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Content by tag "David Sanborn"

ARTICLE: IN PICTURES

Ronnie Foster Trio at Nighttown

Read "Ronnie Foster Trio at Nighttown" reviewed by C. Andrew Hovan

Although he came along at the end of an era in terms of the popularity of jazz organ, Ronnie Foster has led a varied and colorful career having studied with the iconic Jimmy Smith and worked with a wide variety of artists including George Benson, David Sanborn, Stevie Wonder, Stanley Turrentine, and Djavan. Currently leading his ...

NEWS: VIDEO / DVD

StLJN Saturday Video Showcase: Six St. Louis saxophonists you should know

StLJN Saturday Video Showcase: Six St. Louis saxophonists you should know

When talk turns to saxophonists from St. Louis, many knowledgeable music fans will associate our city with David Sanborn and World Saxophone Quartet founding members Hamiet Bluiett, Oliver Lake and Julius Hemphill. Sanborn, Bluiett, and Lake all grew up in this area, and Hemphill, though not a native, made an important contribution to the Black Artists Group ...

ARTICLE: LIVE REVIEWS

Pittsburgh JazzLive International Festival 2017

Read "Pittsburgh JazzLive International Festival 2017" reviewed by C. Andrew Hovan

Pittsburgh JazzLive International Festival 2017
Pittsburgh, PA
June 16-18, 2017

The complicated logistics and sizable costs associated with free jazz festivals have made them somewhat rarified these days. By its all-encompassing scope and scale, the Detroit Jazz Festival has served as a model for many decades now. But if you want something ...

Ricordiamo Michael Brecker

Read "Ricordiamo Michael Brecker" reviewed by Angelo Leonardi

Sono trascorsi più di dieci anni dalla morte di Michael Brecker, avvenuta il 13 gennaio 2007, il giorno dopo quella di Alice Coltrane. Brecker è stato il massimo e più influente sax tenore post-coltraniano ed è quanto mai doveroso ricordarne la vita e il percorso artistico.

Il 25 gennaio di quest'anno la comunità jazzistica ...

Texas Jazz Crooner Ken Slavin Makes Don’t Tell Mama Debut With Acclaimed Saloon Show, “Shaken, Not Stirred”

Texas Jazz Crooner Ken Slavin Makes Don’t Tell Mama Debut With Acclaimed Saloon Show, “Shaken, Not Stirred”

The number-one male jazz singer in the home of the Alamo makes his Don’t Tell Mama debut during Tony Award Weekend with “Shaken, Not Stirred – With A Tony Twist!” Slavin’s first engagement at the legendary cabaret at 343 W. 46th Street in the heart of the Theater District will feature two shows: Friday, June 9 at ...

L'ultimo hipster. La vita e la musica di Mark Murphy

Read "L'ultimo hipster. La vita e la musica di Mark Murphy" reviewed by Angelo Leonardi

Non trovate accenni a Mark Murphy nelle più recenti storie del jazz, neanche il nome. Una lacuna che appare inspiegabile (a differenza di Frank Sinatra, Mel Tormè e Tony Bennett) che si giustifica solo col ritardo a collocare il cantante di Syracuse in una prospettiva storica.

Eppure già prima della sua scomparsa -il ...

ARTICLE: INTERVIEW

David Finck: The Bass, Scatting Offenses, and the Back Hoe

Read "David Finck: The Bass, Scatting Offenses, and the Back Hoe" reviewed by Dr. Judith Schlesinger

David Finck is not only a first-call bassist with a long resume of high-profile recordings and gigs, but he's one of the most versatile musicians on any instrument. Finck has been in the studio, touring, and/or sharing the world's greatest stages with everyone from Andre Previn to Ivan Lins, Woody Herman to Natalie Cole and Kenny ...

John Patitucci: Irmãos De Fé

Read "Irmãos De Fé" reviewed by Karl Ackermann

Newvelle Records, the New York based, vinyl-only subscription label, was launched by jazz pianist by Elan Mehler and Parisian, Jean-Christophe Morisseau in 2016. With a high-end, boutique collection that has included digitally recorded, 180g pressings for Frank Kimbrough, Noah Preminger and Jack DeJohnette, the label opens its second season with the iconoclastic bassist, and multiple Grammy ...

ARTICLE: PROFILES

Arthur Blythe, 1940-2017: A Remembrance

Read "Arthur Blythe, 1940-2017: A Remembrance" reviewed by Todd S. Jenkins

The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...

ARTICLE: UNDER THE RADAR

Jazz Education: The Next Generation, Part 2

Read "Jazz Education: The Next Generation, Part 2" reviewed by Karl Ackermann

Part 1 of Jazz Education: The Next Generation explored how the early days of music and--specifically--jazz music was approached through various channels of formal education. The long, arduous process of creating an accepting environment for jazz education necessitated moving the art form from a vaudevillian status through a firewall of academic elitism and prejudice to a ...


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