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ARTICLE: ALBUM REVIEWS

Brötzmann / Schlippenbach / Bennink: Fifty Years After...

Read "Fifty Years After..." reviewed by Mark Corroto

To commemorate the fiftieth anniversary of the game changing recording Machine Gun (BRÖ, 1968), saxophonist Peter Brötzmann recruited drummer Han Bennink from the original session, plus pianist Alexander von Schlippenbach. While Schlippenbach wasn't in the house for Machine Gun (the pianist was Fred Van Hove), he can be heard on the Peter Brötzmann Group's fully automatic ...

ARTICLE: MULTIPLE REVIEWS

Inexhaustible Editions: The Little Label That Roars

Read "Inexhaustible Editions: The Little Label That Roars" reviewed by Mark Corroto

In the 1980s, American writer John Corbett traveled Europe searching for out-of-print LPs from small labels which he eventually produced reissues titled the Unheard Music Series first for Atavistic Records, then his own Corbett vs. Dempsey label. His mission was to preserve the music which formed the jazz and improvisation canon but was largely ignored, simply ...

ARTICLE: ALBUM REVIEWS

Aki Takase Japanic: Thema Prima

Read "Thema Prima" reviewed by Ian Patterson

Japanese pianist-composer Aki Takase might have agreed with Miles Davis when he said in a 1986 interview with Nick Kent for The Face: “just about everything sounds better these days. Even a car crash sounds better." For the brilliant collison of jazz and hip-hop that is Thema Prima bristles with sonic textures seemingly inspired by the ...

ARTICLE: RADIO

20 Years of One Man’s Jazz

Read "20 Years of One Man’s Jazz" reviewed by Maurice Hogue

This show marks the 20th anniversary of One Man's Jazz which began its radio journey on May 1, 1999 at CKUW 95.9 FM in Winnipeg, eventually shifting to extraterrestrial Taint Radio in 2012. Rather than just play something from my favourite recording list for each of those twenty years (that was too easy), I decided to ...

ARTICLE: ALBUM REVIEWS

Howard Riley: Live In The USA

Read "Live In The USA" reviewed by John Sharpe

This archival issue should further bolster British pianist Howard Riley's place among the top rank. Riley first came to prominence with the advent of his pioneering trio with bassist Barry Guy and various drummers including Tony Oxley, which extended yet further the egalitarian template first established by Bill Evans and Paul Bley. However Live In the ...

ARTICLE: ALBUM REVIEWS

Atomic: Pet Variations

Read "Pet Variations" reviewed by Vincenzo Roggero

Sentirli e vederli dal vivo è un'esperienza auspicabile e appagante, il palco è la dimensione ideale per rimandare all'ascoltatore tutta l'energia della loro musica, una miscela esplosiva di free jazz, avanguardia, funky, tradizione europea. Stiamo parlando degli Atomic tra i primi a ribellarsi alle sonorità di un jazz scandinavo marchiato ECM e diventati nel corso degli ...

ARTICLE: ALBUM REVIEWS

Eric Dolphy: Musical Prophet: The Expanded 1963 New York Sessions

Read "Musical Prophet: The Expanded 1963 New York Sessions" reviewed by John Sharpe

This lovingly and lavishly packaged set reissues two of reedman Eric Dolphy's LPs along with outtakes from the two day 1963 sessions which yielded them, along with some unreleased later material on which Dolphy was a sideman. The set places a well-deserved focus on one of the pioneers of what became known as the New Thing, ...

ARTICLE: ALBUM REVIEWS

Atomic: Pet Variations

Read "Pet Variations" reviewed by John Eyles

Formed in the spring of 2000, Scandinavian “supergroup" Atomic recorded and released their first album Feet Music (Jazzland) in 2001. The years since have been remarkably stable for the quintet; they have produced albums at an impressive rate of about a disc a year, including two collaborations with Ken Vandermark's School Days group. The only change ...

ARTICLE: ALBUM REVIEWS

Paul Rogers / Olaf Rupp / Frank Paul Schubert: Three Stories About Rain Sunlight And The Soil

Read "Three Stories About Rain Sunlight And The Soil" reviewed by John Sharpe

It's always a pleasure to hear expat English bassist Paul Rogers, perhaps best known for his collaboration with reedman Paul Dunmall and the Mujician co-operative. This meeting with two stalwarts of the German improvised music scene in a Berlin studio imparts a particular delight. Guitarist Olaf Rupp boasts a healthy discography including performances with drummer Paul ...

ARTICLE: UNDER THE RADAR

Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously

Read "Big in Japan, Part 3: Satoko Fujii’s Year of Living Dangerously" reviewed by Karl Ackermann

In the first two parts of this series we looked at the origins of jazz in Japan and its adherence to the American style of composing, arranging and playing. Though jazz has been popular in Japan from the earliest days, it was--as in the United States--hardly met with unanimous approval in a country that prized classical ...