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ARTICLE: ALBUM REVIEWS

Rob Dixon: Coast to Crossroads

Read "Coast to Crossroads" reviewed by Chris M. Slawecki

"The album is called Coast to Crossroads because I'm based in Indiana, the Crossroads state, but I also work a lot on the West Coast and East Coast," explains saxophonist Rob Dixon, who leads this trio session with drummer Mike Clark and seven-string funk guitar maven Charlie Hunter (who also served as producer), plus occasional guest ...

One Day in Brazil, 50 Years in Germany

Read "One Day in Brazil, 50 Years in Germany" reviewed by Chris M. Slawecki

Tony Adamo
Was Out Jazz Zone Mad
Ropeadope
2018

Some African cultures preserved their history not by the written but by the spoken word, kept by oral cultural historians known as griots. On Was Out Jazz Zone Mad, vocalist Tony Adamo aspires to serve in this same role, ...

ARTICLE: MULTIPLE REVIEWS

John Lennon's Imagine: The Ultimate Collection & Imagine/Gimme Some Truth Films

Read "John Lennon's Imagine: The Ultimate Collection & Imagine/Gimme Some Truth Films" reviewed by John Kelman

While hardly a new idea, with so many classic artists and recordings now hitting forty and fifty-year milestones, there's been a proliferation of deluxe and super deluxe editions of major albums from the '60s and '70s in recent years. While some are better (and better value for money) than others, the market for surround sound mixes ...

ARTICLE: PROFILES

Jerry Wexler e Aretha Franklin: quando la Soul Music conquistò il pianeta

Read "Jerry Wexler e Aretha Franklin: quando la Soul Music conquistò il pianeta" reviewed by Angelo Leonardi

Nei giorni successivi il 16 agosto, tutti i media del mondo hanno commentato la morte di Aretha Franklin, la straordinaria soul singer e una delle massime voci del Novecento. Una scomparsa avvenuta in singolare coincidenza di quella di Jerry Wexler dieci anni prima. Il 15 agosto 2008 se n'era andato quel produttore dell'Atlantic Records che fece ...

ARTICLE: INTERVIEWS

Bob Reynolds: Communication Is Key

Read "Bob Reynolds: Communication Is Key" reviewed by R.J. DeLuke

Bob Reynolds, a saxophonist and composer of note with nine recordings under his own name and a work load that has him playing with artists like Larry Carlton, Snarky Puppy, Josh Groban, John Mayer and others, pauses when considering the genre of jazz and how he fits in.

Reynolds doesn't have to apply his ...

ARTICLE: MULTIPLE REVIEWS

The Original Delaney & Bonnie (Accept No Substitute) and To Bonnie From Delaney

Read "The Original Delaney & Bonnie (Accept No Substitute) and To Bonnie From Delaney" reviewed by Doug Collette

Delaney & Bonnie's best work functions as a primer on contemporary rock and roll, not to mention how the pair functioned as a catalyst to what's arguably the most prolific and productive instances of musical community that arose from the late Sixties and early Seventies. And even if the following two selections are the sole titles ...

ARTICLE: LIVE REVIEWS

Michael Lington At Blue Note Napa

Read "Michael Lington At Blue Note Napa" reviewed by Walter Atkins

Michael Lington
Blue Note Napa
Napa, CA
October 7, 2017

Danish saxophonist Michael Lington and company presented a genuinely rousing evening of contemporary jazz music and a few surprises at the inviting Blue Note Napa venue. The exhilarating second set also included a few tracks from his current Second Nature album ...

ARTICLE: ALBUM REVIEWS

Michael Blake: Red Hook Soul

Read "Red Hook Soul" reviewed by Maurizio Comandini

Il saxofonista canadese Michael Blake è ormai newyorkese fino in fondo all'anima ma se date retta ai profumi che si spargono nell'aria ascoltando questo ottimo Red Hook Soul si direbbe che, quando serve, almeno una parte della sua anima si trasferisca magicamente nelle vie di New Orleans, a caccia di quel groove solido, viscerale e fantasioso ...

ARTICLE: PROFILES

Roland Kirk: Here Comes The Whistleman

Read "Roland Kirk: Here Comes The Whistleman" reviewed by Duncan Heining

This December, it will be thirty-nine years since Rahsaan Roland Kirk split the scene for good. He was forty-one and about two-thirds of that short life span had been spent as a professional musician. He might not have been around long but he left behind a powerful legacy that may have no parallel in jazz or ...

ARTICLE: GENERAL ARTICLES

Piccola guida al nuovo jazz italiano

Read "Piccola guida al nuovo jazz italiano" reviewed by Luca Canini

Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...