All About Jazz

Home » Tag Center » Tag: Peter Kowald

Content by tag "Peter Kowald"

Duo Periculoso: Non é Prohibito

Read "Non é Prohibito" reviewed by Ian Patterson

The collaboration between violinist Gunda Gottschalk and bassist Peter Jacquemyn dates back to 1995, with the duo expanding to a trio in the live arena with the addition of accordionist Ute Völker. Non é Prohibito (el NEGOCITO Records, 2017) is only the duo's second recording and comes eighteen years after E Pericoloso Sporgersi (Valve Records, 1999). ...

Evan Parker

Read "Evan Parker" reviewed by John Eyles

In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...

ARTICLE: CD/LP/TRACK REVIEW

Joëlle Léandre: A Woman's Work...

Read "A Woman's Work..." reviewed by Mark Corroto

How do you sum up the career of an improvising artist like Joëlle Léandre? Do you reissue a package of recordings from her 40 years of performance? That is probably not possible, given the multiple labels and the location and ownership of the masters. Besides, free improvisation, almost by definition, dissipates (or probably should dissipate) upon ...

ARTICLE: CD/LP/TRACK REVIEW

Tatsuya Nakatani: Confirmation

Read "Confirmation" reviewed by Nicola Negri

Percussionist Tatsuya Nakatani moved from Japan to the U.S.A. in the mid 1990s, and since then he has worked with many important jazz and free improvisers, both historical figures like Peter Kowald or Fred Van Hove, and younger musicians like Ingrid Laubrock and Mary Halvorson. A specialist of the solo set, he builds his own instruments ...

Moppa Elliott: Still, Up In The Air

Read "Still, Up In The Air" reviewed by Luca Canini

Non è facile volere bene a quel brontolone del contrabbasso quando decide di mettersi in proprio. Il legno, le corde, l'archetto, il suono goffo e introverso, le note slabbrate, imprecise, la fatica immane di cavare sangue dal più rapa degli strumenti: poche altre situazioni in ambito improvvisativo sanno essere più scorbutiche e meno amichevoli. Eppure la ...

ARTICLE: MULTIPLE REVIEWS

Something old, something new, something reissued, something Brötzmann blew.

Read "Something old, something new, something reissued, something Brötzmann blew." reviewed by Mark Corroto

Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...

Penetralia: Grix

Read "Grix" reviewed by John Sharpe

Three Greeks based in the musical melting pot of Berlin comprise the cooperative Penetralia. Best known may be reedman Floros Floridis, who has worked with both late master bassist Peter Kowald and drummer Gunter “Baby" Sommer (on the bassist's Off The Road (Rogue Art, 2007) DVD). Completing the trio are Antonis Anissegos on piano and Yorgos ...

I 10 CD nel CD player di... Nicola Guazzaloca

Read "I 10 CD nel CD player di... Nicola Guazzaloca" reviewed by Vincenzo Roggero

01. Massimo De Mattia -Quartet Hypermodern (Rudi Records -2014).
Un lavoro in cui le individualità emergono nitide ed autorevoli, ogni elemento è inserito nel processo con salda intenzione e responsabilità, con sottesa energia lungo un percorso timbricamente vario e stratificato, a snodarsi fra le geometrie evocate dal flauto di De Mattia nel pulsare di ...

ARTICLE: MULTIPLE REVIEWS

The Rich Musical Vision of Japanese Double Bass Player Tetsu Saitoh

Read "The Rich Musical Vision of Japanese Double Bass Player Tetsu Saitoh" reviewed by Eyal Hareuveni

Japanese double bass master Tetsu Saitoh is one of the most original players of the bull fiddle. He is a resourceful and inventive free improviser but also feels at home when is playing Argentine tango, Brazilian music, Korean shaman music, obviously jazz or collaborating with poets, painters, dancers or theatre groups. All enrich his musical world ...

ARTICLE: BEST OF / YEAR END

John Sharpe's Best Releases of 2014

Read "John Sharpe's Best Releases of 2014" reviewed by John Sharpe

Here are eleven new releases, reviewed at All About Jazz, which stood out from those I heard this year, in no special order.

Nicole Mitchell
The Secret Escapades of Velvet Anderson
(Rogue Art Records)

Sonic Projections must be flautist Nicole Mitchell's hardest blowing band. On their second outing she ...