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ARTICLE: ALBUM REVIEWS

Nils Wogram Nostalgia: Things We Like to Hear

Read "Things We Like to Hear" reviewed by Don Phipps

On Things We Like To Hear, trombonist Nils Wogram and his bassless trio Nostalgia explore a kind of Miles Davis cool to hot fusion. Wogram provides an expressive center to the outing, his playing running from bluesy drawls to punchy explosiveness while focused on the themes and range of rhythms found in the compositions.

ARTICLE: LIVE REVIEWS

12 Points Festival 2019

Read "12 Points Festival 2019" reviewed by Henning Bolte

Bimhuis 12 Points Festival Amsterdam, Netherlands September 25-28, 2019 Jazz, as a diverse and heterogeneous field by nature, is represented at each 12 Points edition by young musicians and groups (age 35) with a strong artistic profile and solid and attractive performance capabilities. The festival represents in a nutshell what the ...

ARTICLE: LIVE REVIEWS

Jazzdor Berlin

Read "Jazzdor Berlin" reviewed by Henning Bolte

Kulturbrauerei (Prenzlauer Berg) Jazzdor Berlin June 5-8, 2018 Jazzdor Berlin is a satellite of the Jazzdor Festival of Strasbourg founded 31 years ago. This year's 12th edition of the Franco-German festival held as usual at Kulturbrauerei, an abandoned brewery in Berlin borough Prenzlauer Berg, presented 11 groups with 40 musicians during four ...

ARTICLE: ALBUM REVIEWS

Andy Zimmerman: Half Light

Read "Half Light" reviewed by Karl Ackermann

Saxophonist Andy Zimmerman is not a household name. The native Chicagoan has been composing, performing, and teaching music for more than two decades. In part, he comes to the subscription-based vinyl label Newvelle by virtue of a long association with the label's co-founder Elan Mehler, himself an accomplished jazz pianist. Mehler and Zimmerman played together at ...

ARTICLE: LIVE REVIEWS

Jazzahead! 2018

Read "Jazzahead! 2018" reviewed by Henning Bolte

Bremen Trade Fair Hall Jazzahead! Bremen, Germany April 21-23, 2018 Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...

ARTICLE: UNDER THE RADAR

Culture Clubs: Part IV: When Jazz Met Europe

Read "Culture Clubs: Part IV: When Jazz Met Europe" reviewed by Karl Ackermann

The Geography of Jazz--When Jazz Met Europe In 2004 Maureen Anderson, a researcher at Illinois State University contributed a dissertation to the journal, African American Review, titled The White Reception of Jazz in America. Ostensibly, her article deals with stories published in high profile periodicals and journals from 1917 and into the 1930s, written by white ...

ARTICLE: LIVE REVIEWS

Sarajevo Jazz Festival 2016

Read "Sarajevo Jazz Festival 2016" reviewed by Francesco Martinelli

Sarajevo Jazz Festival 2016 Sarajevo, Bosnia and Herzegovina November 2-6, 2016 When your plane lands in Sarajevo, its wheels roll over the crumbling underground tunnel that was the only connection of the city to the outside world during the Serbian siege from April 5, 1992 to February 29, 1996. It ...

ARTICLE: ALBUM REVIEWS

Simon Nabatov/Mark Dresser/Dominik Mahnig: Equal Poise

Read "Equal Poise" reviewed by Karl Ackermann

Russian born pianist Simon Nabatov has been composing since early childhood. His career has placed his residences in Italy, New York (where he studied at Juilliard), and Germany, where he finally settled. He has worked or recorded with Barre Phillips, Ray Anderson, Ed Schuller and, as a leader, has recorded in a variety of settings from ...

ARTICLE: ALBUM REVIEWS

Simon Nabatov / Mark Dresser: Projections

Read "Projections" reviewed by John Sharpe

Projections captures an improvised duo encounter between émigré Russian pianist Simon Nabatov and Californian bassist Mark Dresser. Although they first played together as part of German composer Klaus Konig's Orchestra in 1992, it's taken until now for their first head to head. Both are masters of their respective instruments, articulate, persuasive and responsive. They come together ...

ARTICLE: ALBUM REVIEWS

Paragon: Cerca

Read "Cerca" reviewed by Bruce Lindsay

It's been a decade since Anglo-German quartet Paragon formed. Cerca, recorded on an unspecified two days in Cologne, is the band's third release. The sax and Rhodes frontline, backed up by Matthias Nowak's bass and Jon Scott's drums, creates an elegant repertoire of tunes that draws on influences as diverse as '60s spiritual jazz and hip-hop ...


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