5th Annual Charlie Parker Celebration: 10 Days of Jazz from August 16-25, 2018

Album Reviews

Today

Àine O'Dwyer

Gegenschein (MIE Music)
Reviewed by Karl Ackermann

Published: 15-Jul-2018

Kristina Koller

Perception (Self Produced)
Reviewed by Jerome Wilson

Published: 15-Jul-2018

Mike DeiCont

DeiCont | Philips Collective (Flea Boy Records)
Reviewed by Geno Thackara

Published: 15-Jul-2018

Jambalaya 37

Cooking Groove (Self Produced)
Reviewed by Jim Olin

Published: 15-Jul-2018

Kamasi Washington

Heaven & Earth (Young Turks)
Reviewed by Roger Farbey

Published: 15-Jul-2018

14-Jul-2018

Eddie Daniels

Heart Of Brazil (Resonance Records)
Reviewed by Dan Bilawsky

Published: 14-Jul-2018

Tom Tallitsch

Wheelhouse (Posi-Tone Records)
Reviewed by David A. Orthmann

Published: 14-Jul-2018

Christian Windfeld/Julius Schwing

Rhubarb (Isthmus Music)
Reviewed by Karl Ackermann

Published: 14-Jul-2018

Bongwool Lee

My Singing Fingers (Origin Records)
Reviewed by Paul Rauch

Published: 14-Jul-2018

Eric Clapton

Life In 12 Bars: Original Motion Picture Soundtrack (Universal Music Enterprises)
Reviewed by Doug Collette

Published: 14-Jul-2018

13-Jul-2018

Eric Wyatt

Look To The Sky (Whaling City Sound)
Reviewed by Dan Bilawsky

Published: 13-Jul-2018

Maria Grand

Magdalena (Biophilia Records)
Reviewed by Hrayr Attarian

Published: 13-Jul-2018

Brian Bromberg

Thicker Than Water (Mack Avenue Records)
Reviewed by Chris Mosey

Published: 13-Jul-2018

Dead Composers Club

The Chopin Project (Connection Works Records)
Reviewed by Jerome Wilson

Published: 13-Jul-2018

Erroll Garner

Nightconcert (Mack Avenue Records)
Reviewed by Mike Jurkovic

Published: 13-Jul-2018

12-Jul-2018

Michika Fukumori

Piano Images (Summit Records)
Reviewed by Dan Bilawsky

Published: 12-Jul-2018

Erroll Garner

Night Concert (Mack Avenue Records)
Reviewed by Chris Mosey

Published: 12-Jul-2018

Woody Shaw

Tokyo 1981 (Elemental Music)
Reviewed by C. Michael Bailey

Published: 12-Jul-2018

Claudia Döffinger

Monochrome (QFTF Records)
Reviewed by Gareth Thompson

Published: 12-Jul-2018

David Lopato

Gendhing for a Spirit Rising (Global Coolant Records)
Reviewed by Mark Sullivan

Published: 12-Jul-2018

11-Jul-2018

Cliff Brucker

Full Circle, Vol. 2 (Self Produced)
Reviewed by Dan McClenaghan

Published: 11-Jul-2018

Tia Fuller

Diamond Cut (Mack Avenue Records)
Reviewed by Hrayr Attarian

Published: 11-Jul-2018

Noam Wiesenberg

Roads Diverge (Brooklyn Jazz Underground Records)
Reviewed by Geno Thackara

Published: 11-Jul-2018

Gideon King

Upscale Madhouse (Self Produced)
Reviewed by Paul Naser

Published: 11-Jul-2018

Dexter Gordon Quartet

Tokyo 1975 (Elemental Music)
Reviewed by C. Michael Bailey

Published: 11-Jul-2018

10-Jul-2018

Mabuta

Welcome To This World (Afrosynth Records)
Reviewed by Dan Bilawsky

Published: 10-Jul-2018

Showcase

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Sebastiana by Ricardo Bacelar
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Meeting of Minds by Bob Mintzer
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Encontros - Orquestra... by Antonio Adolfo

Story of the Day

When I was younger I really disliked Jazz. It went over my head and it reminded me of the days when my mom would take me to try on shoes at the Nordstrom Rack. It wasn't until later, late middle and early high school, that I really began to understand the passion and love for this genre
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When I was younger I really disliked Jazz. It went over my head and it reminded me of the days when my mom would take me to try on shoes at the Nordstrom Rack. It wasn't until later, late middle and early high school, that I really began to understand the passion and love for this genre. I began listening to artists such as Art Pepper, Cannonball Adderley, The Brecker Brothers and John Coltrane while slowly weaning myself of Kiss FM top 40's. A real appreciation and fascination for music and Jazz began to take shape, and a strong desire to prove that I could be as good as my male counterparts. My goal as a musician is to recreate a relatable moment or emotion in time and preserve it through the music I play and write. I am inspired by motion, sass, nostalgia, stories, people and the human experience.
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By Sidney Hauser
Member since: 2018