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Content by tag "Mark Corroto"

ARTICLE: LIVE REVIEWS

Hyde Park Jazz Festival 2017

Read "Hyde Park Jazz Festival 2017" reviewed by Mark Corroto

Hyde Park Jazz Festival
Chicago, IL
September 23-24, 2017

Even though the 11th annual Hyde Park Jazz Festival is on the books and the music is no longer audible, the spirit of the weekend endures. What has become an annual rite and celebration of music, culture, and maybe above, all ...

ARTICLE: CD/LP/TRACK REVIEW

Rova Saxophone Quartet: Steve Lacy’s Saxophone Special Revisited

Read "Steve Lacy’s Saxophone Special Revisited" reviewed by Mark Corroto

If you own a copy of the original Saxophone Special (Emanem, 1975), flip the LP over to view a photocopy of Steve Lacy's original notebook (with spiral binding) score of the compositions “Staples," “Swishes," and “Snaps." This is all music he performed at Wigmore Hall in London in December 1974 in a saxophone quartet that included ...

ARTICLE: CD/LP/TRACK REVIEW

Dave Rempis: Lattice

Read "Lattice" reviewed by Mark Corroto

I recall an interview with a lionized baby boomer saxophonist, who told the story of listening to side one, and only side one, of John Coltrane's A Love Supreme (Impulse!, 1965). He was reluctant to turn the LP over (this was in the pre-digital era), thinking side two could never match the majesty of “Acknowledgement" and ...

ARTICLE: BOOK REVIEWS

Good Things Happen Slowly: A Life In And Out Of Jazz

Read "Good Things Happen Slowly: A Life In And Out Of Jazz" reviewed by Mark Corroto

Good Things Happen Slowly: A Life In And Out Of Jazz
Fred Hersch
307 Pages
ISBN: #9781101904343
Crown Archetype Press
2017

Disclaimer #1: Like the author, I harbor a blood pathogen (he HIV, me Leukemia) that is intent on killing me.

Disclaimer #2: Being of similar ...

ARTICLE: CD/LP/TRACK REVIEW

Jason Stein Quartet: Lucille

Read "Lucille" reviewed by Mark Corroto

Jason Stein continues to curve a niche in the jazz world, but it's not what you might assume. Listeners straightaway assume that he is an idiosyncratic outlier because his sole instrument is the bass clarinet. We've grown accustomed to saxophonists like Eric Dolphy and David Murray doubling on the bass clarinet. Stein's constancy to this one ...

ARTICLE: CD/LP/TRACK REVIEW

Roger Beaujolais: Sunset

Read "Sunset" reviewed by Mark Corroto

Maybe it should be a law that every vibraphonist is required to cover Bobby Hutcherson's “Little B's Poem." Okay, perhaps we don't need such a law, but as with pianists covering compositions by Thelonious Monk, a requirement like this would enable us to get the measure of the musician. Here Roger Beaujolais, on his 19th studio ...

ARTICLE: CD/LP/TRACK REVIEW

Dan Phillips Quartet: Converging Tributaries

Read "Converging Tributaries" reviewed by Mark Corroto

Sorry New York, but Chicago jazz hits harder. And maybe it always has, with players like Gene Ammons, Von Freeman, Fred Anderson and today's stars, Dave Rempis, Frank Rosaly, Hamid Drake, and Fred Lonberg-Holm, to name just a few musicians. Maybe it is the winters, or is it the searing heat of summer that mutates the ...

ARTICLE: CD/LP/TRACK REVIEW

Matt Wilson: Honey And Salt

Read "Honey And Salt" reviewed by Mark Corroto

We will forgive you if you believed drummer Matt Wilson's previous recording Beginning Of A Memory (Palmetto, 2016) was a summing-up of his career to date. On that recording he invited just about every musician he has worked with as a leader. The conspicuous absence was, of course, Dewey Redman, who had passed on in 2006. ...

ARTICLE: CD/LP/TRACK REVIEW

Konstrukt: L.O.T.U.S.

Read "L.O.T.U.S." reviewed by Mark Corroto

With each new Konstrukt release I get anxious, wondering just where these Istanbul musicians, and current bearers of the free jazz banner, are headed next? To our Western ears, they seemingly arrived from nowhere. Turkish free jazz, really? But it didn't take long before we became familiar with names like guitarist Umut Çağlar, saxophonist Korhan Futacı, ...

ARTICLE: CD/LP/TRACK REVIEW

Eric Revis: Sing Me Some Cry

Read "Sing Me Some Cry" reviewed by Mark Corroto

Only a bassist like Eric Revis with a background in the origins of jazz (that is, New Orleans), hardcore, funk, and post-bop can pull off such a big project as Sing Me Some Cry. Not big as in impenetrable, but circus tent big--assimilating all his experiences. From Betty Carter and Lionel Hampton to his long-standing tenure ...


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