All About Jazz

Home » Tag Center » Tag: Satoshi Takeishi

Content by tag "Satoshi Takeishi"

ARTICLE: ALBUM REVIEWS

Michael Attias: échos la nuit

Read "échos la nuit" reviewed by Karl Ackermann

In the early days of Rahsaan Roland Kirk's career, there were critics who viewed the blind man with three instruments hanging from his neck--two to be played simultaneously--as posturing. Then they heard him play. Forty years later, and filtered through the influence of four continents, Michaël Attias takes up the task of improvising on two different ...

ARTICLE: ALBUM REVIEWS

Sean Conly: Hard Knocks

Read "Hard Knocks" reviewed by Glenn Astarita

This trio gives credence to the old saying that, “too many cooks spoil the broth." Given the musicians' course of action, it would seem that additional instrumentalists may have gotten in the way of progress. This is due to the band's extreme agility coupled with a horde of alternative routes, undulating bop grooves, an uncluttered soundstage ...

ARTICLE: RADIO

Let's Get Experimental

Read "Let's Get Experimental" reviewed by Patrick Burnette

Violinist, composer, singer, and poet Sarah Bernstein visits the 'cast to discuss her career in music, her various on-going groups and projects, and her recording with percussionist Satoshi Takeishi, Crazy Lights Shining. The rest of the program explores various kinds of “experimental music," from drummer Rudy Royston's unusual front-line of bass clarinet and accordion to Thrainn ...

ARTICLE: ALBUM REVIEWS

Eliane Elias: Music from Man Of La Mancha

Read "Music from Man Of La Mancha" reviewed by Luigi Sforza

Nella storia della musica (per non parlare del cinema, del teatro e delle arti figurative) numerosi sono stati gli omaggi al grande romanzo che racconta le gesta di Alonso Chisciano. Dalla musica classica (il balletto Don Chisciotte di Aloisius Ludwig Minkus) alla canzone d'autore (”Alonso Chisciano” di Ivano Fossati), solo per citare alcuni esempi, molteplici sono ...

ARTICLE: ALBUM REVIEWS

Gordon Grdina: Inroads

Read "Inroads" reviewed by Neri Pollastri

Nuova formazione per il canadese Gordon Grdina, un quartetto nel quale la sua chitarra sostituisce il più tradizionale basso e che hai in Oscar Noriega --ben noto per le sue collaborazioni con Tim Berne --la voce principale. I brani in programma sono tutti della penna di Grdina, anche se due in collaborazione proprio con Noriega.

ARTICLE: ALBUM REVIEWS

Jen Shyu: Song of the Silver Geese

Read "Song of the Silver Geese" reviewed by Angelo Leonardi

Viene spesso definita una vocalist sperimentale Jen Shyu, ma questo disco conferma che è molto di più. Dopo aver collaborato stabilmente con Steve Coleman e ancora con Anthony Braxton, Bobby Previte, Mark Dresser, Chris Potter e altri grandi, la cantante americana di genitori orientali (Taiwan e Timor Est) ha compiuto negli anni scorsi ricerche etnomusicologiche, recandosi ...

ARTICLE: ALBUM REVIEWS

Sarah Bernstein Unearthish: Crazy Lights Shining

Read "Crazy Lights Shining" reviewed by Gareth Thompson

The concept of “free" is linked with jazz more than any other music genre. But “free" to do what, exactly? Free to think what you like, play what you want, express what you must? May as well throw in the freedom to live how you choose. Listening to violinist Sarah Bernstein's music, these questions occur as ...

ARTICLE: ALBUM REVIEWS

Leslie Pintchik: You Eat My Food, You Drink My Wine, You Steal My Girl!

Read "You Eat My Food, You Drink My Wine, You Steal My Girl!" reviewed by Dan Bilawsky

If they gave out awards for album titles, this one would surely be in the running for top honors. “You eat my food, you drink my wine, you steal my girl" is a harsh and odd phrase that rolls off the tongue like some sort of backwoods country accusation-turned-lament, but its origins are far more urban ...

ARTICLE: HI-RES JAZZ

Dálava, Gordon Grdina and Mikkel Ploug: Songs Old, and Sounds New

Read "Dálava, Gordon Grdina and Mikkel Ploug: Songs Old, and Sounds New" reviewed by Mark Werlin

Strangeness--a word that connotes foreignness, otherness, and a sense of unease when confronted by the unfamiliar. The sound of recognizable musical forms may attract us, in the same way we are drawn to familiar faces or voices. The sound of a foreign language may set us on the alert; syllables we do not recognize, meanings we ...

ARTICLE: ALBUM REVIEWS

Jen Shyu: Song of the Silver Geese

Read "Song of the Silver Geese" reviewed by Hrayr Attarian

The dramatic and sublime The Song of the Silver Geese is vocalist and multi-instrumentalist Jen Shyu's magnum opus. On it Shyu draws from her dual cultural ancestry as well as other east Asian heritages to craft memorable performance art replete with dynamic spontaneity, unique instrumentation and exquisite poetry. The nine-piece suite is divided into “doors" and ...