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About Michael Wimberly
Instrument: Percussion
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Love In The Form Of Sacred Outrage
By Melanie Dyer
Label: ESP-Disk
Released: 2022
Track listing: Baraka Suite (for Amiri Baraka): Mvt. 1 Meditation On Earth; Mvt. 2 In nThe Theater; Mvt.
3 Who? Who? Who?; Mvt. 4 Stride out And Dig; Mvt. 5 Few Worlds Ahead; Mvt. 6
There Me Go; Love in the Form of Sacred Outrage [for Fannie Lou Harner); Pretty
Flowers; Propagating the Same Type of Madness, that uh... [for Fred Hampton).
Kirk Knuffke / Michael Bisio: For You I Don’t Want To Go
by Mark Corroto
The oft-quoted description of a sitting meditation practice, It's simple but not easy," might be a fitting characterization of this duo performance by cornetist Kirk Knuffke and bassist Michael Bisio. The equanimous and imperturbable approach the pair apply to this single 36-minute composition/recording dares one to disregard the high level of musicianship employed. Don't be drawn ...
Jazz At Atlas Kicks Off 2019 Season With Thumbscrew
This cooperative project features a trio of gifted musicians and composers—guitarist Mary Halvorson, bassist Michael Formanek and drummer/percussionist Tomas Fujiwara—performing their own compositions and selected standards with an exacting prowess wed to a liberated swing that is glorious to behold. Thumbscrew performs on Saturday, March 30 at 8 PM. Tickets are $20 in advance and $25 ...
Michael Moss's Accidental Orchestra: Helix
by Troy Dostert
A longtime contributor to the New York jazz scene whose roots go back to Sam Rivers's loft era of the 1970s, clarinetist and composer Michael Moss has typically worked in a small-group context, especially via his most well-known ensembles, Four Rivers and the New York Free Quartet. But on Helix, he's got more ambitious goals in ...
A dialogo con Giancarlo Mazzù e Luciano Troja
by Neri Pollastri
Il chitarrista calabrese Giancarlo Mazzù e il pianista siciliano Luciano Troja formano ormai da molti anni una coppia artistica molto affiatata. Messisi in luce nell'interessante quartetto Mahanada, che realizzò tre album tra il 2004 e il 2008 (leggi la recensione di Mahanatta), i due hanno poi consolidato la loro intesa artistica pubblicando i due volumi di ...
Thollem McDonas: Your Letter Must Have Followed Me All Over The World
by Dave Wayne
Coming at improvisational music from the classical realm, pianist Thollem McDonas remains resolutely outside of the main stream of the jazz world. Primarily inspired by, as he puts it in his liner notes to Meeting at the Parting Place, ... European concert music from the Renaissance to the 20th Century and jazz, particularly of the '60s ...
Michael Bisio: Accortet
by John Sharpe
A history of the accordion in jazz would be a slight volume. The accordion sits midway between horn and keyboard, and perhaps it's a surprise given its versatility that it doesn't have a higher profile. Klezmer influenced companies apart, the rollcall at the exploratory end of the spectrum would include Anthony Braxton (of course), The Claudia ...
Michael Bisio: Accortet
by Mark Corroto
There is a cartoon circulating the internet that depicts a criminal suspect being interrogated by police. Also in the room is a jazz bassist. The detective tells his partner, he'll talk, everyone talks during the bass solo." That may be true, unless the bassist is Michael Bisio. Whether performing with pianist Matthew Shipp or saxophonist Ivo ...
Michael Bisio: Accortet
by Troy Collins
Named after its unusual instrumentation, Accortet is the eponymous debut of a quartet led by renowned contrabassist Michael Bisio, featuring the unique frontline of accordion and cornet, played by Art Bailey and Kirk Knuffke, respectively, with Michael Wimberly manning the drums. An in-demand sideman among free jazz luminaries such as Joe McPhee, Ivo Perelman and Matthew ...