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A dialogo con Giancarlo Mazzù e Luciano Troja

Read "A dialogo con Giancarlo Mazzù e Luciano Troja" reviewed by Neri Pollastri

Il chitarrista calabrese Giancarlo Mazzù e il pianista siciliano Luciano Troja formano ormai da molti anni una coppia artistica molto affiatata. Messisi in luce nell'interessante quartetto Mahanada, che realizzò tre album tra il 2004 e il 2008 (leggi la recensione di Mahanatta), i due hanno poi consolidato la loro intesa artistica pubblicando i due volumi di ...


Tyshawn Sorey: Verisimilitude

Read "Verisimilitude" reviewed by Giuseppe Segala

Il tocco ricco di sottili contrasti dinamici che Tyshawn Sorey mette in risalto alla batteria si avvicina per ampiezza espressiva a quello delle dita su un pianoforte: dalla pennellata acquosa al colpo ovattato, dall'urto leggero alla cupa, vigorosa stoccata. Sempre restando nell'ambito di una gamma elastica, mobile, rilassata. Una qualità che, unita alla plastica intelligenza musicale, ...


Bobby Zankel: Celebrating William Parker at 65

Read "Celebrating William Parker at 65" reviewed by Victor L. Schermer

This recording is of a live concert at the Painted Bride Arts Center in Philadelphia on January 21, 2017 to honor bassist William Parker on his 65th birthday and in which he served as bassist. Saxophonist Bobby Zankel composed, arranged, and led a four part Suite with Parker's influence in mind and which allowed ample room ...


Ivo Perelman Makes It Rain

Read "Ivo Perelman Makes It Rain" reviewed by Mark Corroto

If music was sports, then Ivo Perelman would be baseball and most other musicians football. Where football's regular season is 16 games, baseball plays 162. Likewise, most musicians release one album every year or two, but Perelman has averaged seven titles per year for the last seven years. His 2017 Leo Records output is thirteen (fourteen, ...


The Many Faces of Jazz Today: The Big Picture

Read "The Many Faces of Jazz Today: The Big Picture" reviewed by Victor L. Schermer

Five All About Jazz interviews provided source information for this article. To access them, click on the following links:

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

[In a series of five interviews entitled “The Many Faces of Jazz: Critical Dialogues," All ...


Edgefest 2017: Give the Drummers Some, Part 2-2

Read "Edgefest 2017: Give the Drummers Some, Part 2-2" reviewed by Troy Dostert

Part 1 | Part 2

Ann Arbor, MI
October 20-21, 2017

On the last two days of the festival, the Edgefest audience was treated to even more of the eclectic, explorative music that was present in abundance on Wednesday and Thursday.

Edgefest-goers who were able ...


October Revolution in Jazz & Contemporary Music 2017

Read "October Revolution in Jazz & Contemporary Music 2017" reviewed by Mark Corroto

October Revolution In Jazz & Contemporary Music
Philadelphia, PA
October 5-8, 2017

The main venue for The October Revolution in Jazz & Contemporary Music was FringeArts, a renovated historic pumping station for Philadelphia's fire department located in the shadow of the Benjamin Franklin Bridge. It seats 240 ...


Aki Takase: Cherry ‎– Sakura

Read "Cherry ‎– Sakura" reviewed by John Sharpe

Twenty three years after their first studio date Blue Monk (Enja, 1993), Japanese pianist Aki Takase and American saxophonist David Murray reunite in Switzerland. There has been one live recording since, Valencia (Sound Hills, 1997), but the question remains what took them so long? The saxophone/piano axis has been a favored format for both. Murray's companions ...

Dave Burrell: The Crave

Read "The Crave" reviewed by John Sharpe

A leading free jazz pianist playing the music of Jelly Roll Morton? It's not as far-fetched as you might think. Morton has attracted a number of interpreters from the supposedly extreme end of the spectrum, from Sun Ra of course, first issued on Live At The Gibus (Atlantic, 1975), to Chicago trio Air on Air Lore ...

Lisa Cay Miller: 682/681

Read "682/681" reviewed by Karl Ackermann

Canadian pianist Lisa Cay Miller has been playing her instrument since the age of four, later taking up flute as well. Her divergent intermingling of improvisation, avant-garde and classical music has been on display in two previous projects with the improvising cellist Peggy Lee. On her unique 682/681, abstract improvisation rules across twenty-two vignettes. The title ...