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Eddie Bert
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Trombonist Eddie Bert's career spans nearly seven decades of Jazz, from big bands to bebop and beyond. In addition to being a Jazz musician who's played with one and all, he's been a regular in Broadway show bands, and a first call studio player. Yet no matter what the musical setting, Eddie has always played his uniquely personal, warm and melodic style of Jazz. When renowned Jazz leaders needed a dependable, original trombonist for a significant recording or event in the second half of the twentieth century, they turned to Eddie Bert. In fact, his resume reads like a Who's Who of modern Jazz, including musical relationships with Thelonious Monk, Charles Mingus, Coleman Hawkins, Woody Herman, Stan Kenton, Machito, Tito Puente, Benny Goodman, Thad Jones and Mel Lewis. There's a reason Eddie Bert has played with the Jazz masters—he's a truly gifted musician, a trombonist who has easily traversed eras and genres, from bop to swing, Mingus to Hampton, and Kenton to Herman
2022: The Year in Jazz
by Ken Franckling
Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...
Eddie Bert: Kaleidoscope
In the early 1950s, with the 10-inch LP format on the rise, New York had a crew of jazz musicians who were superb studio swingers. They were dependable, driven and could really get feet tapping. Their watering hole was Charlie's Tavern on the west side of Seventh Avenue between 51st and 52nd St., in the Roseland ...
A Conversation with Mike Mainieri
by Anthony Smith
The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017). So you've been working on a new project this week? Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't ...
Why the World Should Remember Wardell Gray
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...
Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
Eddie Bert (1922-2012)
Eddie Bert, a swinging bebop trombonist whose aggressive, bouncing playing style was deeply influenced by his love for the instrument's singing voice and who found himself in steady demand from 1942 on, appearing on 336 known recording sessions, died on September 28. He was 90. Greatly assisted by fearless ambition and a quest for excellence, Eddie's ...
Roswell Rudd: The Musical Magus Turns 75
by Raul d'Gama Rose
"Years ago it would have seemed an impossible dream to get to record with this musical magus, but here we are... and what a thrill!" class="f-right">--Charlie Kohlhase, From liner notes to Eventuality: The Charlie Kohlhase Quintet Plays the Music of Roswell Rudd (Nada, 2001) I see him suddenly as if in a ...
Stan Kenton: Artistry in Rhythm - Portrait Of A Jazz Legend
by Jack Bowers
Stan KentonArtistry In Rhythm: Portrait Of A Jazz LegendJazzed Media2011 “I thought that [Stan] was an echo of life itself: that life is precious, life is exquisite, and life is magnificent. He lived it, and his legacy points to some of those values. Whether we are able ...
Loren Schoenberg: From Benny Goodman to The Savory Collection
by AAJ Staff
Saxophonist, band-leader and writer Loren Schoenberg, now Executive Director of the National Jazz Museum in Harlem, spent an interesting childhood and teenager-hood growing up in New Jersey in the 1970s, meeting and befriending both Teddy Wilson and Hank Jones, and ultimately becoming employed by Wilson's famous '30s boss, Benny Goodman. Schoenberg was first an assistant to ...
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