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Sahib Shihab and the Danish Radio Jazz Group
by Joshua Weiner
Many jazz fans will know saxophonist and flautist Sahib Shihab primarily for his stint in the 1940s with Thelonious Monk, and his playing captured on Monk's Genius of Modern Music Blue Note sets. Keen-eyed perusers of liner notes, however, will know him as an able sideman on classic albums by John Coltrane, Quincy Jones, Art Blakey, ...
The Time Is Now!
by Joshua Weiner
The early '70s were difficult times in the United States, not least for the jazz community. The optimism of the flower-power and peace movements had given way to political radicalism, conflict and paranoia, and the excitement of the initial free jazz and jazz-fusion eras had begun to wane. John Coltrane and Albert Ayler were dead. Miles ...
John Surman: Words Unspoken
by Joshua Weiner
Englishman John Surman has been one of jazz's most important reedmen since his debut album on the progressive Deram label in 1969. From the start, on classic albums such as John McLaughlin's Extrapolation, Surman displayed a unique voice on the baritone sax, soprano sax, and bass clarinet, sometimes adding electronics to the mix. Since his first ...
Matt Jorgensen: Painting With Sound
by Joshua Weiner
Matt Jorgensen is a very busy man. A drummer and composer, he plays and records with a wide variety of musicians, including his own long-running quartet 451 and popular trumpeter and label-mate Thomas Marriott. Jorgensen also co-manages the Origin Records label, a thriving concern that has released over 300 discs since 1997, and that now encompasses ...
Drummer Matt Jorgensen Interviewed at All About Jazz
Matt Jorgensen is a very busy man. A drummer and composer, he plays and records with a wide variety of musicians, including his own long-running quartet 451 and popular trumpeter and label-mate Thomas Marriott. Jorgensen also co-manages the Origin Records label, a thriving concern that has released over 300 discs since 1997, and that now encompasses ...
Erik Telford: Kinetic
by Joshua Weiner
From the vibrant music scene of Austin, Texas comes Kinetic, the excellent solo recording debut of trumpeter/bandleader Erik Telford. The album features seven memorable, groove-heavy original tunes by the leader, played by a crack ensemble that contributes characterful comping and soloing galore. The band's sound lies somewhere between that of Miles Davis's bands of the early ...
Hailey Niswanger: Confeddie
by Joshua Weiner
To look at Confeddie, the new self-produced record by Hailey Niswanger with an artfully posed black-and-white photo of the doe-eyed, comely saxophonist on the cover, the thought that may come to mind is Great, another Candy Dulfer." Never judge a CD by its cover, to paraphrase some wise man (or, more likely, wise woman) lost to ...
Rale Micic: 3
by Joshua Weiner
Rale Micic has emerged over the past few years as one of the most interesting young guitarists on the New York City scene. Beginning with Bridges, a fantastic quintet date from 2003 featuring some exciting saxophone work from Bob Reynolds, and continuing on 2006's Serbia featuring the great Tom Harrell on trumpet, Micic has established a ...
Sherman Irby Quartet: Live At The Otto Club
by Joshua Weiner
Live At The Otto Club is Sherman Irby's first live album with his quartet, and it would be hard to conjure up a more joyful example of seriously swinging jazz that sounds like a great lost classic from the heyday of hard bop. Though the liner notes seem to suggest that this was a bit of ...
Uros Markovic/Gospel Jazz Trio: Jesus Saves
by Joshua Weiner
It's no secret that many roots of the jazz tree burrow deep into the church. There's more than a little gospel influence in the style of innumerable jazz artists, most noticeably in the work of pianists such as, for example, Oscar Peterson and Keith Jarrett. With drummers, perhaps, such traces are harder to discern, but in ...