My Content
Membership has its privileges! Sign up or sign in to gain full access to both All About Jazz and Jazz Near You. Learn more.
Content by tag "Behn Gillece"
New Faces: Straight Forward
New Faces is the brainchild of producer Marc Free, who comingles the talents of six young jazzers, each of whom has led at least one session for Posi-Tone. With the exception of a Herbie Hancock composition, the material is comprised of attractive, catchy themes of varying degrees of complexity, penned by a number of the label's ...
read moreNew Faces: Straight Forward
The collection of musicians on this record, collectively referred to as “New Faces," is an attempt by Posi-Tone producer Marc Free to create a sampler of the label's mission, utilizing a selection of young leaders to collectively personify their overall musical vision. As stated on the Posi- Tone website, “The entire series of succinct performances included ...
read moreKen Fowser: Now Hear This!
Taking a cue from some of the other smaller jazz-based labels, Posi-Tone has done a remarkable job over the past few years of building a roster of budding talents worthy of wider recognition. Part of the allure of such an endeavor is the ability to see the evolution of an artist's muse unfolding like a rose. ...
read moreC. Andrew Hovan's Best Releases of 2016
It is hard to believe I have been writing about jazz for All About Jazz for almost 18 years now. During that time period, vinyl was scarce as can be, only to come back recently with a vengeance. With many classic jazz recordings working their way into the area of public domain, ubiquitous CD reissues have ...
read moreBehn Gillece: Dare To Be
It pays to listen to Dare To Be, Behn Gillece's second release as a leader for Posi-Tone Records, from the bottom up. Bassist Ugonna Okegwo and drummer Jason Tiemann are one of most congenial, articulate, and straightforward bass and drums team in recent memory. They're self-effacing, deeply focused and frisky. Regardless of the differences in the ...
read moreGwendolyn Dease: Beguiled
While this fourth album from marimbist Gwendolyn Dease is rightly seeing release on the classical arm of Origin Records, it wouldn't have been completely out of place if it had landed on the jazz side of that imprint. Dease bypasses contemporary marimba fare and late twentieth century favorites from the usual suspects like Ney Rosauro, Casey ...
read moreBehn Gillece: Dare to Be
When it comes to jazz vibraphone, the names of Stefon Harris and Warren Wolf are most likely to be found on a list of contemporary leaders. Add to that now the name of Behn Gillece, a gentleman who has been honing his skills on the New York scene since 2006. His talents first came to the ...
read moreMichael Dease: Father Figure
Never underestimate a jazz musician's capacity for drawing on material from vastly different sources, deflating the ostensible dissimilarities, and producing vibrant sounds that don't hew to convention or expectations. From the music's early years, resourceful artists have been confounding audiences and critics alike by putting their stamp on anything that strikes their fancy, from gutbucket blues ...
read moreWalt Weiskopf: The Way You Say It
For quite some time, saxophonist Walt Weiskopf had a forum for expressing his growth and development via his many albums for Criss Cross Jazz. While that fruitful partnership ended in 2010 with See the Pyramid, Weiskopf seems to have found a new home with Marc Free's Posi-Tone imprint. With three releases added to his already healthy ...
read moreWalt Weiskopf: The Way You Say It
The trail leading to The Way You Say It, the latest from tenor saxophonist Walt Weiskopf, is marked by performances from superb Posi-Tone releases of recent vintage. Organist Brian Charette was the ballast of the 2015 Triple Play, a three tenor date led by Doug Webb, which featured Weiskopf. Vibraphonist Behn Gillece made significant contributions to ...
read moreShowcase
-
Songs on the eve of... by Chris Abelen
-
Venetian Blinds by Mike Freeman
Featured Event
A four-day festival in Philadelphia featuring John Zorn, Annette Peacock, Christian McBride, the music of Alice Coltrane, and much more. October 4-7, 2018
Story of the Day
I love jazz because of Miles Davis and Vitor Assis Brasil. I was first exposed to jazz seeing I Festival Internacional de Jazz de São Paulo in 1978. I met Ron Carter at Arpoador. The best show I ever attended was Miles Davis at Canecão in Rio de Janeiro. The first jazz record I bought was Memorial Clifford Brown. My advice to new listeners..
Read more
By Hernani Heffner
Member since: 2018
