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ARTICLE: ALBUM REVIEWS

Alexa Tarantino: Winds of Change

Read "Winds of Change" reviewed by Paul Rauch

It is time we stop referring to saxophonist Alexa Tarantino as one of the “on the rise" young stars in jazz. She has arrived, and by the sound of things, she is here to stay. Sure, her new release Winds of Change is her debut solo recording as a leader, but her playing is well documented ...

ARTICLE: LIVE REVIEWS

Anat Cohen Tentet at SFJAZZ

Read "Anat Cohen Tentet at SFJAZZ" reviewed by Harry S. Pariser

Anat Cohen Tentet
SFJAZZ Center
San Francisco, CA
May 19, 2019

Swinging one moment, meditative the next. That typifies the style of clarinetist Anat Cohen. A native of jny: Tel Aviv, the 39-year-old Cohen studied at Berklee School of Music in jny: Boston before moving to jny: New York City. Over ...

ARTICLE: ALBUM REVIEWS

Lucas Pino's No Net Nonet: That's a Computer

Read "That's a Computer" reviewed by Jerome Wilson

Lucas Pino is a New York-based tenor saxophonist who leads the No Net Nonet, a band that fits snugly into the jazz tradition but displays its own style of creativity. Despite what this CD's title suggests, this group's music is full of emotion and warmth.

That is evident from the outset with “Antiquity," written ...

ARTICLE: ALBUM REVIEWS

Something Blue: Maximum Enjoyment

Read "Maximum Enjoyment" reviewed by Paul Rauch

Maximum Enjoyment is a curated effort by Posi-Tone producer Marc Free to feature the label's artists individually and collectively. The recording features a talented front-line of alto saxophonist Alexa Tarantino, trombonist Nick Finzer, and tenor saxophonist Sam Dillon, backed by an uber rhythm section featuring pianist Art Hirahara, bassist Boris Kozlov, and drummer Rudy Royston.

ARTICLE: ALBUM REVIEWS

Lucas Pino: That's a Computer

Read "That's a Computer" reviewed by Angelo Leonardi

Dal 2013 il sassofonista e compositore Lucas Pino dirige il suo “No Net Nonet" esibendosi tutti i mesi allo Smalls Jazz Club di New York, senza trascurare altre scritture. L'organico è nato nel 2009, da allora ha cambiato solo un componente e la regolarità del rapporto spiega la coesione e l'equilibrio evidenziati in questo terzo album. ...

ARTICLE: RADIO

Mother Ship's 50th Anniversary, Bu @ 100 & More

Read "Mother Ship's 50th Anniversary, Bu @ 100 & More" reviewed by Marc Cohn

Who took the happiness out? Not Gifts & Messages! This week we celebrate the 50th anniversary for the Blue Note album Mother Ship by Larry Young. Also featured is Blue Note No. 6 from Sidney Bechet and three tracks to start the Art Blakey centennial celebration, including a rare (and powerful) one from Gypsy Folk Tales. ...

ARTICLE: ALBUM REVIEWS

Lucas Pino's No Net Nonet: That's a Computer

Read "That's a Computer" reviewed by Jack Bowers

Saxophonist Lucas Pino's adventurous New York-based No Net Nonet is on record for the third time with That's a Computer (yes, there's a story behind that but it's too lengthy to recount here), which underscores Pino's usual flair for anomalous compositions and arrangements. Except for drummer Jimmy Macbride, who came on board in 2017, every member ...

ARTICLE: RADIO

Tom Barford, Hugh Masakela and Count Basie

Read "Tom Barford, Hugh Masakela and Count Basie" reviewed by Bob Osborne

The debut album from British saxophonist, composer and 2017 winner of the Kenny Wheeler Jazz Prize, Tom Barford, is the featured release on this show. Also featured is a great collection of early Hugh Masakela recordings, and some classic Count Basie cuts. In between jazz rock from Gong and a selection of brand new releases.

ARTICLE: ALBUM REVIEWS

Anat Cohen: Happy Song

Read "Happy Song" reviewed by Angelo Leonardi

Il 2017 è stato un anno superlativo per Anat Cohen. Nuovamente eletta migliore clarinettista nei referendum di critica e di pubblico di Down Beat, ha pubblicato due splendidi album di musica brasiliana (Rosa dos Ventos e Outra Coisa rispettivamente col Trio Brasileiro e con Marcello Gonçalves) e ha chiuso l'anno con il debutto di questo tentet ...

ARTICLE: ALBUM REVIEWS

Nick Finzer: No Arrival

Read "No Arrival" reviewed by Dan Bilawsky

To say a musician has arrived is to create the ultimate paradox. For in that notion is the suggestion of reaching the upper echelon in the art form, but also an indication of the end of a journey and the start of stagnation. With the true seeker and master musician, there is no arrival; there's merely ...