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Edrix Puzzle: Coming Of The Moon Dogs
by Chris May
There are precious few records out there that one feels confident in recommending to connoisseurs of cosmic jazz-rockers The Comet Is Coming, but Coming Of The Moon Dogs is one of them. The disc is the first full-length album from Edrix Puzzle, another British band who are stretching the definition of jazz while being audibly across ...
Mark de Clive-Lowe: Celebrating Pharoah Sanders
by Chris May
It is a curious thing, but among the present day champions of Pharoah Sanders' fundamentally acoustic music are two early adopters of post-production heavy, digitally-enabled, high-tech mutoid jazz: bassist and producer Bill Laswell and keyboardist and broken-beat pioneer Mark de Clive-Lowe, whose Freedom: Celebrating The Music Of Pharoah Sanders (Soul Bank) was released in July 2022. ...
WeFreeStrings: Love In The Form Of Sacred Outrage
by Mark Corroto
History does repeat itself, violist Melanie Dyer draws from the same well of inspiration as Max Roach's We Insist! Max Roach's Freedom Now Suite (Candid, 1961). Maybe better put, history reveals Martin Luther King's arc of the moral universe has only bent a few degrees in the past sixty years. With Love In The Form Of Sacred ...
Various Artists: Impulse Records: Music, Message & The Moment
by Chris May
Those of us for whom Impulse has been as important a part of our cultural lives as Blue Note, perhaps even a more important one, will not be satisfied until the label reissues its entire catalogue on remastered CDs and audiophile vinyl. In the meantime, it would be churlish to do anything other than applaud such ...
Pharoah Sanders: An Alternative Top Ten Albums To Feed Your Head
by Chris May
Fellow tenor-wielding sonic adventurer Albert Ayler famously described his own and Pharoah Sanders' relationships with their mentor John Coltrane thus: “Trane was the Father, Pharoah was the Son, I am the Holy Ghost." The epigram goes some way to capturing the scorched-earth ferocity of much, though not all, of Sanders' music in the 1960s. But Ayler ...
Johanna Burnheart: Burnheart
by Chris May
The violin has an eventful history in jazz. But it is still a niche instrument, despite a line of singular players stretching back to Stephane Grappelli and Stuff Smith (who deserves some bonus points for composing the immortal “If You're A Viper"). There are no schools of jazz violinists, simply a succession of one-off stylists, with ...
Carlos Niño / Miguel Atwood-Ferguson: Chicago Waves
by Chris May
Chicago-based jazz drummer and electronic-beat-maker Makaya McCraven's International Anthem label has been releasing beguiling cross-genre music by a diverse roster of artists since the mid 2010s. In the process, McCraven's own double album Universal Beings (2018) gave an early US platform to musicians from the new London jazz scene including reed player Shabaka Hutchings, tenor saxophonist ...
Alan Broadbent: Intimate Reflections on a Passion for Jazz
by Victor L. Schermer
Pianist, composer, and arranger Alan Broadbent doesn't just “dig" jazz. He has a deep and enduring passion for it. Growing up in mid- 20th-century New Zealand, he quickly went beyond piano lessons to reading musical scores and learning jazz standards. Then, when the Dave Brubeck Quartet came to his relatively isolated hometown of Auckland, his love ...
Peter Davenport: Bolide
by Dave Wayne
Peter Davenport's Bolide is the sort of album that often flies completely under the radar. It's what record collectors call a private issue; completely self-produced, self-distributed and available on a very small scale; generally only through the artist. Nevertheless, Bolide is a worthwhile listening experience. While not a familiar name to me prior to hearing this ...
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