ADVERTISE WITH US

Content by tag "Phil Woods"

ARTICLE: INTERVIEW

Richie Cole: Blue Collar Bebopper

Read "Richie Cole: Blue Collar Bebopper" reviewed by Rob Rosenblum

Jazz alto saxophonist Richie Cole wants to reach out to you, whether you are the mayor of a highly popular tourist city or just a guy dropping over for a couple of beers.

“I play for people," says Cole. “People are all the same. If they understand or want to understand jazz, I welcome ...

NEWS: RECORDING

Bob Lark and Phil Woods

Bob Lark and Phil Woods

By my count, trumpeter and flugelhornist Bob Lark and alto saxophonist Phil Woods have recorded six albums together prior to Woods' death in 2015. Their final collaboration, Thick as Thieves, recorded in 2009 at Chicago's Jazz Showcase, was just released. It's a solid swinger, despite my initial trepidation over the predictable song choices. What keeps the ...

Hal Galper And the Youngbloods: Live At The Cota Jazz Festival

Read "Live At The Cota Jazz Festival" reviewed by Dan McClenaghan

The trio recordings released by pianist Hal Galper between 2006 and 2014--six discs, all but one on Origin Records--plowed fresh ground. Each disc dug deeply into the “Rubato" form. Taken as a whole--from 2006's Agents Of Change (Fabola Records) through 2014's O's Time (Origin Records)--the full series represents a monumental, sharply focused project that, for those ...

Bob Lark-Phil Woods Quintet: Thick As Thieves

Read "Thick As Thieves" reviewed by Jack Bowers

Remember the good old days when jazz groups came out swinging and took no prisoners until the battle had been won? Well, why settle for memories when you can lay your cares aside for an hour or so and groove to Thick as Thieves, the third and last album by the unrivaled and always-aggressive Bob Lark ...

Nathan Zaporski: Live Recitation

Read "Live Recitation" reviewed by Jerome Wilson

Nathan Zaporski is a composer and alto saxophonist from the Detroit area with a hard, sharp edge to his playing in the tradition of Phil Woods and Jackie McLean. On this live recording he shows his wares fronting a sympathetic quartet. Zaporski's sound is so speedy and relentless on the opening duo of Thelonious Monk's “Rhythm-a-ning" ...

ARTICLE: BOOK EXCERPTS

A Conversation with Mike Mainieri

Read "A Conversation with Mike Mainieri" reviewed by Anthony Smith

The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017).

So you've been working on a new project this week?

Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't ...

Richie Cole Alto Madness Orchestra: The Many Minds of Richie Cole

Read "The Many Minds of Richie Cole" reviewed by Rob Rosenblum

Alto saxophonist Richie Cole is a living, breathing anachronism and has arguably been one since he first burst out of Berklee School of Music onto the stage as featured soloist with the Buddy Rich big band in the 1970's.

While many of his contemporaries were following the lead of Chuck Berry and The Beatles, ...

Tim Ray Trio: Windows

Read "Windows" reviewed by Angelo Leonardi

Il pianista Tim Ray è noto soprattutto per le collaborazioni con protagonisti della musica pop (Lyle Lovett, Aretha Franklin, Bonnie Raitt) piuttosto che con jazzmen (Gary Burton, Esperanza Spalding, Phil Woods, Dave Douglas, Brian Blade, Lewis Nash) o con organici classici come la Boston Classical Orchestra.


Professore associato al Berklee College of Music ...

ARTICLE: NEW YORK BEAT

Collegiate Jazz at Dizzy's Club Coca-Cola

Read "Collegiate Jazz at Dizzy's Club Coca-Cola" reviewed by Nick Catalano

For the better part of a decade I've escorted my jazz class at Pace University on trips to Dizzy's to see the Manhattan School of Music Concert Jazz Band perform. The series was forged by veteran jazz academic Justin DiCioccio whose leadership and programming has prompted a rarely noticed success of Collegiate jazz bands across the ...

ARTICLE: PROFILES

Arthur Blythe, 1940-2017: A Remembrance

Read "Arthur Blythe, 1940-2017: A Remembrance" reviewed by Todd S. Jenkins

The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...


Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.