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ARTICLE: ALBUM REVIEWS

Steve Khan: Backlog

Read "Backlog" reviewed by James Nadal

In what could best be described as an enduring exploration, Steve Khan has undertaken the role of expanding and redefining the role of the guitar in the hybrid genre of Latin Jazz. Backlog continues with the concept established as far back as 2005 on The Green Field (Tone Center), in the transformation of straight-ahead jazz compositions ...

ARTICLE: LIVE REVIEWS

Newport Jazz Festival 2015: Day 2

Read "Newport Jazz Festival 2015: Day 2" reviewed by Timothy J. O'Keefe

Newport Jazz Festival
Fort Adams State Park
Newport, RI
Saturday, August 1, 2015

Miles Davis' earliest memory was a flickering blue flame, and a similar flame, one of passion and remembrance, was clearly evident at the 2015 installment of the Newport Jazz Festival presented by Natixis Global Asset Management.

ARTICLE: ALBUM REVIEWS

Steve Khan: Subtext

Read "Subtext" reviewed by Mark F. Turner

From his obscure gems on Columbia Records--Tightrope (1977), The Blue Man (1978) and Arrow (1979), or the critically acclaimed 1980s Eye Witness recordings, to 2011's Latin-tinged Parting Shot (Tone Center), jazz guitarist Steve Khan continues to deliver his unique artistry--exquisite touch, expressive solos, and warm tonality--that's made his music identifiable. Subtext finds that mastery still intact ...

Steve Khan: Subtext

Read "Steve Khan: Subtext" reviewed by John Kelman

Change is a fact of life, and it's something that's better to be embraced than challenged; as inevitable as death and taxes, it's one of those things that you may as well accept, because there are few, if any, options to do otherwise. That said, while the then-aptly titled Parting Shot (Tone Center, 2011) suggested that ...

NEWS: RECORDING

Guitarist Steve Khan Returns With "Subtext" (Tone Center) - June 24 Release

Guitarist Steve Khan Returns With "Subtext"  (Tone Center) - June 24 Release

With Subtext, the unique trajectory of Steve Khan’s musical story expands and evolves, while re-asserting its linkage to the broad sweep of a fascinating discography, one off to the side of conventional. In short, Khan’s body of recorded work affirms that common ideal and true ambition defining jazz artistry: to create a personal, identifiable voice.Ever the ...

ARTICLE: ALBUM REVIEWS

Steve Khan: Subtext

Read "Subtext" reviewed by Dan Bilawsky

Guitarist Steve Khan's latter day work has been increasingly focused on Latin jazz fusion of various shapes, so the scope and direction of Subtext should come as no surprise to his longtime followers. This album arrives three years after Parting Shot (Tone Center, 2011) and runs along similar lines. That one was an originals-heavy, percussively-coated session ...

ARTICLE: ALBUM REVIEWS

Steven Kroon: On The # 1

Read "On The # 1" reviewed by Edward Blanco

New York percussionist Steven Kroon offers a percussive-laden session of Afro-Cuban rhythms, a slice of Brazil and draws on his Nuyorican heritage for a taste of the Puerto Rican flair, in presenting On The # 1, the fifth self- produced album of this veteran musician's 45-year plus musical journey. Long a part of the jazz, blues, ...

ARTICLE: ALBUM REVIEWS

Steven Kroon: On The #1

Read "On The #1" reviewed by Dan Bilawsky

Steven Kroon has long been a first-call percussionist for the musical elite, adding seasonings and spices to the variety of R&B, jazz, and soul dishes that these bigwigs make. He's worked behind Luther Vandross, Aretha Franklin, Ron Carter, Jimmy Heath, Diana Krall, Stanley Turrentine, and numerous others over the past three-plus decades.

Many ...

ARTICLE: TAKE FIVE WITH...

Take Five With Fidel Cuellar

Read "Take Five With Fidel Cuellar" reviewed by Fidel Cuellar

Meet Fidel Cuellar:

A native of Bogota, Colombia, Fidel Cuellar moved to New York City in 2007 to continue his apprenticeship as a jazz pianist and composer under the tutelage of renowned musicians like Bruce Barth, Mike Holober, and John Patitucci. In 2009, Cuellar graduated summa cum laude from the City College of New ...

NEWS: FESTIVAL

Jazz With Dominican Accents and Flavours Back in South Florida

In October 2012, Landestoy Enterprises presented a completely new and exiting concept from the Dominican Republic: The South Florida Dominican Jazz Fest. A multicultural event that brought to Florida the best Jazz currently being made by musicians in the Dominican Republic as well as Dominicans living abroad. At this event, Miami witnessed the Jazz proposals from the ...