All About Jazz

Home » Tag Center » Tag: Peter Kowald

Content by tag "Peter Kowald"

The Creative Music Improvisers Forum: New Haven's AACM

Read "The Creative Music Improvisers Forum: New Haven's AACM" reviewed by Daniel Barbiero

The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians--by necessity--respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...

ARTICLE: INTERVIEWS

Gianluigi Trovesi: dal solo alle orchestre

Read "Gianluigi Trovesi: dal solo alle orchestre" reviewed by Libero Farnè

Non era più giovanissimo Gianluigi Trovesi quando alla fine degli anni Settanta venne alla ribalta nel sestetto di Giorgio Gaslini, che nei concerti lo presentava come “l'improvvisatore che viene dalle montagne." Il sassofonista e clarinettista infatti è nato e cresciuto a Nembro, nella Valle Seriana, dove ha mosso i suoi primi passi musicali all'interno della banda ...

ARTICLE: ALBUM REVIEWS

Tibor Prettschnöder: The Largo And The Lame

Read "The Largo And The Lame" reviewed by Mark Corroto

By now it is generally accepted that there is such a category as Germanic free improvisation. One separate from the Peter Brötzmann, Alexander von Schlippenbach, Günter Sommer, Peter Kowald, Manfred Schoof, Gerd Dudek, Albert Mangelsdorff, etc, etc. school of free jazz that machine-gunned its way into the European scene of the late 1960s. These new rebels ...

ARTICLE: ALBUM REVIEWS

Assif Tsahar / William Parker / Hamid Drake: In Between the Tumbling a Stillness

Read "In Between the Tumbling a Stillness" reviewed by Karl Ackermann

Israeli saxophonist/clarinetist Assif Tsahar has deep roots in the free-jazz genre, having played with Cecil Taylor, Butch Morris, Peter Kowald, Fred Anderson, Ken Vandermark, Herb Robertson, Cooper-Moore, and many others. Among his other associations are two albums with bassist William Parker, Sunrise in the Tone World (AUM Fidelity, 1995) and Mass for the Healing of the ...

ARTICLE: ALBUM REVIEWS

Duo Periculoso: Non é Prohibito

Read "Non é Prohibito" reviewed by Ian Patterson

The collaboration between violinist Gunda Gottschalk and bassist Peter Jacquemyn dates back to 1995, with the duo expanding to a trio in the live arena with the addition of accordionist Ute Völker. Non é Prohibito (el NEGOCITO Records, 2017) is only the duo's second recording and comes eighteen years after E Pericoloso Sporgersi (Valve Records, 1999). ...

Evan Parker

Read "Evan Parker" reviewed by John Eyles

In his biography of Robert Wyatt, Different Every Time (Serpent's Tail, 2015), author Marcus O'Dair describes Evan Parker as “perhaps the finest British free-jazz saxophonist of his generation." The only words in that phrase that seasoned Parker followers might take issue with are “perhaps," “British" and “free-jazz," preferring just to describe him as the finest improvising ...

ARTICLE: ALBUM REVIEWS

Joëlle Léandre: A Woman's Work...

Read "A Woman's Work..." reviewed by Mark Corroto

How do you sum up the career of an improvising artist like Joëlle Léandre? Do you reissue a package of recordings from her 40 years of performance? That is probably not possible, given the multiple labels and the location and ownership of the masters. Besides, free improvisation, almost by definition, dissipates (or probably should dissipate) upon ...

ARTICLE: ALBUM REVIEWS

Tatsuya Nakatani: Confirmation

Read "Confirmation" reviewed by Nicola Negri

Percussionist Tatsuya Nakatani moved from Japan to the U.S.A. in the mid 1990s, and since then he has worked with many important jazz and free improvisers, both historical figures like Peter Kowald or Fred Van Hove, and younger musicians like Ingrid Laubrock and Mary Halvorson. A specialist of the solo set, he builds his own instruments ...

ARTICLE: ALBUM REVIEWS

Moppa Elliott: Still, Up In The Air

Read "Still, Up In The Air" reviewed by Luca Canini

Non è facile volere bene a quel brontolone del contrabbasso quando decide di mettersi in proprio. Il legno, le corde, l'archetto, il suono goffo e introverso, le note slabbrate, imprecise, la fatica immane di cavare sangue dal più rapa degli strumenti: poche altre situazioni in ambito improvvisativo sanno essere più scorbutiche e meno amichevoli. Eppure la ...

ARTICLE: MULTIPLE REVIEWS

Something old, something new, something reissued, something Brötzmann blew.

Read "Something old, something new, something reissued, something Brötzmann blew." reviewed by Mark Corroto

Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...