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ARTICLE: ALBUM REVIEWS

The Attic: Summer Bummer

Read "Summer Bummer" reviewed by John Sharpe

Although the cover painting might be interpreted as a comment on the two-dimensional nature of beach holidays, the title actually derives from the name of the festival in Antwerp where this invigorating free jazz by The Attic was recorded. It's the second outing by the band, which takes its name from its eponymous debut (NoBusiness, 2017). ...

John Dikeman And The Origin Of The Species

Read "John Dikeman And The Origin Of The Species" reviewed by Mark Corroto

If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...

ARTICLE: ALBUM REVIEWS

Assif Tsahar: In Between the Tumbling a Stillness

Read "In Between the Tumbling a Stillness" reviewed by Mark Corroto

As the saying goes, In Between The Tumbling A Stillness, recorded in 2015 in Tel Aviv, “comes in like a lion and goes out like a lamb." Saxophonist Assif Tsahar, who sticks to tenor throughout, opens “In Between" like a lion, if that lion were Albert Ayler. The 35-minute piece draws from the fire music of ...

ARTICLE: ALBUM REVIEWS

Dave Rempis / Brandon Lopez / Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Mark Corroto

The trio of saxophonist Dave Rempis, bassist Brandon Lopez, and drummer Ryan Packard have released their debut recording The Early Bird Gets without devising a name for the trio. Packard, like his fellow Chicagoan Tim Daisy, is a percussionist, composer, and sound artist. He is a member of Rempis' Chicago-based Gunwale, along with Albert Wildeman. With ...

ARTICLE: RADIO

Russ Lossing, Jasper Blom and More

Read "Russ Lossing, Jasper Blom and More" reviewed by Maurice Hogue

Sometimes a recording catches you by surprise. Such is the case with Swedish bassist Thomas Markusson's Open. Only one of the musicians was familiar, the pianist Naoko Sakata who moved from Japan to Sweden where she could play the kind of music that wasn't popular in Japan. Sakata definitely found the right company. Markusson is a ...

ARTICLE: RADIO

A Focus on Mario Pavone & More

Read "A Focus on Mario Pavone & More" reviewed by Bob Osborne

This week a focus on master bassist Mario Pavone who, after a life of partnerships with the likes of Paul Bley, Bill Dixon, Thomas Chapin, Anthony Braxton, Wadada Leo Smith, Marty Ehrlich and others of similar status, has come to the fore in recent years with his own releases as leader. In addition a selection of ...

ARTICLE: ALBUM REVIEWS

Dave Rempis: Icoci

Read "Icoci" reviewed by John Sharpe

In avant jazz, as in other artistic endeavors, talent alone isn't enough. Success requires a large slice of luck too. Chicago-based reedman Dave Rempis knows that as well as anyone. As a consequence he works hard at making his own luck: he concentrates on running a string of regular outfits; assembles a network of supportive venues; ...

ARTICLE: LIVE REVIEWS

Moldejazz 2018

Read "Moldejazz 2018" reviewed by Martin Longley

Moldejazz 2018
Molde, Norway
July 16-21, 2018

Skyscraper cruise ships pull up to the the port of Molde in Norway, temporarily overpopulating this small west coast city, in addition to the folks who are already visiting for its long-established jazz festival. The Molde centre might be conventionally dedicated to shopping, ...

ARTICLE: LIVE REVIEWS

Moers Festival 2018

Read "Moers Festival 2018" reviewed by Martin Longley

Moers Festival
Moers, Germany
May 18-21, 2018

The long-established Moers Festival has undergone several changes in recent years. Its distinctive circus top tent was retired in 2013, making way for a custom-designed Halle to house most of the main concerts. Then, two years ago, the festival director and programmer switched ...

ARTICLE: RADIO

Doek Festival 2018 - This Is Our Music Live at BIMHUIS Amsterdam

Read "Doek Festival 2018 - This Is Our Music Live at BIMHUIS Amsterdam" reviewed by BIMHUIS

"This Is Our Music": many sides of the flourishing Amsterdam improv scene were revealed at the 2018 Doek Festival, with well-known musicians and international guests. This event signalled the return of the Amsterdam-based collective Doek to its roots: personal projects by its individual core members. The result is a richly varied program including two nights at ...