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ARTICLE: RADIO

The Jazz Avant-Garde in the 1960s (1960 - 1966)

Read "The Jazz Avant-Garde in the 1960s (1960 - 1966)" reviewed by Russell Perry

Nurtured in the seminal recordings of Ornette Coleman and Cecil Taylor in the mid to late 1950s, the jazz avant—garde came into its own in the 1960s with their continuing creations, those of John Coltrane already featured in this program and those of next generation players, Joe Harriott and Albert Ayler. Defining statements of the free ...

ARTICLE: RADIO

Two Different Fates - Jackie McLean & Tina Brooks (1960 - 1963)

Read "Two Different Fates - Jackie McLean & Tina Brooks (1960 - 1963)" reviewed by Russell Perry

Fate could not have treated Blue Note saxophonists Tina Brooks and Jackie McLean more differently. While McLean released nine LPs for Prestige and two dozen for Blue Note between 1956 and 1967, only one of Tina Brooks' four Blue Note sessions was released in his lifetime. Yet their collaborations on McLean's Jackie's Bag and the unreleased ...

ARTICLE: RADIO

The Authenticity of Rahsaan Roland Kirk (1961 - 1972)

Read "The Authenticity of Rahsaan Roland Kirk (1961 - 1972)" reviewed by Russell Perry

Roland Kirk, who began recording in 1956, had been an ideal sideman for Charles Mingus, appearing on the 1961 release Oh Yeah. In the 1960s, he established himself in the first tier of jazz players with a series of well-received records for Mercury and Limelight before settling into a decade-long relationship with Atlantic. “A ...

ARTICLE: RADIO

Silenced in Their Prime - Eric Dolphy & Booker Little (1961 - 1964)

Read "Silenced in Their Prime - Eric Dolphy & Booker Little (1961 - 1964)" reviewed by Russell Perry

From his first recordings with Chico Hamilton in 1958 until his untimely death from misdiagnosed diabetic shock in 1964, Eric Dolphy was limited to only six years in which to record the music that has defined his extraordinary legacy. Previously, in this series, we have heard from Dolphy's great 1960 recording, Far Cry and his contributions ...

ARTICLE: RADIO

Charles Mingus in the 1960s (1959 - 1963)

Read "Charles Mingus in the 1960s (1959 - 1963)" reviewed by Russell Perry

Charles Mingus completed the 1950s with an astonishing series of releases in 1959 -Blues and Roots, followed by Mingus Ah Um and finally, Mingus Dynasty. He kept up this pace for several years culminating in 1963 with Mingus Mingus Mingus Mingus Mingus and his masterwork, The Black Saint and The Sinner Lady. We have some live ...

ARTICLE: RADIO

School of Trane - Wayne Shorter, Archie Shepp, Charles Lloyd, Pharoah Sanders (1964 - 1969)

Read "School of Trane - Wayne Shorter, Archie Shepp, Charles Lloyd, Pharoah Sanders (1964 - 1969)" reviewed by Russell Perry

No tenor player cast a larger shadow over the 1960's than John Coltrane. Arguably, that time frame could be expanded to include all decades since, as well. Several contemporary tenor players who emerged as singular and important voices in the 1960s were specifically in his debt: his friend and colleague -Wayne Shorter, his protégé —Archie Shepp, ...

ARTICLE: RADIO

John Coltrane - The Final Act (1961 - 1967)

Read "John Coltrane - The Final Act (1961 - 1967)" reviewed by Russell Perry

John Coltrane is undoubtedly one of the most influential players in the history of jazz, yet his important work fits within a brief twelve-year period (1955—1967). Previously in this series we have covered his work in the 1950s with Miles Davis for Prestige and Columbia, his blowing sessions on Prestige, his solo work with Blue Note ...

ARTICLE: RADIO

The Legacy of Jimmy Giuffre and Lennie Tristano (1961 - 1969)

Read "The Legacy of Jimmy Giuffre and Lennie Tristano (1961 - 1969)" reviewed by Russell Perry

Clarinetist Jimmy Giuffre and pianist Lennie Tristano were heavily influential in the musical explorations of the 1960s. The Jimmy Giuffre Trio recorded a series of records in the early 1960s now seen as significant milestones in improvisational music, although they made no commercial impact at the time. His trio-mates-- pianist Paul Bley and bassist Steve Swallow--have ...

ARTICLE: RADIO

Association for the Advancement of Creative Musicians (1966 - 1969)

Read "Association for the Advancement of Creative Musicians (1966 - 1969)" reviewed by Russell Perry

As hard bop was running out of steam and rock & roll was becoming the music of choice for the younger audience, many musicians were building on the innovations of Ornette Coleman, Cecil Taylor and John Coltrane, creating a new approach to jazz—Free Jazz (after Coleman's 1960 release of the same name) or, simply, the avant-garde. ...

ARTICLE: RADIO

Hard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)

Read "Hard Bop Trumpet - Kenny Dorham, Dizzy Reece, Blue Mitchell (1962 - 1964)" reviewed by Russell Perry

This is the final hour of a four-part sequence featuring important tenor players and trumpeters who propelled hard bop into the 1960s. In this hour, we will continue with the Trumpet Players, Part 2, featuring lesser-known players—unsung veteran Kenny Dorham who recorded with both Dizzy and Bird in the 1940s, London-based Jamaican trumpet player Dizzy Reece, ...


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