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Content by tag "Cecile McLorin Salvant"

ARTICLE: IN PICTURES

Headliners and Rising Stars at the 2018 Montreal International Jazz Festival

Read "Headliners and Rising Stars at the 2018 Montreal International Jazz Festival" reviewed by Dave Kaufman

Part 1 | Part 2 | Part 3 | Part 4

This year marked one of the best and most well-balanced indoor (paid indoor events) and (free) outdoor lineups at the Festival International de Jazz de Montreal (FIJM). The strength of the lineup stretched across genres and also maintained a consistency over the course of ...

ARTICLE: RADIO

Jazzmeia Horn

Read "Jazzmeia Horn" reviewed by BIMHUIS

There is great anticipation surrounding Jazzmeia Horn. She has already been compared to Betty Carter and Sarah Vaughan, and she received compliments from Jon Hendricks and Al Jarreau. Her singing and vocalese skills are of the highest level, and on top of that she does not shy away from addressing current social issues.

On ...

ARTICLE: IN PICTURES
ARTICLE: JAZZ BASTARD

April 2018: Cécile McLorin Salvant, Binker and Moses, Yazz Ahmed.

Read "April 2018:  Cécile McLorin Salvant, Binker and Moses, Yazz Ahmed." reviewed by Patrick Burnette

Episode 137 looks at recordings by Sophie Milman, Rene Marie, Monica Zetterlund, and Cécile McLorin Salvant. We discuss the jazz content in each release, the vocal approach of each singer, and the elusive concept of sultriness. Female jazz singers are often packaged and sold as sex objects. Some are more comfortable expressing their sensual sides than ...

Cecile McLorin Salvant: Dreams and Daggers

Read "Dreams and Daggers" reviewed by Angelo Leonardi

È un disco importante questo di Cécile McLorin Salvant. Il disco della piena maturità, quello che segna la consacrazione della giovane vocalist nell'olimpo del canto jazz. Dopo tre lavori in studio (l'ultimo dei quali vincitore di un Grammy) Cécile dimostra con questo doppio live di non essere solo la voce afro-americana più avvincente del presente ma ...

Jazzmeia Horn: A Social Call

Read "A Social Call" reviewed by Angelo Leonardi

L'impatto di Jazzmeia Horn sulla scena vocale afro-americana ricorda quello recente di Cécile McLorin Salvant e di Gregory Porter. Già vincitrice nel 2013 e nel 2015 di due prestigiosi concorsi statunitensi, la 26enne cantante texana ha evidenziato in questo debutto le sue ricche doti: vibrante tensione emotiva dai chiari rimandi blues e soul, scura voce contralto ...

NEWS: AWARD / GRANT

60th GRAMMY Awards: Jazz Winners

60th GRAMMY Awards: Jazz Winners

And the winners of the 2018 GRAMMY Awards are... 31. Best Improvised Jazz Solo (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.) "Can't Remember Why" ...

ARTICLE: LIVE REVIEWS

Umbria Jazz Winter 25

Read "Umbria Jazz Winter 25" reviewed by Libero Farnè

Umbria Jazz Winter 25
Varie Sedi
Orvieto
28.12.2017--01.01.2018

Raggiunto il traguardo dei venticinque anni, come sempre Umbria Jazz Winter con la sua programmazione in ogni ora del giorno ha invaso le strade e i vari ambienti pubblici e privati della città tufacea, registrando una notevole affluenza di pubblico, che nella ...

ARTICLE: BEST OF / YEAR END

2017: The Year in Jazz

Read "2017: The Year in Jazz" reviewed by Ken Franckling

A year of achievements, challenges to gender inequality, scandal and losses

The year 2017 was quite something for the jazz world. Incidents or discussions of misogyny and sexual misconduct bubbled up even before the #MeToo phenomenon developed. Beyond that, woman musicians made significant contributions to the genre. International Jazz Day brought its biggest stage ...

ARTICLE: BEST OF / YEAR END

Mark F. Turner's Best Releases Of 2017

Read "Mark F. Turner's Best Releases Of 2017" reviewed by Mark F. Turner

In a year filled with loss, uncertainty and numerous challenges, the following releases by these creative and talented artists repeatedly moved me while bringing something fresh to my ears. No matter what critics or doubters say, the music lives on and is as strong as ever; always colored by its diversity.

Harriet Tubman ...