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ARTICLE: ALBUM REVIEWS

Mal Waldron: Free At Last

Read "Free At Last" reviewed by Karl Ackermann

The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...

ARTICLE: ALBUM REVIEWS

Various Artists: Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS

Read "Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS" reviewed by Chris M. Slawecki

A labor of love, Cosmic Forest was compiled by Italian musician, producer and DJ Nicola Conte to both revisit and present to a new audience Conte's favorite “spiritual jazz" recordings from MPS Records' 1965--'75 catalog. Eight of these thirteen pieces came from albums released as part of the MPS label's mid-1970s “Jazz Meets the World" series ...

Put It Where You Want It (But Find It Where You Put It)

Read "Put It Where You Want It (But Find It Where You Put It)" reviewed by Chris M. Slawecki

Hip Spanic All-Stars Old-School Revolution Self-Produced 2018 If you think that Old School Revolution sounds both familiar and new, you're right. In the late 2000s, bassist and singer Happy Sanchez, saxophonist Norbert Stachel (Tower of Power), percussionist Karl Perazzo (a longstanding member of Santana), ...

ARTICLE: ALBUM REVIEWS

Various Artists: Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS

Read "Nicola Conte presents Cosmic Forest: The Spiritual Sounds of MPS" reviewed by Chris May

The description “spiritual jazz" means different things to different people. It was first applied to the predominantly African American style platformed by the Strata-East and Muse labels in the early and mid 1970s. The tag was not introduced until a decade later, and a better one would have been “cultural jazz," despite the tautology--for although every ...

ARTICLE: ALBUM REVIEWS

Anders Svanoe: State Of The Baritone Volume 2

Read "State Of The Baritone Volume 2" reviewed by Mark Corroto

Some people see a baritone saxophone and think it an obtuse and blunt instrument. Not Anders Svanoe; he sees his baritone saxophone as a sharpened, yet subtle tool. Evidenced by State Of The Baritone Volume 2, he communicates everything from shuffling boogaloos to energized free-jazz, post-bop, and folk music with an uncanny naturalness. All ...

ARTICLE: ALBUM REVIEWS

Jared Sims: Change Of Address

Read "Change Of Address" reviewed by Dan Bilawsky

Jared Sims isn't a purist, that's for sure. On Change Of Address, an album that marks his return to life in West Virginia after two decades spent in New England, he wields his baritone saxophone on a set of slick tunes that speaks to jazz's soul and funk extensions. Sims places his weighty horn squarely in ...

ARTICLE: PROFILES

The Blue Notes and the Brotherhood of Breath - Marching to a Different Drum

Read "The Blue Notes and the Brotherhood of Breath - Marching to a Different Drum" reviewed by Duncan Heining

Early one August morning in 1964, seven people crossed the border by train passing from South Africa into Mozambique. It was an unusual group of people--five black men, one white man and one white woman. Any “mixing of the races" was, of course, immediately suspicious in apartheid South Africa. The six men--Louis Moholo, Chris McGregor, Dudu ...

ARTICLE: PROFILES

The Giant Legacy of Rudy Van Gelder

Read "The Giant Legacy of Rudy Van Gelder" reviewed by Greg Simmons

Recording Engineer Rudy Van Gelder died at home of natural causes on August 25th at the age of 91. His legacy--and it's a big one--is the countless recordings he made during modern jazz's greatest period of innovation. Almost any jazz musician of note who was making records--especially if they were working on the east coast--was captured ...

Thelonious Monk: Genius of Modern Music, Volume 1 – Blue Note 1510

Read "Thelonious Monk: Genius of Modern Music, Volume 1 – Blue Note 1510" reviewed by Marc Davis

There's bebop, there's hard bop--and then there's Thelonious Monk. It's not hard to imagine where the bebop pioneers found their new sound in the late 1940s, after World War II. It emerged from the big bands, which were dying. It was a natural progression. Hard-charging, uber-fast soloists pushed the limits of speed and rhythm, ...

ARTICLE: LIVE REVIEWS

Vinterjazz Copenhagen: Carsten Dahl Trio w/ Reuben Rogers and Greg Hutchinson at Jazzhus Montmartre

Read "Vinterjazz Copenhagen: Carsten Dahl Trio w/ Reuben Rogers and Greg Hutchinson at Jazzhus Montmartre" reviewed by Henning Bolte

Carsten Dahl Trio w/ Reuben Rogers Vinterjazz 2014 Jazzhus Montmartre Copenhagen, Denmark February 20-21, 2014 Vinterjazz Vinterjazz has the same setup as the Jazzfestival Copenhagen in the summer. It is spread over the whole city but on a smaller scale. During the ten days in February ...


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