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ARTICLE: LIVE REVIEWS

Bill Frisell Harmony Quartet a Trento

Read "Bill Frisell Harmony Quartet a Trento" reviewed by Giuseppe Segala

Bill Frisell Harmony Quartet Rassegna Transiti Teatro Sanbapolis Trento 24.10.2019 Togliere anziché aggiungere, e in questo processo mirare all'essenza. Molti, nel campo della musica e dell'arte in generale, hanno affermato questo principio e perseguito tale idea. Non facile: bisogna sapere bene dove si vuole arrivare, cosa sfrondare, perché. Nella ...

ARTICLE: LIVE REVIEWS

Newport Jazz Festival 2019

Read "Newport Jazz Festival 2019" reviewed by Doug Hall

Newport Jazz Festival Fort Adams State Park Newport, RI August 2-4, 2019 The 65th Anniversary Newport Jazz Festival continued an established tradition of delivering an exceptional level of high quality musicianship. Over the three fully packed days (and one special evening at the International Tennis Hall of Fame) from August 2nd ...

ARTICLE: LIVE REVIEWS

Bill Frisell Trio at Dublin's National Concert Hall

Read "Bill Frisell Trio at Dublin's National Concert Hall" reviewed by Ian Patterson

Bill Frisell Trio National Concert Hall jny:Dublin, Ireland February 21, 2019 It was a swift return to the National Concert Hall stage for Bill Frisell, following his guest appearance in May 2018 at the finale of fiddler Martin Hayes' residency. This time Frisell was leading his trio of Tony Scherr ...

ARTICLE: ALBUM REVIEWS

Alicia Hall Moran: Here Today

Read "Here Today" reviewed by Angelo Leonardi

Le sintesi tra canto operistico e universo musicale afroamericano sono state sporadiche. In generale la relazione tra i due mondi è apparsa difficilmente compatibile per la forte diversità tra le due estetiche: mi sembra che l'esempio più riuscito di conciliazione resti l'opera Porgy and Bess . Di recente un significativo passo avanti lo sta compiendo il ...

ARTICLE: IN PICTURES

Sexmob at Blue Note Milano

Read "Sexmob at Blue Note Milano" reviewed by Roberto Cifarelli

Photos of the concert by Sexmob, the fiery quartet featuring Steven Bernstein, Briggan Krauss, Tony Scherr and Kenny Wollesen, which performed for the first time in Milan, at the Blue Note Jazz Club, in front of a warm audience of music enthusiasts. Sexmob played a captivating mix of original music and compositions from the soundtracks of ...

ARTICLE: LIVE REVIEWS

Edgefest 2017: Give the Drummers Some, Part 1-2

Read "Edgefest 2017: Give the Drummers Some, Part 1-2" reviewed by Troy Dostert

Part 1 | Part 2 Edgefest Ann Arbor, MI October 18-19, 2017 When mid-October rolls around, many fans of avant-garde jazz and creative music prepare to converge on Ann Arbor, Michigan for their annual pilgrimage to the Kerrytown Concert House, home of the Edgefest festival. Now in its ...

ARTICLE: DOWNLOAD REVIEWS

Bill Frisell: Hurricane Harvey Relief: A Compilation From His Live Download Series

Read "Bill Frisell: Hurricane Harvey Relief: A Compilation From His Live Download Series" reviewed by John Kelman

Bill Frisell Hurricane Harvey Relief: A Compilation From His Live Download Series BillFrisell.com 2017 Many musicians may use their celebrity to speak out about issues that matter to them, but only a relatively precious few are actually prepared to put the time, effort and money where their mouths are, creating contexts ...

ARTICLE: ALBUM REVIEWS

Jon Cowherd Quartet: featuring Steve Cardenas, Tony Scherr and Brian Blade: Gateway

Read "Gateway" reviewed by Karl Ackermann

Pianist/keyboardist Jon Cowherd has been a regular member of the Brian Blade Fellowship through its four releases dating back to the group's self-titled debut in 1998 (Blue Note Records). He has recorded with Cassandra Wilson, Lizz Wright and Myron Walden (also of Fellowship) as well, but the Kentucky native has a background that extends to country ...

ARTICLE: INTERVIEWS

The indefatigable Bill Frisell

Read "The indefatigable Bill Frisell" reviewed by Mario Calvitti

Since he first appeared on the international scene in the late '70s, Bill Frisell has shown considerable originality and strong individuality. Thanks to an instrumental voice that is both immediately recognizable and immensely versatile, he continues to stand out among the artists that have contributed to rewriting the role of guitar in jazz and beyond.

ARTICLE: INTERVIEWS

Bill Frisell, l'infaticabile

Read "Bill Frisell, l'infaticabile" reviewed by Mario Calvitti

Tra gli artisti che negli ultimi decenni hanno maggiormente contribuito a rinnovare il ruolo della chitarra nella musica jazz (ma non solo) spicca sicuramente il nome di Bill Frisell. Fin dal suo primo apparire sulla scena internazionale alla fine degli anni '70 ha dimostrato grande originalità e una spiccata individualità, con il timbro del suo strumento ...


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