All About Jazz

Home » Tag Center » Tag: Tim Daisy

Content by tag "Tim Daisy"

ARTICLE: CD/LP/TRACK REVIEW

Matt Piet & His Disorganization: Rummage Out

Read "Rummage Out" reviewed by John Sharpe

Perhaps it was pianist Matt Piet's appearances with esteemed reedman Dave Rempis on the co-operative Hit The Ground Running (Aerophonic, 2016) which first started to garner him attention, but he is certainly beginning to gain a reputation in his own right, a trend which can only be furthered by the release of Rummage Out. Piet set ...

ARTICLE: CD/LP/TRACK REVIEW

Ken Vandermark / Marker: Roadwork 1/Roadwork2/Homework1 (Box Set)

Read "Roadwork 1/Roadwork2/Homework1 (Box Set)" reviewed by Karl Ackermann

Reed player, composer and improviser Ken Vandermark has led, or been a part of, more than fifty different groups in his prolific twenty-year recording career. Along the way he has played with many of the top talents in experimental, free, and avant-garde jazz, including Joe McPhee, Joe Morris, Paul Lytton, Marcin Oles, Adam Lane, Ab Baars, ...

ARTICLE: LIVE REVIEWS

Suoni Per Il Popolo 2018

Read "Suoni Per Il Popolo 2018" reviewed by Mike Chamberlain

Suoni Per Il Popolo
Montreal, Quebec
June 1-19, 2018

The Casa del Popolo and Sala Rossa, the hub of the annual June celebration of avant music known as the Suoni Per Il Popolo, sit across from one another on Saint Laurent Boulevard just below the major intersection of Saint Joseph. ...

The Rempis / Daisy Duo & Guests: Dodecahedron

Read "Dodecahedron" reviewed by Mark Corroto

Saxophonist Dave Rempis and drummer Tim Daisy have been performing together in Chicago for decades. Their voices have been heard in Ken Vandermark's Audio One, Resonance Ensemble and The Vandermark Five, Triage (with Jason Ajemian), and their own projects, Rempis' Quartet, The Engines, Percussion Quartet (with Ingebrigt Håker Flaten and Frank Rosaly) and Daisy's Celebration Sextet ...

Mars Williams / Tollef Østvang: Painted Pillars

Read "Painted Pillars" reviewed by Mark Corroto

If you only know saxophonist Mars Williams from his gigs with the post-punk band The Psychedelic Furs or the hip-hop/funk band Liquid Soul, you're missing out on a talented and dedicated free-jazz improviser. He scatters himself in many directions, from collaborations with Chicago's Ken Vandermark, Tim Daisy, Jim Baker and Michael Zerang, to work in Europe ...

Thurston Moore / Adam Gołębiewski: Disarm

Read "Disarm" reviewed by Mark Corroto

We must give credit to Thurston Moore because back in the day, at the height of his rock-n-roll superstardom, he turned post-punk fans on to improvisers like Sunny Murray, Paul Flaherty, Sun Ra, Mats Gustafsson, and Masami Akita. Nowadays, as he moves further and further away from rock, the opposite is happening. Improvisation fans listening to ...

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto

Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

Dave Rempis / Matt Piet / Tim Daisy: Throw Tomatoes

Read "Throw Tomatoes" reviewed by Mark Corroto

There is something about the trio recording Throw Tomatoes that brings to mind the distinction between yin and yang. Not that there is a clear difference between the two, as in yang yoga and yin yoga, where the same movement can be either (to a degree) and both. In music, a classically trained musician would be ...

ARTICLE: INTERVIEWS

Chad Taylor: Myths and Music Education

Read "Chad Taylor: Myths and Music Education" reviewed by Jakob Baekgaard

Few drummers know how to use rhythms like Chad Taylor. He makes the drum set sing melodies and paints different hues and shades on the cymbals and skins. He can play inside and outside and has performed with musicians like saxophonists Fred Anderson, Pharoah Sanders and James Brandon Lewis, pianists Cooper-Moore and Angelica Sanchez, guitarists Jeff ...

Kyle Bruckmann's Degradient: Dear Everyone

Read "Dear Everyone" reviewed by Giuseppe Segala

Diceva Luciano Berio nel 1974, a proposito della ricerca di “analogie specifiche" tra linguaggio verbale e musica, che “proprio questo tipo di ricerca è un altro modo di vivere una delle condizioni più reali e permanenti della musica, che è quella di rincorrere senza sosta un'utopia di linguaggio," per “scoprire nuove e provvisorie relazioni tra suono ...