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Content by tag "Woody Herman"

ARTICLE: RADIO

Frank Zappa's Jazz Legacy

Read "Frank Zappa's Jazz Legacy" reviewed by Ludovico Granvassu

Frank Zappa may have said “jazz is not dead, it just smells funny" but looking at his life and music one does not get the impression that he really believed that jazz was decomposing or dying a slow death.

On Freak Out, one of the most impressive debut albums of all times, he ...

ARTICLE: MULTIPLE REVIEWS

Jazz is Mod: An Introduction to the Mod Jazz Series

Read "Jazz is Mod: An Introduction to the Mod Jazz Series" reviewed by Jakob Baekgaard

In England there is a solid tradition for crate digging and appreciation of American music. In fact, the whole idea of Northern Soul is based on the concept of English hipsters digging out rare soul gems in the sixties and giving them new life on the dance floor. However, the English mod scene, as it was ...

ARTICLE: CD/LP/TRACK REVIEW

Rupert & Drexler: R&D

Read "R&D" reviewed by Mike Jurkovic

Between them, longtime collaborators (and University of Central Florida professors), saxophonist Jeff Rupert and pianist Richard Drexler have played on hundreds of recordings ranging from Diane Schuur, Mel Torme, Sam Rivers, Mose Allison, Tony Bennett and the Woody Herman Orchestra, to name just a few. So it comes as no surprise that R & D, recorded ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 3-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball"
Four Points by Sheraton at LAX
Los Angeles, CA
May 23-27, 2018

Part 1 | Part 2 | Part 3 | Part 4

Concert 8: The Herdsmen -Bobby Shew meets Larry McKenna Trumpeter Bobby Shew is a well- known ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 2-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball"
Four Points by Sheraton at LAX
Los Angeles, CA
May 23-27, 2018

Part 1 | Part 2 | Part 3 | Part 4

Concert 4: Keen and Peachy: Music of the Woody Herman Second Herd -Directed by Michael Berkowitz ...

ARTICLE: BIG BAND REPORT

Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4

Read "Los Angeles Jazz Institute Festival - Woodchopper's Ball: Part 1-4" reviewed by Simon Pilbrow

Los Angeles Jazz Institute Festival “Woodchoppers' Ball"
Four Points by Sheraton at LAX
Los Angeles, CA
May 23-27, 2018

Part 1 | Part 2 | Part 3 | Part 4

The Los Angeles Jazz Institute (LAJI), under Ken Poston, has continued for some thirty years to ...

ARTICLE: CD/LP/TRACK REVIEW

Stan Kenton Legacy Orchestra: Flyin' Through Florida

Read "Flyin' Through Florida" reviewed by Jack Bowers

The number of jazz-centered big bands “on the road" these days can be counted on the fingers of one hand with a digit or two to spare. The Glenn Miller and Count Basie orchestras remain randomly active, the Duke Ellington and Woody Herman progeny somewhat less so. As for the rest . . . R.I.P. Stan ...

Claudia Döffinger: Monochrome

Read "Monochrome" reviewed by Gareth Thompson

The turkey trot and tango became so popular by 1914 that the Vatican saw fit to denounce them. American ballrooms, once invaded by European dance steps, were now throbbing to these sexier moves. In his eminent book, The History Of Jazz, author Ted Gioia argues that such new currents in social dancing also forced a change ...

ARTICLE: INTERVIEWS

Ron Korb: Pan-Global Flutist

Read "Ron Korb: Pan-Global Flutist" reviewed by Rob Caldwell

In a 20-year career, Grammy nominated flutist Ron Korb has experienced the lows and highs of a touring musician. He's been stuck in the Panamanian jungle when the bus transporting he and his band to their show broke down, leaving them teetering on the top of a hillside for hours in the blazing sun while repairs ...

ARTICLE: CD/LP/TRACK REVIEW

John Vanore: Stolen Moments

Read "Stolen Moments" reviewed by Angelo Leonardi

Oliver Nelson incise il magistrale The Blues and the Abstract Truth in una sola session nel febbraio 1961 con sette strumentisti lui compreso. Aveva 29 anni e guidava una formazione strepitosa con Eric Dolphy, Freddie Hubbard, George Barrow in front line e una ritmica comprendente Bill Evans, Paul Chambers e Roy Haynes. Quei nomi e la ...