of Hard Bop. In this hour, we will hear ...

ARTICLE: INTERVIEWS

Denny Zeitlin: Balancing Act

Read "Denny Zeitlin:  Balancing Act" reviewed by Ken Dryden

Denny Zeitlin is a true Renaissance man with many interests, in addition to balancing his careers in medicine and music. Although his medical practice and teaching have limited his abilities to tour beyond brief trips east or playing near his home in California, he has recorded regularly in recent years, releasing a variety of projects for ...

ARTICLE: ALBUM REVIEWS

Nick Weldon: Eleven Flames

Read "Eleven Flames" reviewed by Roger Farbey

Nick Weldon is best known as a pianist and in that context has accompanied some of the biggest names in jazz including Sonny Stitt, Johnny Griffin and Jimmy Witherspoon. However on this album he plays bass. He's had classical training on the instrument and in addition to jazz dates, he continues to play in orchestras. But ...

ARTICLE: ALBUM REVIEWS

Simon Toldam Trio: Omhu

Read "Omhu" reviewed by Jakob Baekgaard

The bebop and hard bop revolution of the forties and fifties made speed a virtue as razor-sharp unison lines cut through the rhythms. A saxophonist like Johnny Griffin was praised for his fast way of playing that also underlined his technical virtuosity, and the muscular style signaled a music completely in touch with modernity.

ARTICLE: MULTIPLE REVIEWS

Jazz is Mod: An Introduction to the Mod Jazz Series

Read "Jazz is Mod: An Introduction to the Mod Jazz Series" reviewed by Jakob Baekgaard

In England there is a solid tradition for crate digging and appreciation of American music. In fact, the whole idea of Northern Soul is based on the concept of English hipsters digging out rare soul gems in the sixties and giving them new life on the dance floor. However, the English mod scene, as it was ...