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ARTICLE: ALBUM REVIEWS

Rodrigo Amado & Chris Corsano: No Place to Fall

Read "No Place to Fall" reviewed by Mark Corroto

Did you know that besides his talents as a saxophonist and composer, Rodrigo Amado is also a professional photographer? His camera captures an instant in time and preserves it for eternity. Now compare his photographs' frozen moments against the seemingly perpetual motion that is this free jazz set with drummer Chris Corsano. This juxtaposition of static ...

ARTICLE: ALBUM REVIEWS

Steve Baczkowski: Old Smoke

Read "Old Smoke" reviewed by John Sharpe

Reedman Steve Baczkowski would surely be better known had he not remained in Buffalo, NY, where he grew up and studied, as he possesses a fearsome sound. In his guise as Music Director of Hallwalls Contemporary Arts Center in his hometown, he's undoubtedly familiar with the German saxophone titan Peter Brötzmann, who is clearly an inspiration. ...

ARTICLE: RADIO

Harris Eisenstadt, Whit Dickey, Gard Nilssen and More

Read "Harris Eisenstadt, Whit Dickey, Gard Nilssen and More" reviewed by Maurice Hogue

A very eclectic show this time out: drummers are front and center: Joao Lencastre, Whit Dickey, Gard Nilssen, Harris Eisenstadt, Kahil El'Zabar from the Ethnic Heritage Ensemble and Germany's Max Andrzejewski. The latter and his band Hütte are tackling the music of rocker/composer Robert Wyatt. If that isn't off the wall, how about a combination of ...

ARTICLE: ALBUM REVIEWS

Dave Rempis, Brandon Lopez, Ryan Packard: The Early Bird Gets

Read "The Early Bird Gets" reviewed by Giuseppe Segala

Musicista molto attivo sulla scena fremente di Chicago, Dave Rempis si mise in luce poco più che ventenne accanto a Ken Vandermark, nel 1997, abbinando i propri sassofoni alle ance del leader nella formazione The Vandermark 5, attiva fino al 2010 con sedici lavori pubblicati soprattutto dall'etichetta Atavistic. Nel contempo, alimentò formazioni proprie o a nome ...

ARTICLE: ALBUM REVIEWS

Jon Irabagon: Invisible Horizon

Read "Invisible Horizon" reviewed by Troy Dostert

One would imagine that a musician as chameleon-like as saxophonist Jon Irabagon, capable of playing in any genre, in any context, at any time, must have a real challenge finding unexplored territory. Equally adept at mainstream blowing, as on Observer (Concord, 2009), energized free-bop with Barry Altschul's 3dom Factor, the no-holds-barred mania of his assorted outings ...

ARTICLE: ALBUM REVIEWS

The Attic: Summer Bummer

Read "Summer Bummer" reviewed by Troy Dostert

No, the title of the latest release from The Attic, a free-improvisational trio comprised of Rodrigo Amado, Gonçalo Almeida and Onno Govaert, has nothing to do with the track by Lana Del Rey. It is instead taken from the name of the Summer Bummer Festival, at which this superb group performed in Antwerp, Belgium in 2018. ...

ARTICLE: ALBUM REVIEWS

The Attic: Summer Bummer

Read "Summer Bummer" reviewed by John Sharpe

Although the cover painting might be interpreted as a comment on the two-dimensional nature of beach holidays, the title actually derives from the name of the festival in Antwerp where this invigorating free jazz by The Attic was recorded. It's the second outing by the band, which takes its name from its eponymous debut (NoBusiness, 2017). ...

ARTICLE: ALBUM REVIEWS

Frode Gjerstad / Fred Lonberg-Holm / Matthew Shipp: Season of Sadness

Read "Season of Sadness" reviewed by Karl Ackermann

Norwegian multi-reedist/composer Frode Gjerstad has been active in free jazz and avant-garde music across five decades. Among his collaborators are Paal Nilssen-Love, Peter Brötzmann, Evan Parker, Derek Bailey, William Parker, Sabir Mateen and Johnny Dyani. Gjerstad has toured and played festivals extensively, in Europe and North America, and composed commissioned work for the historic Moldejazz festival. ...

ARTICLE: ALBUM REVIEWS

Rob Mazurek: Desert Encrypts Vol. 1

Read "Desert Encrypts Vol. 1" reviewed by Karl Ackermann

It was twenty-five years ago, in 1994, that Rob Mazurek first emerged with Man Facing East (Hep Jazz), a quartet recording solidly positioned in the post/hard bop style. Even in the interpretations of standards, there were clues that the cornetist/composer was a restless soul. In the intervening years, Mazurek has rapidly charted his own dissident destiny ...

John Dikeman And The Origin Of The Species

Read "John Dikeman And The Origin Of The Species" reviewed by Mark Corroto

If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...