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Wayne Shorter

Born in Newark, New Jersey on August 25, 1933, Wayne Shorter had his first great jazz epiphany as a teenager: “I remember seeing Lester Young when I was 15 years old. It was a Norman Granz Jazz at the Philharmonic show in Newark and he was late coming to the theater. Me and a couple of other guys were waiting out front of the Adams Theater and when he finally did show up, he had the pork pie hat and everything. So then we were trying to figure out how to get into the theater from the fire escape around the back. We eventually got into the mezzanine and saw that whole show — Stan Kenton and Dizzy Gillespie bands together on stage doing ‘Peanut Vendor,’ Charlie Parker with strings doing ‘Laura’ and stuff like that

ARTICLE: INTERVIEWS

Maria Pia De Vito: Bergamo Jazz and Beyond

Read "Maria Pia De Vito: Bergamo Jazz and Beyond" reviewed by Libero Farnè

Non tutte le cantanti, attraverso l'espressione interpretativa, riescono a mettere in piena evidenza il mondo socio-culturale che sta all'origine delle singole canzoni da loro proposte. Proprio questa sembra essere la preoccupazione irrinunciabile di Maria Pia De Vito, che col suo lavoro ha sempre teso a esaltare l'interconnessione, strettissima, indispensabile, fra il livello colto e quello popolare, ...

ARTICLE: SOCAL JAZZ

Jimmy Haslip: Amperes Beyond the BASSics, Part Two

Read "Jimmy Haslip: Amperes Beyond the BASSics, Part Two" reviewed by Jim Worsley

In case you missed it, Part One of my conversation with Jimmy Haslip covered a lot of ground and had a few good laughs along the way. Although we talked about the Yellowjackets, we delved more deeply into why and how he parted ways with the band some eight years ago. Haslip has been producing records ...

ARTICLE: RADIO

February 50th Anniversary Blue Notes & More

Read "February 50th Anniversary Blue Notes & More" reviewed by Marc Cohn

This week on Gift & Messages we mark 50th anniversary of Blue Note releases from February 1970 by flautist Jeremy Steig (Wayfaring Stranger with Eddie Gomez on bass), McCoy Tyner (Extensions with Wayne Shorter, Gary Bartz and Alice Coltrane), and Duke Pearson (I Don't Care Who Knows It), as well as BN-18 from Edmond Hall with ...

ARTICLE: UNDER THE RADAR

Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II

Read "Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II" reviewed by Karl Ackermann

Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...

ARTICLE: ALBUM REVIEWS

Massimo Biolcati: Incontre

Read "Incontre" reviewed by Friedrich Kunzmann

Massimo Biolcati is somewhat of a quiet giant. This is revealed not only by the elegant way in which he handles his double bass but is furthermore expressed by his humble personality on-stage as well as off. So much for the quiet aspect. Why a giant? Raised in Italy and Sweden, Biolcati graduated from both the ...

ARTICLE: ALBUM REVIEWS

Lydian Sound Orchestra: Mare 1519

Read "Mare 1519" reviewed by Angelo Leonardi

Lo straordinario viaggio attorno al mondo del 1519 di Magellano e dei suoi uomini (tra cui il vicentino Pigafetta che ne raccontò le vicende) è il motivo da cui prende spunto il nuovo concept album della Lydian Sound Orchestra. L'anno di partenza di quella straordinaria spedizione (che si concluse, morto Magellano in battaglia, nel 1522) è ...

ARTICLE: INTERVIEWS

Scott Kinsey: On speaking Luniwaz with an accent

Read "Scott Kinsey: On speaking Luniwaz with an accent" reviewed by Friedrich Kunzmann

Scott Kinsey belongs among the most influential keyboard players of the past decades and seems capable of adapting to any style of music. Unlike those who came before him, Kinsey was born into the golden era of keyboards and synthesizers, when visionaries such as Chick Corea and Herbie Hancock had already begun to explore the vast ...

ARTICLE: ALBUM REVIEWS

Pat Metheny: From This Place

Read "From This Place" reviewed by John Kelman

It's been a full six years since Pat Metheny last released a studio recording. This, despite the guitarist who has become, in a career now in the midst of its fifth decade, one of the most famous and influential jazz guitarists of his (or, some would argue, any) generation, reportedly having enough material in the can ...

ARTICLE: INTERVIEWS

Kendrick Scott: Making Walls into Bridges

Read "Kendrick Scott: Making Walls into Bridges" reviewed by Rob Garratt

Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...


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