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NEWS: RECORDING

Maria Muldaur Readies 41st Album: "Don't You Feel My Leg - The Naughty Bawdy Blues Of Blue Lu Barker" Out September 28th

Maria Muldaur Readies 41st Album: "Don't You Feel My Leg - The Naughty Bawdy Blues Of Blue Lu Barker" Out September 28th

When a 24-year-old Blue Lu Barker stepped up to the microphone at Decca Records studio in Manhattan in 1938 to record Don’t You Feel My Leg, she had no way of knowing that that initial recording would turn out to be such an enduring piece of blues artistry. An immediate hit, the song instantly established Barker ...

ARTICLE: RADIO

Zara McFarlane

Read "Zara McFarlane" reviewed by BIMHUIS



Zara McFarlane is one of the most remarkable rising stars in British soul jazz. The singer from London, who was raised in a Jamaican family, has been compared to Erykah Badu and Cassandra Wilson. She has a pure voice and a unique, contemporary style combining soul, jazz, dub and afro-funk. The intimate vocals of ...

ARTICLE: LIVE REVIEWS

Festival International de Jazz de Montréal 2018: Part 1

Read "Festival International de Jazz de Montréal 2018: Part 1" reviewed by John Kelman

Part 1 | Part 2

2018 Festival International de Jazz de Montréal,
Various Venues,
Montréal, Canada
June 29-July 3, 2018

Every return to Montréal for the city's annual Festival International de Jazz de Montréal is much-anticipated. Closing off six square blocks in the downtown core is rare enough; but, over ...

ARTICLE: LIVE REVIEWS

Brilliant Corners 2018

Read "Brilliant Corners 2018" reviewed by Ian Patterson

Brilliant Corners 2018
Black Box
jny: Belfast, N. Ireland
March 3-10, 2018

Compared to Dublin or cities in the UK, Belfast is usually overlooked when jazz groups tour. When the likes of Wayne Shorter, Charles Lloyd, Ahmad Jamal, Keith Jarrett or Brad Mehldau come to Ireland it's usually a one-stop ...

Cecile McLorin Salvant: Dreams and Daggers

Read "Dreams and Daggers" reviewed by Angelo Leonardi

È un disco importante questo di Cécile McLorin Salvant. Il disco della piena maturità, quello che segna la consacrazione della giovane vocalist nell'olimpo del canto jazz. Dopo tre lavori in studio (l'ultimo dei quali vincitore di un Grammy) Cécile dimostra con questo doppio live di non essere solo la voce afro-americana più avvincente del presente ma ...

ARTICLE: UNDER THE RADAR

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann

The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

ARTICLE: CD/LP/TRACK REVIEW

Alicia Hall Moran: Here Today

Read "Here Today" reviewed by Angelo Leonardi

Le sintesi tra canto operistico e universo musicale afroamericano sono state sporadiche. In generale la relazione tra i due mondi è apparsa difficilmente compatibile per la forte diversità tra le due estetiche: mi sembra che l'esempio più riuscito di conciliazione resti l'opera Porgy and Bess . Di recente un significativo passo avanti lo sta compiendo il ...

ARTICLE: CATCHING UP WITH

Dara Tucker: Seeds of the Divine

Read "Dara Tucker: Seeds of the Divine" reviewed by Suzanne Lorge

Rising jazz star Dara Tucker has added three new trophies to a rapidly growing lineup of awards. At this year's Nashville Industry Music Awards (NIMAs) she won Best Jazz Vocalist, Best Jazz Album, and Song of the Year for her April release, Oklahoma Rain (Watchman Music). These three awards follow closely on the heels of her ...

ARTICLE: CD/LP/TRACK REVIEW

Harriet Tubman: Araminta

Read "Araminta" reviewed by Mark F. Turner

Named after the iconic American heroine: escaped slave, abolitionist and humanitarian Harriet Tubman (born Araminta Ross circa 1822); the extraordinary New York based trio of guitarist Brandon Ross, bassist Melvin Gibbs and drummer JT Lewis have performed together for over 20 years yet have only released three prior recordings: I am a Man (Knitting Factory, 1998), ...

ARTICLE: CD/LP/TRACK REVIEW

Jon Cowherd Quartet: featuring Steve Cardenas, Tony Scherr and Brian Blade: Gateway

Read "Gateway" reviewed by Karl Ackermann

Pianist/keyboardist Jon Cowherd has been a regular member of the Brian Blade Fellowship through its four releases dating back to the group's self-titled debut in 1998 (Blue Note Records). He has recorded with Cassandra Wilson, Lizz Wright and Myron Walden (also of Fellowship) as well, but the Kentucky native has a background that extends to country ...