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Content by tag "Petros Klampanis"
Jazzahead! 2018
Bremen Trade Fair Hall
Jazzahead!
Bremen, Germany
April 21-23, 2018
Jazzahead!, the three-day annual jazz marketplace marketplace of/for jazz in the Hanseatic city of Bremen in North-Western Germany with 3,283 participants from 61 countries stood strong and steady again this year. A total of 40 showcases over three ...
Oded Tzur: Translator's Note
Si dice un gran bene di questo giovane sassofonista israeliano di stanza a New York, qui giunto al secondo lavoro da leader alla testa di un quartetto che include i connazionali Shai Maestro e Ziv Ravitz e il greco Petros Klampanis. In programma sue musiche originali e il coltraneano «Lonnie's Lament».
E in effetti ...
Petros Klampanis: Chroma
Il terzo album da leader del bassista greco prosegue e sviluppa quanto espresso nel precedente Minor Dispute (Cristal Records, 2015): una musica melodicamente suggestiva, che fonde danzanti climi folk su eleganti e flessuosi arrangiamenti per archi. Dal disco d'esordio del 2011 inciso per l'etichetta di Greg Osby (Contextual Inner Circle Music) la formula strumentale viene confermata ...
read moreSaxophonist Oded Tzur's Releases "Translator's Note" on Yellowbird/ENJA
Saxophonist Oded Tzur's latest effort, Translator's Note (Yellowbird/Enja Records) is is now available!
Starting in 2012, Oded led a rehearsal in Brooklyn with Shai Maestro, Petros Klampanis and Ziv Ravitz. The immediate
connection between the four
musicians led to the creation of the Oded Tzur Quartet, an ensemble that explores relationships between the jazz setting and
Indian ...
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Oded Tzur: Translator's Note
If music has the potential to tell stories, saxophonist Oded Tzur proves himself one of the jazz world's premier storytellers on Translator's Note. “Single Mother," the tune that opens the set, is a vibrant novelette, haunting and atmospheric, riding on the undertones of Indian classical music--a winding tale that gathers intensity and momentum, a sculpting of ...
read moreJazzkaar 2017
Jazzkaar 2017
Tallinn, Estonia
April 21-30, 2017
Jazzkaar covers most territories. This exceptional 10-day festival presents the best players on the indigenous Estonian scene, imports big-name acts from the USA, and also invites some choice artists from around the rest of Europe. Some shows represent jazz in mainstream mode, whilst ...
Lefteris Kordis: Mediterrana
Da tempo residente negli Stati Uniti e oggi professore al Berklee College, il pianista e compositore Lefteris Kordis è però originario di Atene e mostra di non aver dimenticato la musica ascoltata in giovane età e le tradizioni musicali delle sue terre, studiate nel corso della sua formazione artistica. Questo disco, basato su formazioni variabili di ...
read morePetros Klampanis Blends the Colors of Emotion and Experience into a Rich Portrait of Humanity on his first Large Ensemble Album, "Chroma"
Motéma Music Debut, out now, features the Bassist/Composer’s Gifted Jazz Quintet (Gilad Hekselman, Shai Maestro,
John Hadfield, Keita Ogawa) with a Vivid String Section
Recorded in association with The Onassis Foundation USA
Bassist/composer Petros Klampanis has absorbed a vibrant palette of colors over the course of a varied musical life journey,
including Mediterranean and Balkan folk music of ...
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Yuhan Su: A Room of One's Own
Continuity and progress are the watchwords for A Room of One's Own (Inner Circle Music, 2015), Yuhan Su's follow-up to Flying Alone (Inner Circle Music, 2013), her impressive debut for Greg Osby's label. New York-based Taiwanese vibraphonist Su's debut announced a melodic composer of nuance and sensitivity and a soloist of some style. A Room of ...
read moreYuhan Su: A Room of One's Own
Vibraphonist/composer Yuhan Su says she wrote most of the songs on her second album in tiny piano practice rooms where she spent a great deal of time teaching. That's one part of the meaning of the album title. A Room of One's Own also refers to the Virginia Woolf essay of the same name, which explores ...
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East Of The Sun by Michael Kocour
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Jazz Story
I love jazz because it is musically complex, emotional, and challenges me. I was first exposed to jazz later in life, at around 29 years old. I met Barry Harris, Roy Hargrove, and Johnny O'Neal sitting in at jams in NYC
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By Kristin Callahan
Member since: 2015
