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Michael Sarin at All About Jazz

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ARTICLE: RADIO

Michael Blake - The Restless Adventures of a World Awakening Artist

Read "Michael Blake - The Restless Adventures of a World Awakening Artist" reviewed by Ludovico Granvassu

An enduring presence for the last 30 years, saxophonist, composer and bandleader Michael Blake has built his reputation playing jazz and creative music in New York City. The visionary composer and arranger has built a discography that impresses for depth and range, from his hard-hitting projects Hellbent and Blake Tartare, to the soul and R&B tinged ...

ARTICLE: ALBUM REVIEWS

Peter McEachern Trio: Bone Code

Read "Bone Code" reviewed by Alberto Bazzurro

Il veterano trombonista del Connecticut Peter McEachern dedica questo bell'album in trio all'illustre collega Roswell Rudd, scomparso sei mesi dopo la sua incisione (dicembre contro giugno 2017). Per farlo si accompagna a due prime firme di basso e batteria quali Mario Pavone, con cui vanta un rapporto quasi quarantennale, e Michael Sarin, incontrato invece nei primi ...

ARTICLE: ALBUM REVIEWS

Leslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!

Read "You Eat My Food, You Drink My Wine, You Steal My Girl!" reviewed by Jerome Wilson

On this, her sixth album, pianist Leslie Pintchik shows that she can compose distinctive melodies. All of the original compositions she does on this CD are bright and memorable and even the two standards she covers are given surprising arrangements.

She establishes herself from the beginning with the uniquely-titled “You Eat My Food." This turns ...

ARTICLE: ALBUM REVIEWS

Leslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!

Read "You Eat My Food, You Drink My Wine, You Steal My Girl!" reviewed by Dan Bilawsky

If they gave out awards for album titles, this one would surely be in the running for top honors. “You eat my food, you drink my wine, you steal my girl" is a harsh and odd phrase that rolls off the tongue like some sort of backwoods country accusation-turned-lament, but its origins are far more urban ...

ARTICLE: ALBUM REVIEWS

Sam Bardfeld: The Great Enthusiasm

Read "The Great Enthusiasm" reviewed by Stefano Merighi

Sam Bardfeld scrive acute note di copertina ricordando in breve la formazione culturale di un giovane nella New York degli anni settanta, dopo le dimissioni di Nixon. Una città depravata, decadente, eppure sfolgorante nella sua iperbolica creatività. La musica caraibica accanto alle prime follie di Zorn; la ruvidezza del CBGB a pochi passi dai recital di ...

ARTICLE: ALBUM REVIEWS

Frank Carlberg Large Ensemble: Monk Dreams, Hallucinations And Nightmares

Read "Monk Dreams, Hallucinations And Nightmares" reviewed by Angelo Leonardi

Il “pianeta" Monk è stato talmente esplorato negli ultimi decenni che è difficile attendersi qualcosa d'originalmente significativo. Con quest'album orchestrale --la dimensione meno usata nelle revisitazioni del songbook monkiano -il pianista e compositore Frank Carlberg c'è però riuscito: anche se ogni brano s'ispira a un tema di Thelonious, l'elaborazione è personale e non deve stupire se ...

ARTICLE: ALBUM REVIEWS

Simon Nabatov, Max Johnson, Michael Sarin: Free Reservoir

Read "Free Reservoir" reviewed by Alberto Bazzurro

Simon Nabatov e Michael Sarin si conoscono ormai da oltre un trentennio, da quando, in Canada, parteciparono entrambi al Banff International Workshop in Jazz & Creative Music. All'epoca Max Johnson, che di anni ne ha ventisette, neppure era nei pensieri dei suoi genitori. Eppure oggi i tre si trovano insieme in quest'ottimo album, uno dei migliori ...

ARTICLE: ALBUM REVIEWS

Joe Fiedler: Like, Strange

Read "Like, Strange" reviewed by Troy Collins

Change can occasionally be necessary for artistic growth. For over a decade, trombonist Joe Fiedler has led a stripped-down bass and drums trio, as documented on Plays The Music of Albert Mangelsdorff (Clean Feed, 2005), The Crab (Clean Feed, 2007), Sacred Chrome Orb (Yellow Sound, 2011), and I'm In (Multiphonics, 2015). Seeking a greater range of ...

ARTICLE: LIVE REVIEWS

Erik Friedlander's Oscalypso al Carambolage di Bolzano

Read "Erik Friedlander's Oscalypso al Carambolage di Bolzano" reviewed by Giuseppe Segala

Erik Friedlander's Oscalypso
Piccolo Teatro Carambolage
Bolzano
06.02.2017

Eleganza, precisione, arrangiamenti che coniugano intricati contrappunti a trasparenti unisoni, attenzione ai contrasti dinamici e agli impasti timbrici. Senso dell'esplorazione e della sorpresa. Sembrerebbe la descrizione dell'approccio musicale cameristico tipico di quello che è stato collocato sotto la definizione di Cool Jazz. Quella ...

ARTICLE: LIVE REVIEWS

Erik Friedlander At National Concert Hall, Dublin

Read "Erik Friedlander At National Concert Hall, Dublin" reviewed by Ian Patterson

Erik Friedlander
Kevin Barry Room, National Concert Hall
jny:Dublin, Ireland
February 4, 2017

The sense of privilege was inescapable. To be one of a small number of people present at an intimate performance of music so beautiful felt like a royal invitation.

Cellist Erik Friedlander was born the year ...