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Alexander Hawkins is a composer, pianist, organist, and bandleader who is ‘unlike anything else in modern creative music’ (Ni Kantu) and whose recent work has reached a ‘dazzling new apex’ (Downbeat). A largely self-taught improviser, he works in a vast array of creative contexts. His own highly distinctive soundworld is forged through the search to reconcile both his love of free improvisation and profound fascination with composition and structure.
His writing has been said to represent ‘a fundamental reassertion of composition within improvised music’ (Point of Departure), and voice ‘most vividly distinctive...in modern jazz’ (The Jazzmann).
As a pianist, he has been described as ‘remarkable...possessing staggering technical ability and a fecund imagination as both player and composer.’ Concerning his organ playing, critic Brian Morton recently commented that ‘[t]he most interesting Hammond player of the last decade and more, [Hawkins] has already extended what can be done on the instrument.’
An in-demand sideman, Hawkins continues to be heard live and on record with vast array of contemporary leaders of all generations, including the likes of Evan Parker, John Surman, Joe McPhee, Mulatu Astatke, Wadada Leo Smith, Anthony Braxton, Marshall Allen, Han Bennink, Hamid Drake, Rob Mazurek, Taylor Ho Bynum, Harris Eisenstadt, Matana Roberts, and Shabaka Hutchings, amongst many others. He has also been noted for a number of years for his performances in the bands of legendary South African drummer, Louis Moholo-Moholo.
In 2012, he was chosen as a member of the first edition of the London Symphony Orchestra’s ‘Soundhub’ scheme for young composers. He also received a major BBC commission in late 2012 for a fifty minute composition: One Tree Found was first performed and broadcast in March 2013, and was subsequently performed and broadcast for the WDR in Cologne (2014). He has also twice been commissioned by the London Jazz Festival (once as composer, once as an arranger), and by the Cheltenham Jazz Festival (2016).
Concert appearances have taken him to club, concert and festival stages worldwide. www.alexanderhawkinsmusic.com
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Dustin Mallory is a graduate of Saginaw Valley State University with a Bachelor of Arts in Music Education (K-12 certification) and was awarded a Master of Arts in Jazz History & Research from Rutgers University.
As a musicologist, Dustin has lectured at conferences in the United States, Canada, and will be lecturing in England this fall. He has published articles and presented papers for the Society for American Music, the Music Theory Society of the Mid-Atlantic, the McGill University Music Symposium, the University of Surrey, the Percussive Arts Society, the Journal of Jazz Studies, Sound Teaching, and Cadence: The Independent Journal of Creative Improvised Music.
A native of Michigan, Dustin began his guitar studies with his father at age 11 and continued them in Philadelphia with renowned jazz/R&B guitarist Dave Manley. He also received coaching from legendary blues guitarist Larry McCray.
Dustin’s percussion training began as a 5th grader in his school’s band program. He eventually went on to study percussion with the Hohner Institute of Percussion’s Executive Director Dave Valasek and Eubie Blake Award winner Tony Rongo. As a percussionist, Dustin has performed with the Doylestown Symphonic Winds, the Saginaw Eddy Band, the Saginaw Area Concert Band, the Bay Concert Band, the Resonators Percussion Ensemble, and the SVSU Wind and Percussion Ensembles.
Dustin’s academic studies began when he was awarded the John Philip Sousa Band Award and the Rhea Miller Music Scholarship to attend Saginaw Valley State University. During his time there, Dustin served as Drum Major of the Cardinal Marching Band, Vice-President of The National Association for Music Education’s Saginaw Valley chapter, and a member of the Music Ambassador Program’s outreach to schools. http://www.mallorymusic.com/
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Soulful, funky, and energetic, saxophonist Daniel Chia serves up
his signature brand of Disco Jazz as the hottest fresh act on the
After getting in the studio with 2-time Grammy Award winning
producer and guitarist, Paul Brown, Daniel's debut full-length
album of original songs features the finest international smooth
jazz artists. With his top-notch band of established musicians
based in Los Angeles, "In The Moment" will take the listener on
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Daniel is no stranger to delivering his brand of music to the
world, thrilling audiences at the MIDEM Festival in France and the
Sunburst International Festival in Malaysia. He has also
performed at ZoukOut, Music Matters Festival, Mosaic Music
Festival, Audi Fashion Festival and Earth Hour, amongst many
Prepare for some uncontrollable foot-tapping, body-grooving,
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Artist / Producer Biography | 2016
Bassist | Composer | Audio producer
Juno nominated Canadian jazz bassist Paul Novotny has just released his own
duo recording titled Look Ahead, with Juno winning pianist Robi Botos.
Novotny has also performed with luminaries Cedar Walton, Geoff Keezer,
Junior Mance, Kenny Wheeler, Joe Sealy, Holly Cole, Carol Welsman, Molly
Johnson, Jackie Richardson and others. In 1996 Paul produced Joe Sealy’s
Juno winning recording the Africville Suite, which has now been inherited as
a contribution to Canadian black culture. Novotny and Sealy have performed
in Canada, Scandinavia, USA and opened concerts for Charlie Haden/Brad
Meldau, Herb Ellis/Red Mitchell and Michel Petrucciani.
As a composer Paul wrote themes for CBC National News, CBC The Hour,
with George Stroumboulopoulos, CBC News Now and scores for feature and
documentary films. Currently Paul is a 2017 M.A. graduate candidate at York
University, studying at the music faculty and the Schulich School of business.
Novotny co-owns Triplet Records Inc, a Canadian record label that has 20
releases including Phil Dwyer, Don Thompson, Carol Welsman, Doug Riley
We are an independent record label focusing on jazz and improvised music. Based in Barcelona, created in 2013 following the recording studio of the same name.
UnderPool work on the ideas to provide music distribution for artists and to musicians help produce their own albums independently.
The label also committed to creating a series of productions. The "numered serie" where musicians are invited to a studio session to recorded their owns songs written for the occasion. And the "solo serie" where just one musician present himself in a solo album. www.underpool.org
Considered by the jazz critic and historian Ted Gioia as “the Andalusian
Eva Cassidy”, Raya is a rare thing in art. She has developed a style
where voice and guitar seem to breathe at the same time.
Susana grew up playing classical guitar at her hometown, Córdoba
(Spain). Apart from that, she was always writing songs as a way of
expression since she was thirteen. Soon, she felt attracted to jazz and
improvised music, establishing in Amsterdam to finish her studies in
jazz guitar at the Conservatory. Songwriter, classically trained guitar
player, European awarded jazz singer and jazz guitar graduated.
Susana combines her singer-songwriter spirit with a jazz touch which
is enhanced by her Spanish roots.
“My music is the result of being inspired by artists that have resonated
in me profoundly. My biggest love has gone to Chet Baker, Pat
Metheny, Elis Regina, Antonio Vega, Eva Cassidy, and many others…”
She was mentioned in the new book of Ted Gioia, “Jazz Standard: a
guide to the repertoire” (Oxford University press, 2012) that
recommends her “My one and only love” version among other thirteen.
Her collaboration with the legendary jazz bass player, Steve Swallow
in Upstate New York at 2013 opened the door to record her new album
Wind Rose, that includes songs cooked for the last five years.
Providence brought her the joy to make it with a five start team:
Clifford Carter (piano, James Taylor, Art Garfunkel), Ira Coleman
(double bass, Sting, Dee dee Bridgewater), Leo Amuedo (guitar, Ivan
Lins, Chris Botti), Cyro Baptista (percussion, Paul Simon, Yo-yo Ma,
Herbie Hancock). It was recorded live at Clubhouse Studios,
Rhinebeck, NY. The producer, Gary Burke, says: “Susana Raya is the
most accomplished debut artist I have ever come across in all the
years I have been doing this. She can sing, she can play and she can
write. A triple threat as we say here in the States.”
– First Prize “International Young Jazz Singers Contest Nomme Jazz”
Tallinn, Estonia, 2006.
– Second Prize “International Jazz Singers Contest Lady Summertime”,
– Third Prize “International Jazz Soloist Competition”, Monaco, 2007.
– SECOND PRIZE “International Jazz Competition for Singing
Musician”, Zory, Poland. 2011.
– Finalist “International Massimo Urbani Award” (Italy), 2006.
– “Best Spanish Group” II International Jazz Granada Festival Contest.
He was born in 1948 in Patras Greece.
He was taught music by Konstantinos Remoundos, Konstantinos Vafiadis
(Euphonium - Trombone),
Nikolas Amarados (Mandolin), Dimitrios Papadatos (Classic Guitar),
Konstantinos Kydoniatis (Piano and Music Theory),Aurel Ströe
Hal Grossman and Lee Harris and Piano Tuning at the American School of
He is teaching:
Classic Piano, Jazz - Modern Piano and Theory, Harmony, Counterpoint,
Fugue, Composing, Pop Song and Jazz Composing, Orchestration, Band
and Jazz Arrangement.
He has played as:
Mandolin Guitar Euphonium and Trombone player, Soloist Pianist, Jazz
Show and Recording Studio Pianist, Music Teacher, Pianist, and
Conductor in Musical Comedies and Musicals
(Chicago, The Woman of the Year, Annie..) in Athens Greece .
He has been a Jazz Theorist since 1978.
In 1989 he and his wife Alexandra Stefanopoulos established the
Prototypal Conservatory (first named Prototypal School of Music) in the
city of Patras, Greece.
As a music educator (innovator) since the September of 1989, Evangelos
Kordompoulis has been using technology (Videos, Computers,
Synthesizers, Computer Software for Ear Training, History, Analysis,
Score Reading, Music Reading , Writing, and Karaoke to accompany the
School Choir or the piano students), in all the departments of Music
Education in the Prototypal Conservatory.
Since 2010 he has been preparing his teaching legacy.
Books by Vangelis Kordompoulis
“Jazz Exωtic and Artificial Scales (6000 Scales in Volumes I-IV)
for new jazz pianists, pianists, vocalists, instrumentalists, improvisers,
new composers and theorists.
Compositions by Vangelis Kordompoulis
• For piano
Fugue and Variations on the Greek Theme Song “Saranta Palikaria”
• For voice and piano
“What could the words say?”
• For string quartet
“Like Klee or Mondrian Painting Style”
• For Choir Orchestra and Tape
“Lament and anthem for Cyprus” Y. Ritsos’ poetry
• For two Choirs (A.on the stage-B.in the balcony) and Symphonic
“Palamas” A. Sikelianos poetry
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It started at age 4, seated at the piano. A single note that moved and
morphed through the years, becoming Peter’s unique musical
language. His organic fusion of qualities—the distinctiveness and
improvisation of jazz, the soul of blues, and the compositional
technique of Bach, Beethoven, and other classical composers—led to
an emergence of new sounds, a new feel, a new purpose.
Peter’s broad career in the music industry as composer, pianist, singer-
songwriter, and entrepreneur started as a budding teenage jazz
musician in Chicago. He studied jazz at the Bloom School of Jazz
(Chicago, IL), majored in jazz at Indiana University (Bloomington, IN),
and majored in composition and piano at Eastman School of Music
(Rochester NY). Later, he studied film scoring at UCLA-Extension (Los
In 2016, Peter’s music hit a major turning point. He developed a hybrid
platform—an album-ebook—to showcase his latest musical endeavor
within his memoir. Blues, Preludes & Feuds, A Musical Memory is a
seamless blend of original solo piano music and story with deep
technology-art interactions. The music skillfully wends around the
narrative, telling the story in its own way. The memoir is a funny,
reflective tale of growing up in the politically charged times of 1960s
Chicago as Peter journeys to discover his musical language.
Over his career, Peter’s prolific musical work has run the gamut—solo
piano, orchestral, chamber, theatrical/film, choral, pop. Various
ensembles have performed and recorded his work globally—the Czech
National Symphony Orchestra recorded his orchestral dance suite
“Walls” (1996), and the Dallas Black Dance Theatre performed “Walls”
during the 1996 Atlanta Olympics.
Peter’s concert work is published by Oxford University Press; his film
and television work is published by Wild Whirled Music. His music has
been licensed for television shows, jingles, and industrials, including My
Name is Earl (NBC, 2006).
In the mid-to-late 90s, Peter led the Revolution Ensemble, a group that
broke new ground with its adventurous mix of jazz, classical, Latin, and
pop genres. Since 2001, he has headed the Peter Saltzman Band as
lead singer, pianist, songwriter/arranger—and produced CDs/demos for
From 2006 to 2014, Peter was an adjunct professor of music at the
Columbia College Chicago, where he developed and taught a series of
courses entitled “Technology for Musicians” and taught piano and
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He was born in Buenos Aires, Argentina in november 30, 1961.His meeting with the music happened when he was 15 years old after had been listening The Beatles. Therefore he took bass guitar lessons and begun to play in rock bands.
At the earliest eighteens he discovered Jazz: Charlie Parker, Miles Davis, John Coltrane and their bass players: Ray Brown, Paul Chambers, Ron Carter, etc.
He estudied classic bass at the “Manuel de Falla”and “Carlos López Bouchardo”schools.
He showed up in the Buenos Aires Jazz stage playing with musicians like: Diego Urcola, Oscar Feldman, Andrés Boiarsky, Juan Cruz de Urquiza, Jorge Navarro, Gustavo Bergalli, Osvaldo Fattoruso, Carlos Franzetti, and many others.
He played with the following foreign musicians: Clark Terry, Dave Liebman, Dave Samuels, Conrad Herwig, Walt Weiskopf, Gail Wynters, Ted Piltzecker, Jeff Siegel, Michael Tracy, Jacob Karlzon, Peter Asplund, Fredrik Lundin, Krister Jonsson
In 2004 he shared the Argerich Festival in The Colón Theatre, playing under the Brazilian director Roberto Tibiriçá's baton the Concert for violonchello and orchestra by Friedrich Gulda, with Gautier Capuçón like solist.
In 2009 he released his first record as a leader “Siete Puertas” with his quartet.
In 2013 he released his second latin jazz style record “Afropuertas”
In 2016 releases his third CD “Viva Jujuy” recorded in New York with Aaron Goldberg, Miguel Zenón, John Ellis and Adam Cruz.
As a Leader
-“Siete Puertas” – Arturo Puertas Cuarteto (PAI)
-“Afropuertas” – Arturo Puertas (PAI)
-“Viva Jujuy” – Arturo Puertas (Club del Disco)
As a sideman
-“Tango XXX” – Tango XXX
-“Violentango” – Tango XXX
-“Mensajes secretos”- Alejandro Moro- Marta Bellomo
-“La Superbanda Big Band en vivo en el Alvear Vol. 1 Y Vol. 2”
-“Livia Barbosa canta Jazz” Livia Barbosa
-“Diálogos íntimos” Santiago Giacobbe
-“Fuera de catálogo” Rubén “Chivo” González.
-“Tráfico porteño” Gustavo Bergalli/Jorge Navarro
-“Once y veinte” Marcelo Mayor
-“Uno dos tres solo y bien acompañado” Adrián Iaies
-“Gershwin y Piazzolla”- Alberto Tarantini
-“ Legado”- Junior Cesari
-“West side story” – Alberto Favero
About his new CD “Viva Jujuy”
“Viva Jujuy” is a folk tune from the north of my country (Jujuy is an estate that is part of a region called "La Puna" which is described in the lyrics of the song) called "bailecito". It is a very popular song with many versions among which highlights Mercedes Sosa and Jaime Torres.
“The strong man” is dedicated to my father.
“For Charlie H:” dedicated to Charlie Haden
“Tour de force” one of my heroes: Dizzy.
“Is different” This tune was included in my first CD. Here's a new version
“I’m not what you think” The up tempo tune. I could not miss this song to enjoy with the musicians.
“K:J: the pianist” dedicated to Keith Jarrett
“Wind games” It’s just that. Freedom
“You’re my cane” Dedicated to my wife, who has been the main support of all my albums. It’s a folk song called “chacarera”, a rhythm from the center of my country (Santiago del Estero).
“A fly on the tailpiece” Another blues to enjoy with the musicians.
Victoria, BC based composer, arranger, guitarist and vocalist, Wes Carroll is dedicated to reaching audiences with his original creations. His writing strives to surprise and intrigue through swings of volume, groove and emotion. Since winning the 2010 Daryl Marr scholarship though the Victoria Jazz Society, he has received support from the community through several other scholarships and has graduated with a degree in Jazz Studies from Vancouver Island University (2014).
In the summer of 2013 Wes contributed his musicianship and five originals to the record 'Off Pulse Quartet Live in the Holland'. The album was recorded at the end of the quartet's two month stay in the Netherlands. Wes continues to compose and redesign his style with new projects on the go including his quintet "Wes Carroll Confabulation featuring Cyril Lodja (drums), Sean Drabbit (bass), Miguelito Valdes (trumpet) and Dakota Hoeppner (keys).
Singer, composer and flutist, was born in Milan, Italy, where he still lives.
He studied humanities and music.
He worked as a socio-educationalist, singing teacher and chorister.
Composer, performer and improvisor he has collaborated with: Zètema Orchestra (with Steve Lacy, Glenn Ferris, G. Trovesi, P. Fresu, E. Colombo), Coro Cantosospeso (with Nanà Vasconcelos, Miriam Makeba), Bruno Tommaso, Gianni Lenoci, Ferdinando Faraò & Artchipel Orchestra, Micrologus Ensemble, “Coro del Teatro Regio” – Turin (under the conduction, a.o. of Semyon Bichkov, Pinchas Steinberg, Bruno Bartoletti), Athestis Chorus (under the conduction a.o. of Myun Wun Chung, Jeffrey Tate), “Teatro alla Scala” – Milan, “Teatro alla Fenice” – Venice, “Piccolo Teatro” – Milano.
He created and directed the vocal groups: Voice Band / Concerto per sole voci (with Anna Lauverganc, Maurizio Nobili, Monika Trotz), One More Language (with Shinobu Kikuchi, Francesca Breschi, Beñat Achiary, Carlo Rizzo, etc …).
He has performed in concerts and opera productions in Europe, Brazil, Japan and Lebanon participating, among others, the festival “Errobiko Festibala” in Itxassou and “Le Fruit des voix” in Lons Le Saunier (France), “Resonanzen” in Vienna (Austria), “XXIX Festival of Contemporary Music” of Santos (Brazil), “Clusone Jazz”, “Bordighera Jazz & Blues,” “Progetto Jazz” (Cremona), “Jazz in Bocconi (Milan) in Italy.
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Lars Jansson is a jazz pianist, composer, arranger and educator. His trio has long
been one of the most renowned jazz groups in Sweden. In 1998, Lars was
nominated to the Danish Jazzpar Prize and he
became the first jazz professor in Aarhus, Denmark.
He was honored in Denmark with a Grammy in 2001
for the ”Best International Album,” Hope, the Lars Jansson Trio.
Other than jazz piano trio, Lars has composed music for small jazz groups, big
bands, choirs, saxophone quartets, woodwind quintets, string quartets and chamber
orchestra. The original music in this collection of selected piano transcriptions and
lead sheets are from his numerous recordings to date with the Lars Jansson Trio.
Arild Andersen; Shimri (ECM), Green shading into blue (ECM)
Radka Toneff; Winter Poem (Verve), It don´t come easy (Verve)
Lars Jansson Trio; A window towards being (Imogena), Invisible friends (Imogena),
The time we have (Imogena), Hope (Imogena), Witnessing (Imogena), At Ease, live
in Tokyo (Spice of Life) I am That (Imogena) , Worship of Self (Spice of Life), In
search of lost time (Spice of Life ), Whats New (Spice of Life) Koan (Spice of Life)
Sounds of my color (Naxos)Facing the Wall (Spice of Life)
Lars Jansson Trio/Ove Ingemarsson "Everything I Love" (Spice of Life)
Bohuslän Bigband plays Lars Jansson, ”the Blue Pearl” (Phono Suecia), One poem,
one painting-Bohuslän Bigband (Imogena) Temenos (Spice of life)
Paulo Fresu Paul McCandles Johan Borgström Christian Spering Morten Lund Giving
Jazz from Sweden-North American tour-91 (Caprice)
Red Mitchell-Evolution (Dragon)
Rune Gustafsson (Eagle records)
Tolvan Bigband-Colours (Phono Suecia)
Hans Ulrik-Strange World (Stunt)
Caecilie Norby (Blue Note), My corner of the sky (Blue Note)
Lars Danielsson European Voices
Lars Jansson-Tommy Kotter Sound Pictures Two pianos (Spice of life)
Peter Vuust with Veronica Mortensen
Ove Ingemarsson with Adam Nussbaum Heart of the Matter (imogena)
Sinne Eeg Waiting for Dawn
The Royal Academy of Music in Aahus, Denmark
Academy of Music in Esbjerg, Denmark
Högskolan för Scen o Musik-HSM, Göteborgs Universitet
Running a jazzfestival every summer in Ljungskile since 87
Studied Yoga, meditation and the analytical psykology of C.G. Jung for 20 years
Eva Scholten Talented jazz singer Eva Scholten (’86) completed her studies at the
Jazz departement of the Amsterdam Conservatory in 2010. With her phenomenal
timing and improvisations in the tradition of Ella Fitzgerald and Sarah Vaughn she
provides her very own counterpoint to the musicians around her.
As a singer and arranger in vocal group ‘YesSister,JazzSister’ who just released
their second album ‘Crazy People’, she’s been playing all the main Jazzfestivals in
the Netherlands. This year she wil sing with Hot Club the Piracicaba at the biggest
gypsyjazz festival in Brasil; Festival de Jazz Manouche de Piracicaba. Gypsyjazz
formation Eva sur Seine, consisting of Eva Scholten & the Thomas Baggerman trio,
performed at Europe’s greatest Django Reinhardt stages: Django Reinhardt
Memorial Festival Augsburg (DE), Django in Liberchies (BE), Django Reinhardt
festival Samois (FR). With the release of their second EP: Singin’ Django, full of
Django Reinhardt compositions with fresh arrangements and self-written lyrics, they
got officially invited to play on the main stage of the Django Reinhardt festival in
Samois sur Seine 2016!
Her latest adventure is a promising collaboration with the Norwegian band
Jazzbanditt who invited her to sing on the Django Festivalen Oslo in 2015. The
concert filled with a beautiful combination of gypsyjazz and Norwegian folk music
was such a succes that they immediately decided to recorded their first album
OXYMORONS & CONTRANYMPHS that was released in October 2016. http://www.evascholten.com
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Jazz vocalist Sara Bielanski breathes new life into classic standards, with her
distinctly compelling voice. Sara has performed and worked with Sheila Jordan, Ra-
Kalam Bob Moses, Rufus Reid, Jim McNeely, Stan Strickland, Peter Cassino, and had
the distinct pleasure of studying improvisation with the late Charlie Banacos.
Bielanski studied at the esteemed Jazz in July program at UMass Amherst, as well
as the Lake Placid Jazz Institute in upstate New York. She has sung at Boston and
New York venues, most notably at Les Zygomates, Ryles, Acton Jazz Cafe, Top of
the Hub, the Boston Esplanade, Club OBERON, and in New York at the JP Morgan
Penthouse. Her debut jazz album, FROM THE HEART, will be released during
November 2016. www.sarabielanski.com
he has a Masters degree in performing jazz piano from the Norwegian Academy of
Music and a Bachlor degree from the acknowledged jazz department at the
University of Trondheim, NTNU, Norway. She has extensive experience as a band
leader and collaborator, and has played concerts in Italy, France, Switzerland,
Belgium, Latvia, Netherlands, Denmark, Canada, USA, South Africa and India. She
has played at festivals and clubs all over Norway.
In 2014 she recorded the album “Ung og Freidig” in legendary Rainbow studio in
Oslo, mastered by sound engineer titan Jan Erik Kongshaug.
While living in New York City 2012/2013 she recorded her first CD with all original
compositions in Avatar studio in Manhattan with bass player Eivind Opsvik and
drummer Eric McPherson.
In 2011 she released her debut album “Raise the Curtain” with the international
composers collective Sound Circus. The album is available on iTunes, Amazon and
Maren is the co-leader of the International Network of Female Instrumentalists
(INFI), an organization that strives to inspire, recruit and support more women
becoming professional instrumentalists. INFI has started a school in Mamelodi,
South-Africa, organized summer camps in Norway and Sweden, and been on tour
promoting women’s freedom in north east India. In december 2014 INFI are going
to Rio De Janeiro for musical collaborations, and in 2015 INFI will collaborate with
schools in Cuba for the same cause. The INFI Ensemble released the CD
“Celebrating Kolkata” recorded in Kolkata, India, in 2011.