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Adam Holzman: Truth Decay

Read "Truth Decay" reviewed by John Kelman

Truly a musician's musician, Adam Holzman's career, visibility-wise, has waxed and waned over the keyboardist's thirty-year career, but he's never been less than busy. His time spent with Miles Davis, during the last years of the music icon's life, helped raise the masterful and broad-reaching keyboardist/producer's profile. Certainly, based on his work with jazz artists including ...

NEWS: PERFORMANCE / TOUR

Jazz "Guitar Hero" B.D. Lenz Celebrates 20 Years With "Manifesto" CD Release Party

Jazz "Guitar Hero" B.D. Lenz Celebrates 20 Years With "Manifesto" CD Release Party

B.D. Lenz 's Manifesto CD Release Party Set for Friday, March 25, 2016 from 9pm-1am at the The Stanhope House in Stanhope, NJ $10 in advance or $15 at the door (18 or older to enter and 21 to drink). $5 CD sale for this special evening. With thousands of live gigs performed internationally, 8 highly-acclaimed albums ...

John Clark: The Odd Couple Quintet +1

Read "The Odd Couple Quintet +1" reviewed by Budd Kopman

Yes, it is true that French horn and bassoon are not commonplace instruments in jazz. Attempts have been made to use them, of course, most recently by Julian Schneemann on Roundabout, but in that work, they were used more as colors in the mix.

What is unusual is for these instruments to be in the ...

John Clark: The Odd Couple Quintet +1

Read "The Odd Couple Quintet +1" reviewed by Jack Bowers

"And now," as John Cleese used to intone on the Monty Python television series, “for something completely different." In this case, a jazz quintet (+1) sporting a front line of French horn and bassoon and performing, among other things, two horn concertos by Mozart. An odd coupling? At first blush, it would seem so. Far less ...

NEWS: RECORDING

The Odd Couple Quintet +1 By John Clark

The Odd Couple Quintet +1 By John Clark

John Clark French horn CD Release on Composers Concordance Records "Virtually every French horn student starts playing the Mozart Concerti at a young age. I think I was 11 or 12 when I first attempted them, and even then I wanted to improvise on them. I had no idea what 'jazz' or 'creative music' was, but I ...