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Marc Copland
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Born 27 May 1948, Philadelphia, Pennsylvania, USA, Copland was a part of the vibrant music scene in Philadelphia as a saxophonist before going to New York where he met John Abercrombie and also played with Chico Hamilton, and others. He experimented with the electric alto but gradually became dissatisfied with the direction his music was taking and, leaving New York, quit playing the sax in order to study piano. He was gone for almost a decade but upon his return to the jazz world in the mid-80s his piano playing was a revelation, his own vividly original style firmly in place. As a sideman he played with Bob Belden, Jane Ira Bloom, Joe Lovano, Tim Hagans, James Moody, Wallace Roney and many others. But his career as a sideman in the Apple was relatively short-lived; Copland began recording and touring in trio with Gary Peacock and Billy Hart (At Night/Sunnyside, Paradiso/Soul Note) In the nineties, his reputation spread owing to three legendary recordings with the Savoy label, which put him on the road in an All-Star quintet (Randy Brecker, Bob Berg, and Dennis Chambers), and later in quartet with guitarist John Abercrombie, Drew Gress, and drummer Hart. Copland has enthralled audiences not only in trio and as a solo pianist, but also as a duo partner without peer—as attested by his duo recordings with Greg Osby (Night Call, Round and Round/Nagel-Heyer) and Gary Peacock (What It Says/Sketch).
Filarmonica Laudamo Creative Orchestra: "Suite For Peace" di Karl Berger
by Neri Pollastri
Filarmonica Laudamo Creative Orchestra Auditorium Antonello da Messina Messina 19.11.2023 Storica associazione musicale messinese dalla vita ormai secolare, la Filarmonica Laudamo da molti anni organizza partecipatissime stagioni (oltre seicento gli abbonamenti) con cartelloni che affiancano alle rappresentazioni classiche anche concerti di altri generi. Tra questi --specie da quando nel 2013 ...
Zinc Bar's Fall And Winter Jazz Piano Series Takes Center Stage In Greenwich Village
Get ready for a soul-stirring journey through the world of jazz piano as Zinc Bar, the legendary venue nestled at 82 West 3rd Street in the heart of Greenwich Village, announces its highly anticipated Fall and Winter Jazz Piano Series. Presented by impresario Charles Carlini of Charles Carlini Presents, this exceptional series will showcase some of ...
All New Music From Mark Turner, Audrey Ochoa, Marc Copland And More
by Bob Osborne
On this show we present all new music from Mark Turner, Audrey Ochoa, Marc Copland, Malleus Trio, Irreversible Entanglements, Julián Solarz Grupo, Sean Wolcott, Heikki Ruokangas, Telepathic Band--Daniel Carter, Patrick Holmes, Matthew Putman, Hilliard Greene, Federico Ughi, Stan Sulzmann, Alyssa Giammaria, and Graham Collier. Playlist Show Intro 00:00 Mark Turner Return From The Stars" ...
Marc Copland: Impressions
by John Kelman
Solo performances may approach presenting an artist at his or her most vulnerable, but it's in the context of the duo that they're the most exposed. Not only are their abilities, instincts and improvisational élan laid bare, but their communication skills, at the deepest level, are impossible to disguise. The good news is that, were pianist ...
Bill Evans, Fire! Orchestra, Roland Kirk Orchestral Works + recent releases and old finds
by David Brown
Join us for another week of the Jazz Continuum. Old, new, in, out, where ever the music takes us. Each week we explore the elements of jazz form a historical perspective. This week we take a look at some large ensemble works from Rahsaan Roland Kirk, Bill Evans and Fire! Orchestra as well as some recent ...
For All We Know
Label: Self Produced
Released: 2022
Track listing: All of You; Some Other Time; Dreamer; Beautiful Friendship; A Time for Love; Zingaro; For All We Know.
Someday
By Marc Copland
Label: InnerVoiceJazz
Released: 2022
Track listing: Someday My Prince Will Come; Spinning Things; Dukish; Let's Cool One; Round She Goes;
Encore; Day And Night; Nardis.
Marc Copland Quartet: Someday
by Dan McClenaghan
Marc Copland is a former saxophonist who found his instrument artistically confining for the purposes of expressing his vision. So he called on his childhood piano training (synaptic memories intact) to make the switch to the keyboard. The results have been magic. His artistry with the 88s is second only to the late Bill Evans, and ...