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Randy Brecker Quintet: Live at Sweet Basil 1988

Read "Randy Brecker Quintet: Live at Sweet Basil 1988" reviewed by John Kelman

Randy Brecker Quintet
Live at Sweet Basil 1988
MVDvisual
2018

Culled from direct-to-two-track digital recordings made on three of Randy Brecker's potent six-night 1988 run at New York City's Sweet Basil, and featuring a particularly top-drawer quintet of musical friends old and new, the original 1989 LP/CD release of Live at Sweet ...

Brad Mehldau Trio: Seymour Reads The Constitution!

Read "Seymour Reads The Constitution!" reviewed by Dan McClenaghan

Pianist Brad Mehldau has an adventurous and innovative side, one that he displays on Largo (Warner Brothers, 2002) and Highway Rider (Nonesuch, 2010), albums that feature expansive and--with Largo--electronic inputs. But he always returns to the acoustic trio format that brought him to prominence. It began with a series of five Art Of The Trio albums ...

Gary Peacock: Tangents

Read "Tangents" reviewed by Mario Calvitti

Nel corso della sua lunghissima carriera, il nome di Gary Peacock è stato molto frequentemente associato ad alcuni grandi pianisti che hanno rivoluzionato la concezione del piano trio, a cominciare dai suoi sodalizi negli anni '60 con Paul Bley e Bill Evans; con quest'ultimo il rapporto è stato di breve durata, ma ha lasciato tracce evidenti ...

ARTICLE: LIVE REVIEWS

John Abercrombie Tribute Concert at Roulette

Read "John Abercrombie Tribute Concert at Roulette" reviewed by Tyran Grillo

John Abercrombie: Timeless--A Tribute To His Life And Music
Roulette
Brooklyn, NY
March 26, 2018

When John Abercrombie turned off the amplifier of life in 2017, the world lost not only one of its most distinctive guitarists but also one of jazz's brightest souls. As made clear by those ...

ARTICLE: INTERVIEWS

A dialogo con Giancarlo Mazzù e Luciano Troja

Read "A dialogo con Giancarlo Mazzù e Luciano Troja" reviewed by Neri Pollastri

Il chitarrista calabrese Giancarlo Mazzù e il pianista siciliano Luciano Troja formano ormai da molti anni una coppia artistica molto affiatata. Messisi in luce nell'interessante quartetto Mahanada, che realizzò tre album tra il 2004 e il 2008 (leggi la recensione di Mahanatta), i due hanno poi consolidato la loro intesa artistica pubblicando i due volumi di ...

ARTICLE: MULTIPLE REVIEWS

Two Sides of Marc Copland: Quartet and Solo

Read "Two Sides of Marc Copland: Quartet and Solo" reviewed by Jakob Baekgaard

Anyone interested in discovering the fascinating story of pianist Marc Copland should start out by reading John Kelman's excellent article: “Marc Copland: Growth Through Collaboration" (2005). It follows the trajectory of an artist that has evolved immensely throughout his career, with the most radical change being the shift in instrument from saxophone to piano. This shift ...

Robin Verheyen: When The Birds Leave

Read "When The Birds Leave" reviewed by Don Phipps

Saxophonist Robin Verheyen exhibits a range of musical emotions on his album When the Birds Leave. Backed by an empathetic rhythm section of top-notch players (pianist Marc Copland, bassist Drew Gress, and drummer Billy Hart), Verheyen explores a group of ebullient, introspective, and sometimes challenging compositions.

Verheyen is capable of great expressiveness with his ...

ARTICLE: INTERVIEWS

Paula Shocron: Paths to a New Sound

Read "Paula Shocron: Paths to a New Sound" reviewed by Jakob Baekgaard

When Werner X. Uehlinger, the founder of Hat Hut Records, was asked about a statement on why he liked Argentinian pianist Paula Shocron's music, the answer was clear, short and succinct: “The quality of surprise." Uehlinger discovered Shocron's music through her work with the SLD Trio and he liked their debut Anfitrión so much that the ...

ARTICLE: CD/LP/TRACK REVIEW

ECV: Sticks and Stones

Read "Sticks and Stones" reviewed by John Kelman

While a somewhat common secondary instrument for primarily electric guitarists including Vic Juris, Pat Metheny and Adam Rogers, there are but a handful of jazz six-stringers alive today who make the nylon-string acoustic guitar their main axe. Despite being known to pick up a warm-toned hollow body electric guitar when the need arises, jny: Ottawa, Canada-based ...

ARTICLE: UNDER THE RADAR

Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond

Read "Culture Clubs: A History of the U.S. Jazz Clubs, Part III: Kansas City, Philadelphia, Los Angeles & Beyond" reviewed by Karl Ackermann

Beyond the Hubs

While jny: New Orleans, jny: Chicago, jny: Kansas City and jny: New York City were the incubators of modern jazz, they were by no means the only locations with an appetite for live music. Jazz artists whose point of origin could not sustain multiple venues ventured to locations near and far ...