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John Cage
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In 1952, David Tudor sat down in front of a piano for four minutes and thirty-three seconds and did nothing. The piece 4?33--written by John Cage, is possibly the most famous and important piece in twentieth century avant-garde. 4?33--was a distillation of years of working with found sound, noise, and alternative instruments. In one short piece, Cage broke from the history of classical composition and proposed that the primary act of musical performance was not making music, but listening. Born in Los Angeles in 1912, Cage studied for a short time at Pamona College, and later at UCLA with classical composer Arthur Schoenberg
Calato: John Cage Variations + FOUR6
by Alberto Bazzurro
Il quartetto di improvvisazione e composizione sperimentale" argentino denominato Calato, nato nel 2010 (la presente incisione risale al dicembre 2017), si muove tra cascami free e rumorismo contemporaneo palesando grande dimestichezza con la materia, che, nello specifico, coincide con sette variazioni brevi (da uno a sei minuti appena scarsi) ideate da John Cage a cavallo fra ...
Tempo Reale Festival - Suoni e musica di ricerca
by Neri Pollastri
Tempo Reale Festival--Suoni e musica di ricerca Firenze Varie sedi 13-24.3.2024 Nell'anno del centenario di Luigi Nono era quasi doveroso che Tempo Reale --il Centro di ricerca, produzione e didattica musicale fondato da Luciano Berio --dedicasse uno spazio al compositore il proprio festival. Così, sebbene la recentissima scomparsa di Albert Mayr ...
American Composers On Another Timbre
by John Eyles
When the batch of four Another Timbre releases came out in February 2024, one aspect was particularly noticeable; of the four, two albums featured composers who were born in the U.S.A. and still reside there, Nomi Epstein and Paul Paccione. Although the label honored deceased American composers John Cage and Morton Feldman with highly-praised box sets, ...
Satoko Inoue: Presents Jo Kondo's Works For Piano 2015-2020
by Chris May
Jo Kondo is a composer unto himself, but for ready reference he can be filed in the proximity of John Cage and Morton Feldman, both of whom he got to know in 1978 in New York while in the city on a grant from the Rockefeller Foundation. Satoko Inoue is a concert pianist specializing in modern ...
The Complete Obscure Records Collection 1975-1978
by Chris May
The first ever CD box set gathering the complete 10-album catalogue of Brian Eno's Obscure Records has been released by Italian-based label Dialogo. In the mid to late 1970s, Obscure gave a platform to some of the most significant young British composers of experimental music, together with a few Americans. In a quiet way spectacularly successful, ...
François Houle: Insider Listening that Makes You Clever
by Kerilie McDowall
Canadians and local Vancouverites have been in awe at BC, Canada's prestigious regular rising star clarinetist François Houle's international ranking status. Houle creates brilliantly fascinating compositions and such clever, innovative work. He has released seven albums as a leader from 2022-2023 and has four more plus on the way. Incredibly he will have released 11 albums ...
Sun Ra: Space Is The Place (Music From The Original Soundtrack)
by Doug Collette
The outlandish persona Sun Ra created and maintained for himself over the years may sometimes distract from the adventurous intent of the music he made. Yet it is testament to his vigorous loyalty to both the music as means of communicating his cosmic ideology and the basic tenets of his unconventional means of creativity that neither ...
Damon Smith, Peter Kowald, Joëlle Léandre & Bertram Turetzky: Bass Duos 2000-2007
by Jeff Schwartz
One function of recordings is to document a performer's development. Damon Smith's Bass Duos 2000-2007 not only captures his artistic and technical evolution, his choice of duet partners represents the expanded options for the bass in creative music since the 1960s. Two of the three discs in this set were previously released, but ...
Not Like Before: Michael Robinson's Jazz Without Borders
by Michael Robinson
Playing my personal vision of jazz, claiming that name as part of my heritage, I endeavor feeling the rhythms of life in the present, past and future, entering into them through touch and nuance at the piano, connecting rajas, sattva and tamas; circular movement, cohesion and disintegration. I've been fortunate to know masters of improvised ...