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Bobbi Humphrey
Born:
She has been named “First Lady of the Flute” by the critics and listeners alike and, from the accomplishments in her musical career, deservedly so. For three decades now, Bobbi Humphrey has been playing her special brand of music to audiences around the world. Her professional career began in 1971 when she was the first female signed to Blue Note Records. Certainly a lady playing a flute must have seemed something of a novelty then. Humphrey proved, however, she was not just a “first” or novelty, but a talent to be reckoned with. For in 1973, her LP, Blues and Blues was not only a huge commercial success, but established a strong crossover market for her
Blue Note Series of Rare Summer Grooves
by Chris M. Slawecki
This article was first published at All About Jazz in September 2002 under the old Combing the Blue Note Catalog column. The Rascals knew all about it. They expressed it perfectly in one of their biggest hit singles: Ain't nothing like groovin' on a Sunday afternoon. Not much serves the purpose of that groove ...
A Summer night of Soul Jazz, Hard Bop and Funk
by David Brown
It's hot. Its summer. Let's ease into the night with some hard bop & soul jazz from the classic era--Lee Morgan, Ray Bryant, Bunky Green, Leo Wright and the Freedom Sounds. We'll then electrify the sounds as we move into the '70s with Eddie Harris, Bobbi Humphrey, Sun Ra and Parliament. Eventually we'll end up in ...
Donald Byrd: Cookin' With Blue Note At Montreux
by Ian Patterson
Almost fifty years after the event, Donald Byrd's 1973 performance at the Montreux Jazz Festival finally sees the light of day. Several other artists on Blue Note's roster had performances released--in more timely manner--from the same edition of Claude Nobs festival, including Ronnie Foster, Bobbi Humphrey, Bobby Hutcherson and Marlena Shaw. In no small part, thanks ...
Donald Byrd: Donald Byrd Live: Cookin' With Blue Note at Montreux
by Peter Jones
What a treat it must have been in 1973 to attend the Montreux Jazz Festival: the featured artists that year included Dexter Gordon, McCoy Tyner, Chico Hamilton, Sam Rivers, Bobbi Humphrey, Dr John, Marlena Shaw, Bobby Hutcherson... and Donald Byrd with his Tentet, whose July 5 performance is captured on this album. It was ...
Various Artists: Blue Note Re:imagined II
by Chris May
The second instalment of Blue Note Re:imagined comprises sixteen revamps of tunes from the label's back catalogue, newly recorded by a cohort of rising British soul, R&B and, listed last here for a reason, jazz stars. On its own terms, it is a classy exercise, but the target market for this series is not traditional Blue ...
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Michael Jackson & Jimmy Smith to Stevie Wonder & Dizzy Gillespie — My Top Ten Jazz/Pop Encounters
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Blacks And Blues
Label: Blue Note Records
Released: 2019
Track listing: Side One: Chicago, Damn; Harlem River Drive; Just A Love Child. Side Two: Blacks And Blues; Jasper Country Man; Baby’s Gone.
Blue Note's 80th Anniversary Vinyl Initiative
by Patrick Burnette
Blue Note moves in mysterious ways. It seems like only a few months ago that the storied jazz label announced its Tone Poet vinyl series, because, well, it was only a few months ago, and here they are with yet another entry in the vinyl reissue game: the Blue Note 80th Anniversary Series. Like the Tone ...
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