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Content by tag "Milt Hinton"

ARTICLE: PROFILES

Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays

Read "Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays" reviewed by Arthur R George

Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.

ARTICLE: UNDER THE RADAR

Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1

Read "Big in Japan: A History of Jazz in the Land of the Rising Sun, Part 1" reviewed by Karl Ackermann

Part 1 | Part 2

The music market in Japan--second only to the U.S. in terms of revenue--generates more than two-billion dollars in sales annually. Enthusiasts and collectors of jazz recordings had long ago discovered that Japan's robust music scene, and the now virtual accessibility to products have made the country a go-to resource for ...

ARTICLE: ALBUM REVIEWS

Bruno Raberg: Tailwind

Read "Tailwind" reviewed by Gareth Thompson

In a 2005 interview, double bassist Bruno Råberg discussed how Scandinavian music reflects the country's vast mountains and forests. “You can see very far and that calmness and meditative spirituality comes through," he says. Born in Sweden, but a longtime resident of Boston, you sense Råberg still carries his homeland close to the heart.

ARTICLE: INTERVIEWS

Val Wilmer: Dues And Testimony

Read "Val Wilmer: Dues And Testimony" reviewed by Ian Patterson

Free-jazz, which marked the first revolution in jazz since bebop, and, some might say, the most significant revolution in the entire history of the music, was controversial and divisive. Still today, over half a century later, free-jazz is sometimes dismissed out of hand as just so much noise, or worse, finds itself simply airbrushed from the ...

Dot Time Legends Series: Is Every Night New Year's Eve Around Here?

Read "Dot Time Legends Series: Is Every Night New Year's Eve Around Here?" reviewed by Richard J Salvucci

Soon after The Embers opened in New York City in late 1951, Joe Bushkin and His Quartet spent 16 memorable weeks there. With Milt Hinton and Jo Jones, Bushkin was joined by Buck Clayton on trumpet. Astoundingly, Art Tatum had a solo piano gig there at the same time. Bushkin and Tatum listened to each other ...

ARTICLE: UNDER THE RADAR

State and Mainstream: The Jazz Ambassadors and the U.S. State Department

Read "State and Mainstream: The Jazz Ambassadors and the U.S. State Department" reviewed by Karl Ackermann

The Cold War that began in 1947 and ran for forty-four years, had jazz music as its primary deterrent to global tensions, and it did more to foster good will between the U.S. and global citizens than any previous program launched by the U.S. Department of State. Jazz music, even in its Golden Age, was seldom ...

ARTICLE: ALBUM REVIEWS

To Be Continued (Carol Liebowitz, Claire de Brunner, Daniel Carter, and Kevin Norton): Poetry from the Future

Read "Poetry from the Future" reviewed by Roger Farbey

This leaderless improvising quartet utilises some unusual instruments on their recording. Bassoon is rarely heard outside of classical music and Claire de Brunner is an excellent exponent of the instrument. She studied jazz improvisation with Lee Konitz. She also studied with pianist Connie Crothers as did Carol Liebowitz, whose restrained yet vital contributions are nearly as ...

ARTICLE: ALBUM REVIEWS

Peter Dominguez: Groove Dreams

Read "Groove Dreams" reviewed by Dan Bilawsky

Groove Dreams resonates on a number of levels. In the most obvious sense, it's a testament to the skill, imagination, and resourcefulness of bassist Peter Dominguez, an artist who operates with a profound depth of understanding in both formal and creative realms. But it's also a link to the relationship that Dominguez formed with bass icon ...

ARTICLE: INTERVIEWS

Erik Friedlander: A Little Cello?

Read "Erik Friedlander: A Little Cello?" reviewed by Ian Patterson

Normally lumped into the 'miscellaneous instruments' category of jazz awards, the cello has been something of a bit player in the colorful history of jazz. That said, today there are arguably more cellists in jazz and contemporary improvised music--and some extraordinary ones at that--than ever before. One of the best known cellists is undoubtedly Erik Friedlander, ...

NEWS: RECORDING

Dot Time Records New Release: Joe Bushkin Quartet "Live At The Embers 1952" - Available September 15, 2016

Dot Time Records New Release: Joe Bushkin Quartet "Live At The Embers 1952" - Available September 15, 2016

DOT TIME RECORDS ANNOUNCES
NEW RELEASE IN LEGENDS SERIES JOE BUSHKIN QUARTET
Live at the Embers 1952 Featuring
BUCK CLAYTON, MILT HINTON AND JO JONES Dot Time Records announces the third release of its “Legends" Series, Live at the Embers 1952- The Joe Bushkin Quartet featuring Buck Clayton, Milt Hinton and Jo Jones. One night ...