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ARTICLE: MULTIPLE REVIEWS

Meeting of the Minds and Sounds: The Clarinet and The Oud

Read "Meeting of the Minds and Sounds: The Clarinet and The Oud" reviewed by Doug Collette

The clarinet is hardly as an exotic instrument as the oud, but both instruments have their places in modern jazz and it's always fascinating to hear how each sounds within those contexts they're placed. As a point of comparison, the music on these two releases is at once haunting and comforting, mesmerizing and intoxicating, ultimately luring ...

ARTICLE: ALBUM REVIEWS

Tyshawn Sorey: Pillars

Read "Pillars" reviewed by Karl Ackermann

Tyshawn Sorey's musical career has been steadily moving away from jazz and toward new music in several forms. Verisimilitude (Pi Recordings, 2017) is dominated by a series of textural motions that create a dark mood. That album followed another Pi release, The Inner Spectrum of Variables (2016); an album that featured classical composition and improvisation. Sorey's ...

ARTICLE: ALBUM REVIEWS

Nasheet Waits Equality: Between Nothingness And Infinity

Read "Between Nothingness And Infinity" reviewed by John Sharpe

Here's one that almost got away. There's so much good new music issued now that it can be hard to keep track even within a single genre. Of course that's part of the reason websites like All About Jazz exist: they help with the filtering. Drummer Nasheet Waits' stellar Equality Quartet gave one of the standout ...

ARTICLE: ALBUM REVIEWS

Lorraine Baker: Eden

Read "Eden" reviewed by Roger Farbey

Lorraine Baker graduated with First Class Honours from South East London's Trinity Laban Conservatoire of Music and Dance in 2009. Since then, she's worked with many of the UK's leading jazz musicians and in addition to such sessions she's also freelance drum tutor. Fellow drummer Jeff Williams is quoted describing Baker as having a “unique style" ...

ARTICLE: ALBUM REVIEWS

Michael Dessen: Somewhere In The Upstream

Read "Somewhere In The Upstream" reviewed by Giuseppe Segala

L'organico di trio con trombone, contrabbasso e batteria non è particolarmente diffuso, ma può annoverare tra gli esempi più significativi la lunga, formidabile esperienza di Bass Drum Bone, in cui Ray Anderson, Mark Helias e Gerry Hemingway hanno scandagliato modalità espressive e dialogiche ad ampio raggio. Il trio guidato dal trombonista e sperimentatore di suoni Michael ...

ARTICLE: LIVE REVIEWS

Saalfelden Jazz Festival, 2018

Read "Saalfelden Jazz Festival, 2018" reviewed by Stefano Merighi

Jazz Festival SaalfeldenJazzfestival Saalfelden 2018
Saalfelden, Austria
Casa del Jazz
23-26.08.2018

Il Jazzfestival di Saalfelden garantisce di solito un combinato efficace di musica avventurosa, inedita, ed esibizioni invece legate a nomi “sicuri," sempre di gran qualità. Quest'anno la formula si è rivelata meno felice del solito, pur contando su un ...

ARTICLE: RADIO

Nasheet Waits Equalty Quartet Live at BIMHUIS Amsterdam

Read "Nasheet Waits Equalty Quartet Live at BIMHUIS Amsterdam" reviewed by BIMHUIS

Energetic acoustic jazz by a supergroup led by American drum hero Nasheet Waits, a protégé of Max Roach and a core member of Jason Moran's Bandwagon.

Nasheet Waits followed in the footsteps of his father, legendary jazz drummer Freddie Waits. At the request of his other important mentor, Max Roach, he became part of ...

ARTICLE: ALBUM REVIEWS

Gordon Grdina: Ejdeha

Read "Ejdeha" reviewed by Mike Jurkovic

Fifteen years into his study of Arabia's mysterious and resonant oud, Vancouver, Canada-based guitarist Gordon Grdina has released Ejdeha, with his equally mysterious and resonant ensemble, The Marrow.

Expanding out from his debut, Think Like the Waves (Songlines, 2006), recorded with Gary Peacock and Paul Motian, Grdina takes his jazz improvisations further into the ...

Erik Friedlander: Reversing Abstraction

Read "Erik Friedlander: Reversing Abstraction" reviewed by Ludovico Granvassu

Music works in mysterious ways. Take the latest project by Erik Friedlander. Some time ago, the New York cellist went to an exhibition of six absinthe glasses by Pablo Picasso at the Museum of Modern Art in New York. Despite the somewhat abstract and deconstructed nature of these sculptures, he got inspired to write some of ...

ARTICLE: LIVE REVIEWS

Vision Festival 2018

Read "Vision Festival 2018" reviewed by John Sharpe

23rd Annual Vision Festival
Roulette
New York, NY
May 23-28, 2018

Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...



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