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Lars Gullin

Lars Gullin was born May 4, 1928, on the island of Gotland, off the Swedish east coast. Legend say he could read music before he learned to read Swedish. His first instrument was an accordion of the simplest kind. A few years later it was exchanged for a larger one with piano keys, and at the age of five he composed simple polkas. He actually won an accordion contest, still a juvenile. At the age of nine or ten he led his own little band, playing in local vaudevilles. The "book" consisted of tunes like After You've Gone and Tiger Rag, no doubt learned from Sonora 78s with accordionist Nisse Lind. At 13 Lars joined the military band in Visby, the main city on the island, as a clarinet player

ARTICLE: LIVE REVIEWS

A to JazZ Talks 2019: The Road To International Stage

Read "A to JazZ Talks 2019: The Road To International Stage" reviewed by Ian Patterson

A to JazZ Talks: The Road To International Stage Literature Club Peroto National Palace of Culture Sofia, Bulgaria July 5, 2019 For the majority of young musicians, the very notion of pursuing a career in music can be daunting, to say the least. Admittedly, it is perhaps easier than ever ...

ARTICLE: BOOK REVIEWS

The History Of European Jazz: The Music, Musicians And Audience in Context

Read "The History Of European Jazz: The Music, Musicians And Audience in Context" reviewed by Ian Patterson

The History Of European Jazz: The Music, Musicians And Audience In Context Various authors/Edited by Francesco Martinelli 741 Pages ISBN: 13 978 1 78179 446 3 Equinox Publishing 2018 It's taken some time, about a century in fact, but finally, thanks chiefly to editor and jazz historian Francesco ...

ARTICLE: ALBUM REVIEWS

Kurt Jarnberg: Down Memory Lane, Vols 3 and 4

Read "Down Memory Lane, Vols 3 and 4" reviewed by Jack Bowers

For some of us, Memory Lane is much longer and far more crowded than it once was. Be that as it may, any trip there remains a pleasurable experience, more so when the guide is Swedish trombonist / trumpeter Kurt Jarnberg who employs his quartet, quintet, big band and a host of talented guest artists to ...

ARTICLE: MULTIPLE REVIEWS

A Selection of Jazz on Sonorama

Read "A Selection of Jazz on Sonorama" reviewed by Jakob Baekgaard

A good record is not just an album, it is a story, and few people understand this better than Ekkehart Fleischhammer, who runs Sonorama. The label specializes in reissues and discoveries of lost jazz classics, library music, funk and soul. Every release is a labor of love and the albums in the following batch all include ...

Mats Gustafsson

Read "Mats Gustafsson" reviewed by Vincenzo Roggero

If Mats Gustafsson's approach to music were to be described with a single adjective, it would have to be “intense." This applies to him both as a musician, as illustrated by over three decades of playing with stalwarts of the free and creative jazz scenes on both sides of the Ocean (Ken Vandermark, Peter Brötzmann, Joe ...

Mats Gustafsson

Read "Mats Gustafsson" reviewed by Vincenzo Roggero

1. Hank Mobley, Hank Mobley (Blue Note, 1957). Il disco jazz definitivo?! È tutto perfettamente bilanciato in questa supersession. Il sax tenore è poetico e la tromba di Art Farmer non è mai stata così lirica ed emozionante. Art Blakey è un genio dello swing e la foto di copertina è una delle mie ...

NEWS: RECORDING

Lars Gullin: Swede and Low

Lars Gullin: Swede and Low

Lars Gullin was a giant of jazz who just happened to be from Sweden. He should be thought of on the same level as other 1950s baritone saxophonists who excelled in small groups, including Gerry Mulligan, Serge Chaloff, Jimmy Giuffre and Bob Gordon, among others. Gullin's dry, lyrical tone was probably closest to Mulligan's and Gordon's. ...

ARTICLE: ALBUM REVIEWS

Larry Dickson Jazz Quartet: Summergold Promises

Read "Summergold Promises" reviewed by Jack Bowers

Cincinnati-based baritone saxophonist Larry Dickson's new album, Summergold Promises, is almost a companion piece to his previous enterprise, Second Springtime, which was appraised favorably here less than a year ago. The word “almost" is necessary because Dickson's front-line partner on Springtime, tenor saxophonist Brent Gallaher, has been replaced by trombonist Bill Gemmer, lending the quartet a ...

Jazz From Around the World: Europe

Read "Jazz From Around the World: Europe" reviewed by Hrayr Attarian

Jazz has had a universal appeal since its inception. As soon as the music left its cradle of jny: New Orleans in the early years of the 20th century it quickly spread to all corners of the world. Europeans were among the first non-Americans to embrace the music and place their unique twist on it. Below ...


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