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Luiz Bonfa

Born:

Luiz Bonfa was a Brazilian guitarist and composer best known for the compositions he penned for the film Black Orpheus. Bonfa was born on October 17, 1922 in Rio de Janeiro. He began teaching himself to play guitar as a child; he studied in Rio with Uruguayan classical guitarist Isaias Savio from the age of twelve. These weekly lessons entailed a long, harsh commute by rail and on foot from his family home in the western rural outskirts of Rio de Janeiro to the teacher's home in the hills of Santa Teresa. Given Bonfa's extraordinary dedication and talent for the guitar, Savio excused the youngster's inability to pay for his lessons

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Article: The Big Question

Which jazz records in your collection are most sentimental to you and why?

Read "Which jazz records in your collection are most sentimental to you and why?" reviewed by Michael Ricci


An old friend alerted me to a Reddit discussion entitled “Which records in your collection are most sentimental to you and why?" and I thought we should repurpose (ok, steal) it for our community but add “jazz" as a qualifier. Sentimental being key, for me it's the The Chuck Mangione Quartet (Mercury, 1972)--a live set with ...

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Article: Liner Notes

Reeds and Deeds: Cookin'

Read "Reeds and Deeds: Cookin'" reviewed by C. Andrew Hovan


Chances are that if you're reading these notes right now you're more than a bit familiar with the talents of tenor saxophonists Eric Alexander and Grant Stewart and might even have picked up Wailin' (Criss 1258), their first effort together leading a quintet billed as Reeds and Deeds. As such, it would probably be redundant to ...

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Article: Liner Notes

Raul De Souza: Colors

Read "Raul De Souza: Colors" reviewed by Arnaldo DeSouteiro


Raul De Souza's life can be seen as a one-of-a-kind story. Indeed, it would make a perfect novel or film script. It may not be as big a tragedy as 'Round Midnight or Bird, but it has drama, love, adventure, and great music. Picture this: a poor child grows up in Brazil working as ...

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Article: Album Review

Nanny Assis: Rovanio

Read "Rovanio" reviewed by Chris May


The Brazilian-born, New York City-based singer and composer Nanny Assis is a big talent with a low profile. His elegant blend of jazz and Brazilian music puts one in mind of another similarly inclined and relatively little known stylist, the Berlin-based composer and producer Meeco, well loved in this parish. The work of both musicians is ...

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Article: Album Review

Antonio Adolfo: Bossa 65

Read "Bossa 65" reviewed by Pierre Giroux


Composer, arranger and pianist Antonio Adolfo has a discography which extends to the very early days of the Bossa Nova craze that swept through Brazil and into North America. With his deep roots in the Bossa tradition, Adolfo is an internationally recognized Brazilian jazz personage. Many of his original compositions have been covered by artists such ...

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Article: Album Review

Christopher Lucas Wilson: Solemn Moments

Read "Solemn Moments" reviewed by Hrayr Attarian


Pianist Christopher Lucas Wilson demonstrates his sophisticated style and vibrant sense of swing on his third release as a leader, the delightful Solemn Moments. Informed by the turmoil of the pandemic, the intimate set was recorded in Wilson's hometown of Detroit. Evenly split between covers and originals, the album boasts both thematic cohesiveness and engaging variation. ...

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Article: Building a Jazz Library

CTI Records: Ten Tasty Albums With No Added Sugar (Almost)

Read "CTI Records: Ten Tasty Albums With No Added Sugar (Almost)" reviewed by Chris May


Few jazz producers divide opinion as much as Creed Taylor. He is a hero to many and a villain to as many more. His fans love him for his high production values. His detractors accuse him of dumbing jazz down with excessively sweetened orchestrations and other sales-oriented compromises. Nowhere is the dispute more heated than over ...

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Article: Album Review

Juan Carlos Quintero: Table for Five!

Read "Table for Five!" reviewed by Jack Bowers


Fans of captivating Latin rhythms in the service of contemporary jazz should be enchanted by Table for Five! on which maestro Juan Carlos Quintero swaps his customary nylon strings for an electric guitar and his focus from smooth jazz and world music to the standard repertoire, American and Latin, and a pair of his own jazz-centered ...


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