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  • Jonathan Mikulich

    My name is Jonathan Barrera Mikulich. I live and work in Grand Rapids, Michigan. I play the saxophone and am currently a member of an alt.Latino band named Cabildo ( I am very much interested in many different genres of music but have an affinity toward music that is part of the jazz tradition; improvisational, inspirational, and without boundaries.
  • View Wolfgang Lackerschmid's All About Jazz profile Wolfgang Lackerschmid
  • Jean-Francois Kalka
  • View Peri Mauer's All About Jazz profile Peri Mauer

    Hailed as an "irrepressibly tuneful composer" by New York Music Daily/Lucid Culture, composer PERI MAUER has written works for solo instruments, chamber music ensembles, orchestra, and theater. A native New Yorker, she holds degrees from Manhattan School of Music and Bard College, and is a graduate of the High School of Music and Art. Her music has received performances in Women Composers Festival of Hartford, Bargemusic's Here and Now Winter and Labor Day Festivals, New York Composers Circle Concerts of New Music at Symphony Space, LeFrak Performing Arts Center, St. Peter's Church and St. Mark's Church, Music With A View Festival at the Flea Theater for which she also served as cellist and conductor, Composers Concordance Composers Play Composers Festival, Gamper Festival of Contemporary Music in Bowdoin, ME, NYU Composers Forum, among others. Her commissioned orchestral work All Along the Heights was recently premiered by the Jackson Heights Orchestra to critical acclaim. A recipient of ASCAP Plus Awards, she is honored to have been awarded a grant from New Music USA for the premiere of her orchestral work Illuminations of the Night by the New York Repertory Orchestra and Life on Earth for chamber ensemble for Music With a View. She also recently received a commission from the Music Department of Fiorello H. LaGuardia High School of Music & Art and Performing Arts to compose a piece for the LaGuardia Junior Band, resulting in her symphonic band work Red Sky. Other recent premieres include A Little New Year's Flair performed by Blair McMillan in Bargemusic's Here and Now Winter Festival, At Home With Allen Ginsberg: Five Songs for Baritone & Piano performed by baritone Daniel Neer and pianist Christopher Berg, Trumpet Trio, premiered in Music From Good Shepherd Concert Series, the revised version of her flute, harp, marimba trio Pixeliance performed at Vassar College in harpist Ashley Jackson's Electric Lady concert series, her string quartet Shadow Lake premiered by the Klang Quartet at St. Peter's Church, and an encore performance of the solo trumpet version of Red Sky at the Women Composers Festival of Hartford earlier this month. She was honored to be a featured composer in the 2017 Composers Now Festival which took place during the month of February 2017. Scholastic awards include a National Collegiate Music Prize and membership into Pi Kappa Lambda, the National Honor Society of Music. Also a professional cellist, Ms. Mauer has worked with such groups as American Symphony Orchestra, Encompass New Opera Theater, Radio City Music Hall Orchestra, Darmstadt Ensemble, Orchestra of St. Peter by the Sea, NYU Contemporary Players, American Chamber Opera, Gateway Classical Music Society, The Chelsea Symphony, Playwrights Horizons, New York Gilbert and Sullivan Players, among many others, and can be seen playing her cello in the Golden Globe and Emmy winning Amazon Prime TV series Mozart in the Jungle. Edit
  • View Cheikh Ndoye's All About Jazz profile Cheikh Ndoye

    Once in while we experience the oncoming of an artist that in all respects seems to be ahead of his time. The depth of this kind of artistry on every level is more than evident on the debut Release of Senegalese Bassist Cheikh Ndoye. The well-known term “Young Lion”, seemingly has reached even greater heights as of late by collaborating with such world-renowned artist as Baaba Maal, breaking incredible ground musically at such a young age. Early in his life Cheikh played the piano, and was attracted to many jazz greats. His love for Jazz put him on a historical path of investigation into this genre, again at quite an early age. After listening to Weather Report‘s 8:30 album, he was so captivated by Jaco Pastorius melodic and harmonic developments that he immediately fell in love with the bass guitar. He has played and recorded with great artists such as Russell Ferrante, Dave Weckl, Eric Marienthal, Karen Briggs, Tizer, Kazumi Watanabe, Dean Brown, Arshak Sirunyan and Randy Brecker a number of whom appeared on his first CD, an album entitled “A Child’s Tale”. There’s no doubt that Cheikh will be added to this prestigious and very short list of inspired artists.
  • Simon Slymon
  • View Floret Media's All About Jazz profile Floret Media
  • View Marcio Garcia's All About Jazz profile Marcio Garcia

    Born in Santo Domingo, Dominican Republic Marcio started playing by ear and improvising on the piano at age four. He began his musical studies at age seven at the Centro de Educación Musical Moderna in Santo Domingo, Dominican Republic and popular music at the Conservatorio Nacional de Musica. Garcia holds a BM in Classical Piano Performance from the Lamont School of Music, University of Denver under the instruction of David Genova, one of Leonard Shure's pupils and a MM in Jazz Performance under Eric Gunnison (pianist with Carmen McRae, Roberta Gambarini). Garcia has had the opportunity to study classical piano in Vienna, Austria as part of the Cherrington Global Scholars Study Abroad Program, attend the yearly Stanford Jazz Residency studying and performing with jazz icons such as Taylor Eigsti, Chick Corea, George Cables, Fred Hersch, Chucho Valdes, and perform at the 2016 Monterey Next Generation Jazz Festival. He has also studied jazz arranging/composition with Dave Hanson and privately with Eldar Djangirov. Among his performances, Garcia has performed with DEVO co-founder Mark Mothersbaugh for the original project "Myopia", at the KUVO 89.3 studios in Denver with the Lamont Jazz Orchestra, WBGO Jazz 88.3 Studios NYC under the direction of Pete Malinverni and had featured performances at the Dazzle Jazz Club in Denver with his trio. As a keyboardist, Marcio has played for “Los Lunaticos” merengue/salsa/bachata/cumbia band, worked as a sideman with Viktor Kiraly (NBC The Voice 2015 - Top 24) and is currently working on his newest project, Koi4. Marcio was invited to perform at the 7th Annual James Moody Benefit at NYC's Blue Note by musical director David Hazeltine, where he shared the stage with Randy Brecker, Roy Hargrove, Jamie Baum, Adam Nussbaum and John Lee. Garcia has received multiple awards including Recital of Distinction awards for his Senior Classical Piano recital and Jazz Graduate Recital, a Special Citation for Outstanding Musicianship at the 44th Annual UNC/Greeley Jazz Festival, 1st place in the 2015 Lamont School of Music Jazz Solo Honors Competition and 1st place in the 2015 Lamont School of Music Jazz Honors Chamber Competition. Currently residing in New York City, Garcia is pursuing an Artist Diploma in Jazz Studies at SUNY Purchase Conservatory of Music under the instruction of Kevin Hays and David Hazeltine. The Artist Diploma is a post-masters program for the specialized training of the unusually gifted and accomplished performer. He is active both as a bandleader and a sideman, having had performed at renown venues including Birdland Jazz Club, The Blue Note and The Bitter End.
  • View Gail Robertson's All About Jazz profile Gail Robertson
  • View Andrea Murgia's All About Jazz profile Andrea Murgia

    Nasce a Carbonia nel 1983, periferia estrema dell’Impero. Il 1997 è il vero spartiacque della sua vita: in piena quinta ginnasio e nel bel mezzo del suo periodo prog il fratello maggiore, che lo aveva svezzato a mazzate e cassette al cromo, gli regala Angel and Daemons at Play dei Motorpsycho e Goodbye and Hello di Tim Buckley. Da quel momento niente sarà più lo stesso. Comincia ad occuparsi di musica “scritta” a diciannove anni, quando con un manipolo di squattrinati peones da vita alla redazione de “Il Cavo”. Scrive sei recensioni e dopo due numeri zero il giornale chiude. Segnali evidenti che il nostro giustamente ignora e galvanizzato dalla prospettiva di diventare ricco decide di trasformare questa sua passione in una professione. Si iscrive al DAMS di Bologna dove ha la possibilità di studiare con Totem come Giampiero Cane e Piero Pieri e consegue una laurea in Musicologia e Organizzazione Musicale con una Tesi in Economia dello Spettacolo dal titolo “Organizzare Eventi Musicali in Sardegna: l’esempio del Sant’Anna Arresi Jazz”. Dal 2006 lavora nel Festival “Ai Confini Tra Sardegna e Jazz” nel quale ricopre il ruolo di responsabile tecnico e dove ha i primi contatti con le avanguardie Free di Chicago, con il radicalismo della scuola di New York e con la brutalità della scuola Nord europea. Continua intanto a scrivere in giro per la rete: Dedication, Miusika, The Breakfast Jumpers, Osservatori Esterni, Toylet Magazine fino a quando non si accasa definitivamente nel 2009 su Mumble: dove si occupa della rubrica musicale. Dal 2012 al 2016 scrive su SENTIREASCOLTARE e dal 2014 collabora con Rockerilla, su cui si occupa di recensioni e monografiche. Dal 2017 è anche su Humans Vs Robots. Adora i Black Sabbath quanto la Motown, impazzisce per Todd Rundgren e si commuove con i Big Star.
  • View Bill Troiano's All About Jazz profile Bill Troiano

    Bill Troiano received his Bachelor of Music Education (BM) degree from the State University of New York at Fredonia in 1973 and a Master of Tuba Performance and Brass Literature (MM) degree from The Eastman School of Music in 1974. Mr. Troiano retired from the Connetquot School District where he taught middle school/junior high instrumental music from 1980-2007, including concert band, jazz ensemble and lessons. As a guest conductor, Mr. Troiano has conducted various regional honors bands on Long Island and he was a guest conductor of the Huntington Community Band. He has also been an adjunct instructor of tuba and euphonium at C.W. Post College, Queens College, Suffolk Community College and Five Towns College. Before moving to Texas, he also taught all low brass instruments at Chaminade High School. From 1998-2003, Mr. Troiano was the Music Director of the Students Of Music Brass Ensemble, Inc. This ensemble, comprised of outstanding high school brass musicians from Long Island, performed at Shea Stadium, SUNY Potsdam, the Special Olympics, Lincoln Center, West Point and at various schools, churches, and libraries on Long Island. Mr. Troiano chaired the SCMEA, DAY OF TUBA AND EUPHONIUM for 32 years, up until he moved to Texas. He was an area coordinator for the New York City Tuba Christmas at Rockefeller Center and he served as chairman of the tuba solo and ensemble section of the New York State, NYSSMA Contest Manual. In 1996, Indiana Press published an international reference book titled The Tuba Source Book. Mr. Troiano completed work as the author of the chapter, Recommended Basic Repertoire For The High School Tuba Student. As a tubist, Mr. Troiano was a member of the Guy Lombardo Orchestra from 1976-78 where he toured with the band, played New Years Eve shows at the Waldorf Astoria Hotel in NYC and played musicals at the Jones Beach Theater. With that band, he also played at former President Jimmy Carter’s Innaugural Ball. Mr. Troiano also performed with Dr. Harvey Phillips, the late, renowned tuba virtuoso, in Carnegie Hall and at the Mozart Festival in Vermont. As a free-lance tubist, Mr. Troiano has performed with virtually every professional ensemble on Long Island and he was a regular member of the Atlantic Wind Symphony, the Old Bethpage Village Restoration Brass Band and the Long Island Tuba Quartet. Since moving to Texas at the end of 2012, Mr. Troiano has been playing with the Cedar Park Winds, and other area ensembles. He also performs traditional jazz (Dixieland) with various Austin bands, but mostly with La Grosse Tete. He has also adjudicated at local solo festivals and regional band audtions.
  • View Diogo's All About Jazz profile Diogo
  • View Möbius Strip's All About Jazz profile Möbius Strip

    Möbius Strip is the name of a young Italian progressive jazz-rock band, made of Lorenzo Cellupica (keyboards), Nico Fabrizi (saxophone & flute), Eros Capoccitti (bass) and Davide Rufo (drums). They got their inspiration in the object of the same name: since a Möbius strip geometrically connects the two sides of the same surface by starting a path on one of them, this also became the purpose of the musicians, to combine different styles and influences. The result is to be heard on MÖBIUS STRIP's self-titled album, published in the year 2017 on the Musea Parallèle label. Here are five long tracks full of freshness and inventivity, completed by the short composition "Call it a Day". To be discovered!
  • View Octavio Hernandez's All About Jazz profile Octavio Hernandez

    (eng) Octavio D. Hernández is musician that happends to play guitar from the Canary Islands, so to say Islander, nowadays rooted in Barcelona. His relationship with music begins at an early age from two very different ways of influence: on one side the Canary Islands folklore and on the other, jazz, blues and rock. Beign self-taught in 2001 he moved to Barcelona where he receive hands-on classes from musicians as relevant in the Catalan and Spanish music scene as Jordi Bonell, Viçens Solsona or Dani Pérez and begins his studies in the Taller de Musics where he completes part of his jazz studies. In addition to his studies at the Taller de Musics he participated in seminars and master classes with Chris Higgins, Seamus Blake, Kurt Rosenwinkel, David Friesen, Perico Sambeat, Javier Colina, Iñaki Salvador, Lage Lund, Peter Bernstein among others. In 2005 he moved to New York City where he studied with Johnathan Kreisberg and Peter Bernstein. In 2012 he finishes his complementary studies of music in the Superior School of Music of Catalonia, ESMuC, obtaining the superior title of Jazz and Modern Music (JiMM) with his degree project on the figure of Frank Zappa. In the professional field he has participated in many projects from his own jazz quartet, "Now Quartet", with which he has shared the stage with musicians such as Santi de La Rubia, Mariano Steimberg, Tom Warburton, Joan Terol, César Joaniquet or Miguel Serna, hiphop with IFS-Crew, funk and Cuban music with Mel Semé, "mestizaje" with Radio Malanga or afrobeat with Alma Afrobeat Ensemble among others. He has had the opportunity to share the stage at the Canarian Jazz Festival with the Charlie Moreno Group, at the Canarias Jazz Showroom with Aldo Caviglia and Paco Perera at the Canarias Jazz Showroom in 2013 presenting his latest solo work on the figure of Thelonious Monk with a great reception, in 2015 with Takeo Takahashi Quintet at the Festival Noorpas de Finalndia, Alfredo Kraus Auditorium, and many clubs throughout Spain. In 2015 he participates as professor in the seminar of Jazz and Modern Music of Tenerife together with Abe Rábade, Chris Cheek or Joe Magnarelli among others. He leads his own quartet, OH4t, with Kike Perdomo on sax, Audun Waage on trumpet, Giampaolo Laurentaci on bass and Juan Luís Castaño on drums and in the Haziram Trio trio with Aldo Caviglia and Giampaolo Laurentaci. As sideman he plays regularly with Kike Perdomo with whom he recorded his last work, Roots and with the Big Band of the Canary Islands, with which they participate in his last album, Hangin'Out, with the arrangements of the Danish pianist Soren Möller. Also with Takeo Takahashi with whom he has recorded Eight Songs for Nine Years. He is a stable member of the band Simbeque, in which the Canarian folklore is revisited from a modern point of view. His first work, Simbeque Vo.I, has received very good reviews. He takes part in the last album by Aridane Martín, an islander vibraphonist based in Barcelona, called Tiebelé. He has just published his first work as leader, Tuna Happiness, recorded with his usual quintet and in which appear seven originals and a theme by Milton Nascimento sailing freely between the lines of jazz and world-music. In words of Jonathan Kreisberg, "Octavio has long been one of Spain's best kept secrets. He has an extremely fluid technique and a time feel that makes him one of the best of those born in the motherland of the guitar, but he is also writing interesting music that combines world music with jazz ideas in a unique way. Check out Tuna Happiness, for the full experience!" (esp) Músico, guitarrista de las Islas Canarias, desde hace años radicado en Barcelona. En 2001 se traslada a Barcelona siendo su formación hasta llegar a esta ciudad totalmente autodidacta. Establecido en Barcelona recibe clases de mano de músicos tan relevantes en la escena musical catalana y española como Jordi Bonell, Viçens Solsona o Dani Pérez y empieza sus estudios en el Taller de Musics donde completa parte de sus estudios de jazz. Paralelamente a sus estudios en el Taller de Musics participa en seminarios y clases magistrales con Chris Higgins, Seamus Blake, Kurt Rosenwinkel, David Friesen, Perico Sambeat, Javier Colina, Iñaki Salvador, Lage Lund, entre otros. En 2005 se traslada a Nueva York ciudad dónde estudia con Johnathan Kreisberg y Peter Bernstein. En 2012 termina sus estudios complementarios de música en la Escuela Superior de Música de Catalunya, ESMuC , obteniendo la titulación superior de Jazz i Música Moderna (JiMM) con su proyecto de fin de carrera sobre la figura de Frank Zappa. En el ámbito profesional ha participado en numerosos proyectos desde su propio cuarteto, Now Quartet, con el que ha compartido escenario con músicos como Santi de La Rubia, Mariano Steimberg, Tom Warburton, Joan Terol, César Joaniquet o Miguel Serna, pasando por el hiphop con IFS-Crew, funk y música cubana con Mel Semé, mestizaje con Radio Malanga o afrobeat con Alma Afrobeat Ensemble entre otros. Ha tenido oportunidad de compartir escenario en el Festival de Jazz de Canarias con el Charlie Moreno Group, en el Canarias Jazz Showroom con Aldo Caviglia y Paco Perera , en el Canarias Jazz Showroom de 2013 presentando su último trabajo a guitarra solo sobre la figura de Thelonious Monk con una estupenda acogida, en 2015 con el Takeo Takahashi Quintet en el Festival Noorpas de Finalndia, Auditorio Alfredo Kraus, CICCA y multitud de clubes por toda España. En 2015 participa como profesor en el seminario de Jazz y Música Moderna de Tenerife junto con Abe Rábade, Chris Cheek o Joe Magnarelli entre otros. Lidera su propio cuarteto, OH4t, con Kike Perdomo al saxo, Audun Waage a la trompeta, Giampaolo Laurentaci al contrabajo y Juan Luís Castaño a la batería y su trío Haziram Trio con Aldo Caviglia y Giampaolo Laurentaci. Como sideman toca habitualmente con Kike Perdomo con el cuál ha grabado su último trabajo a quinteto, Roots y con la Big Band de Canarias, con la que participa en su último disco, Hangin'Out, con los arreglos del pianista danés Soren Möller. También con Takeo Takahashi con quién ha grabado Eight Songs For Nine Years. Es miembro estable de la banda Simbeque, en la que se revisita el folklore Canario desde un punto de vista moderno. Su primer trabajo, Simbeque Vo.I, ha recibido muy buenas críticas. Participa en el último disco de Aridane Martín, vibrafonista canario afincado en Barcelona, que lleva por título Tiebelé. Actualmente acaba de publicar su primer trabajo como líder, Tuna Happiness, grabado con su quinteto habitual y en el que encontramos siete originales y un tema de Milton Nascimento y que se mueve por entre las líneas del jazz y del world music. En palabras de Jonathan Kreisberg, ""Octavio has long been one of Spain's best kept secrets. He has an extremely fluid technique and a time feel that makes him one of the best of those born in the motherland of the guitar, but he is also writing interesting music that combines world music with jazz ideas in a unique way. Check out Tuna Happiness, for the full experience!"
  • View Paul Rasmussen's All About Jazz profile Paul Rasmussen

    I'm a fresh modern jazz/big band swing singer who loves the Great American Songbook classics and the cool style of that era of jazz. I take my influences from the music's greats like Frank Sinatra, Dean Martin, Sammy Davis Jr and Matt Monro. But also I havelove for the sounds of Harry Connick Jr and Michael Buble who have carried on this amazing genre so well. My love for the music began when I was very young when I could be found singing and swinging along to my fathers record collection. My new EP "Singing & Swinging" is a labor of love and one which includes some of my favorite classic songs.
  • View Linda Carone's All About Jazz profile Linda Carone
  • View Tony Tate's All About Jazz profile Tony Tate

    My name is Tony Tate. I have loved Jazz since high school. I played the baritone saxophone. I went to college to be a music major after high school, but for reasons that still baffles me today, I quit. I ended up working in a restaurant for about 4 years before finally joining the Navy in 1987. I found out they had a band after I'd already signed up. My recruiter arranged for an audition for me. Apparently it didn't go very well, as I didn't make the cut. So I was in the Navy as a Ship's Serviceman; working in ship's stores, laundry, storerooms, and operating vending machines. About a year and a half in, my ship had the 7th Fleet Band on board. One of them heard me practicing between loads in the dry cleaning plant and talked me into auditioning again. Needless to say I got in on my second audition. I played alto & tenor sax, and also some flute with the band until I retired in 2007. However, they wore me out. When I got out in I didn't want to play anymore, nor did I have a saxophone of my own, at least not one that actually played, and I didn't care. The desire to play just recently returned. I just purchased a new tenor sax about 7 months ago and have been practicing since. I'm in the process of getting down the basics again. I'm also trying to relearn some of the jazz classics. At some point I hope to be able to begin playing gigs again. Not sure when I'll be ready, but I am always working toward that goal. I never expected the desire to play to surface again, but I'm glad it has. Playing is fun again. I can't wait to play some other folks. That would be the ultimate. I am no longer retired.

    Pere Bujosa ( Mallorca, 1992) ​ Born in Palma, Mallorca Pere began studying classical double bass at age eleven. Along side this he also took an interest in other styles of music and began taking part in the local music scene playing with different jazz and rock bands. In 2012 , Pere moved to Barcelona, to study Jazz and Modern Music in the Conservatori del Liceu. Here he studied with some important musicians like H. Fumero ( Tete Montoliu) , D. Mengual ( Free Spirits Big Band), Marc Miralta (Aaron Goldberg,Flamenco Jazz Reunion), Gary Willis ( Tribal Tech) Llibert Fortuny ( Pat Metheny) and participated in international workshops with musicians like Richard Bona, Chucho Valdés, Kenny Barron, Dave Holland, Kurt Rosenwinkel, John Patitucci... In 2014 Pere undertook an exchange with University of North Texas (USA) to study with Lynn Seaton. At the moment he is freelancing, touring and working on many different projects and has been playing around Spain with bands like Maxi Caballero Quartet, Salvador Sobral Trio, The Raggle Taggle Gipsies... ( Zaragoza, Basque Country, Navarra, Balearic Islands...) as well as performing in countries like Portugal and Norway. Pere has just produced his first album WHO’S HOLLAND(2016)
  • sidney jacobs
  • View CHATEAU PALMER's All About Jazz profile CHATEAU PALMER
  • View Nicolas Herrera's All About Jazz profile Nicolas Herrera

    I´m an Argentinian musician based in Barcelona, Spain. I grew up in San Juan, Argentina, a small city next to the Andes Mountains in the west part of the country. There I began studying classical guitar at age 12, and started playing regular gigs on electric guitar by age 15, after studying for several years at the Music Conservatory of the city. In 2000 I moved to Barcelona to continue my career in music and began writing my own material as well. In 2014 I earned a degree in Jazz Guitar after attending the Escuela Superior de Música de Cataluña, “ESMUC”. As a renowned guitar performer, I´ve had the chance to work as a freelance artist in different kind of music productions in Europe, South America and even China and Costa Rica. Also possess more than fifteen years of progressive experience in guitar teaching. After many years recording as a sideman on many different projects, my debut album, “Kala”, is about to be released, where I put together an incredibly fine, yet distinctive quintet, assembled with some of the most relevant musicians at the local scene, and very close friend of mine as well! The recorded music goes from some originals songs to a few arrangements of mine, which are based on the music of the very well known Argentinian artist Atahualpa Yupanqui. Here´s a kind of tribute to the Master, whom changed the way folk music was conceived until the moment. Plus the love he possessed for music and the guitar in particular, which obviously is something we share! The record, to my point of view, introduces an intimate and warm kind of music, and I think it is an excellent opportunity to get to my “musical universe”, where Jazz and Argentinian folk gets together in a beautiful combination.
  • Carey Moulton

    (Olive Lewin Jamaican Folk Singing) Mento, Ska, Reggae - Rock and Roll (David Bowie, Pink Floyd), Disco and then Pat Metheny, the disco stayed though, and onwards, Kingston, Los Angeles, Ottawa, Miami
  • Julian Graciano

    Julián Graciano, learn music from the family roots, great-harpist, guitarist grandfather and his father tango bandoneon player, nucleus where takes his upbringing in a musical environment. In parallel to his schooling, his first formal knowledge incorporates hand of Professor Carlos Esteban, who guides him on solfege and music theory. Gets the scholarship BEST (Berklee Entering Student Talented) at age 19 and MEFA scholarship (Massachusetts Educational Financial Authority). Through these achievements pursuing higher studies at the famed Berklee College of Music, Boston USA where it has the ability to perform harmony and improvisation masterclass with Gary Burton, Chucho Valdez and Bob Mintzer; jazz guitar with John Scofield, Mike Stern, Pat Martino and latin jazz with Carlos Moreno (Irakere); polyrhythms and rhythmic concepts with Horacio "El black" Hernandez and Steve Smith; composition with Jim Reyes and Alf Clausen, among others. He has taught the guitar chair, musical analysis and repertoire at the Conservatory Argentino Galván and teacher of Liceo Superior del Tango in the chair "scholar tango" and "guitar in the tango" Both institutions of the National Academy of Tango. He has given seminars for the College Music Society on history and evolution of tango and the music of Eduardo Rovira. Masterclass on improvisation applied to Argentinean popular music in AADI (Argentinean Association of Musicians). For almost 20 years he teaches at particular guitar majoring in jazz and tango, traditional and contemporary harmony, counterpoint, composition techniques, arrangements and orchestration, ear training and improvisation. He has received the following awards Along with his guitar duo Graciano-Sapir, best instumental set Tango Cultural Center first prizeHonorable Mention Awards in October Notable bars Prize 2005. With singer Fabian Russo Award 2006 Notable bars with his trio contemporary tango Tango en Tres received the 2007 award Notable barsHonorary Award 2010 Cultural Fair Tango en Tres was chosen by Maestro Chucho Valdes to perform at the prestigious International Jazz Plaza Festival 2008 were declared of cultural interest by the Directorate of Cultural Affairs of Argentina. He has written several educational books Analysis Booklet Tango for the Conservatory Galván The Real Book of Tango (book titled Real jazz) divided into five volumes with about 600 pieces in total and used by many contemporary tango musicians from various parts of the world. Complete Guitar Method Tango Edited by Melos / Ricordi Argentina in 2016, exhausted the 1st edition a week of its publication. Articles about jazz improvisation to magazine VIVA LA MUSIC AMR Switzerland and several articles about Free download tango and jazz website Scribd. Transcription of all kinds of works, commissioned and personal pleasure, from solo instruments to tango orchestras. As arranger of tango, has been requested by several groups and soloists from different countries, such as Turkey, USA, England, Germany, Spain and Sweden. As a sideman he has been summoned to join the jazz band Harry Waters (son of legendary rock musician Roger Waters) playing several concerts in Buenos Aires on 2011. Along with his trio Tango en Tres grouping which combines his two great loves, tango and jazz, and where it says in exercising his passion for live performance, improvisation and composition, has participated in the International Jazz Plaza Festival, Havana Cuba, Festival de Jazz de La Paz and Santa Cruz de la Sierra, Uruguay Jazz Festival (Jazz on the street 2008), has been invited by Maestro Juan Falu in 2009 to Guitar World event. In the field of research, was asked by Mrs. Mabel Rodriguez Rovira for ordering and back catalog of work of Maestro Eduardo Rovira. In mid-2014 he has started writing the Real Cuchi Book with music of Cuchi Leguizamón and with this project has formed the trio Cuchijazz, musical group which is a crossover between the music of Cuchi Leguizamón and jazz.Alongside this group had the pleasure of welcoming guest pianist Ignacio Montoya Carlotto and saxophonist Jorge Retamoza. From 2015 meets the tenor sax Jorge Retamoza and form the Retamoza Graciano duet, leading exploration in the mix tango with jazz to a place and a sound never explored in the genre. Currently 2016 has recorded the first CD of his quartet Graciano 4 quartet with own works brought to the formation of two Spanish guitars, bandoneon and doublebass. As a composer his catalog of works ranging from works for piano, solo guitar, accordion, string quartets, various jazz and tango instrumentation sets, guitars, vocal music, microtonal music and his Concierto para trio and symphony orchestra.
  • View jose enrique fernandez's All About Jazz profile jose enrique fernandez

    I was born in Mexico City on October 4th, 1955. When asked in any questionnaire to fill in the blank space of profession, it has always been, musician. I play the guitar. I am also a songwriter and have produced half a dozen albums in the past. I worked for Billboard Magazine in the late eighties. I became manager for a year and then went to be Program Director of Radioactivo 98.5, the leading Alternative Rock station in the city, and voice of the morning show, for three years. I was on the air once a week for two years, in a program called El Sexto Grado every Monday. (It’s some sort of Six Degrees of Separation that links any two musicians in the course of two hours: Los Panchos to Pearl Jam?) I then worked as Marketing Director for Universal Records and finally was for five years Program Director of Stereorey 102.5, an Adult Contemporary format heard nationwide and for three, head of the Authors Department at SGAE MEXICO, the Spanish Performing Rights Society. For two years I was Co-Director with Camilo Lara of Suave, and independent record company. I’ve composed music for publicity, supervised the musical play “Bésame Mucho” and was head of A&R and Production Coordinator for the recordings of La Academia 3ª Generación in Azteca Music. I was Programming Director of the 17 stations at IMER, the Instituto Mexicano de la Radio (Mexico’s National Public Radio - NPR), designing and coordinating the opening of Reactor 105 and consolidating Horizonte 107.9, Opus 94, La B Grande, etc.) As of today, I’m still Music Supervisor in IMER and host a weekly radio program “Covertitlán” in Horizonte 107.9 in FM and returned to SGAE as Director of Mexico’s Office. At last, I’m also part of Improbable People and released two albums you can find on Spotify and iTunes.
  • Josephine Davies
  • View Leonhard - Woody Black 4's All About Jazz profile Leonhard - Woody Black 4
  • View Freddie Dunn's All About Jazz profile Freddie Dunn
  • View Barry Hutcherson's All About Jazz profile Barry Hutcherson

    Influenced at an early age in jazz by father, Bobby Hutcherson, Barry was exposed to great jazz musicians such as Herbie Hancock, Freddie Hubbard, Tony Williams, Ron Carter, Jackie Mclean, Lennie White, George Cables, Joe Sample and many others. Barry has studied with drummers such as Eddie Marshall, Billy Higgins, Joey Heredia, Willy Jones III, Steve Houghton and others. He took up drums at age 13 and has been playing gigs since the early 1980's with notable musicians like Bobby Hutcherson, Joey DeFrancesco, George Cables, Roy Hargrove, Billy Childs, Joshua Redman, Warren Wolf and many others. Barry has performed at many different venues such as Yoshi's, the Monterey Jazz Festival, Stanford University Concert Hall, SF Jazz Center, Kuumbwa Jazz Center in Santa Cruz and the Baked Potato in Los Angeles. (Profile photo was taken at the Mildred Owen Concert Hall with Anton Schwartz: sax, Grant Levin: piano, Sam Bevan: bassist).
  • View Danny Tobias's All About Jazz profile Danny Tobias

    Equally at home with a cornet or trumpet, Danny Tobias brings beautiful shape and individuality to his performances. Playing professionally since the age of 15, he’s best known for traditional jazz and swing, either reproducing classic arrangements or artful improvisation. Danny’s skills and repertoire embrace a variety of styles. In addition to playing with the Midiri Brothers’ Sextet at jazz festivals across the USA, Danny has led bands and performed for the Pennsylvania Jazz Society, New Jersey Jazz Society and the Tri-State Jazz Society. Danny has worked with a number of prolific artists such as Warren Vaché, Scott Robinson, Vince Giordano, Wycliffe Gordon, Gordon Webster, Harry Allen, Jon-Erik Kellso, Marty Grosz, Brooks Tegler and Howard Alden. He has performed at Birdland, the Lincoln Center Atrium, the Players Club, and other jazz-loving venues in New York City, New Jersey, Pennsylvania, New Orleans, Minneapolis, Halifax and Montreal! Danny also mentors young musicians, encouraging them to reach the heights of their skill and creativity.
  • View Jason Banner's All About Jazz profile Jason Banner
  • View Tony Marino's All About Jazz profile Tony Marino
  • View Jessica Felix's All About Jazz profile Jessica Felix

    Jessica Felix, Artistic Director of the Festival, has contributed a great deal to the world of jazz with the successful and thriving Healdsburg Jazz Festival. She began her musical activism years ago, with the nonprofit enterprise she and her former partner created in Oakland named “Jazz in Flight.” They bought and restored a Victorian house and within a month after moving in they held the first in a series of concerts that continued for ten years, including an annual New Year’s Eve concert featuring many world-famous musicians. She also created and produced the first five Eddie Moore Jazz Festivals at Yoshi’s Nightspot, which turned into seven-day major jazz events with musicians from all over the country and even from abroad. Throughout, her house was always home to traveling musicians.
  • View Kate Garrison's All About Jazz profile Kate Garrison

    3 years attended St. Louis Cabaret Conference where I studied with legendary Marilyn Maye, and other great performers like Billy Stritch, Faith Prince, and Peisha McPhee. I host monthly cabaret shows at Bachus Conservatory in NW Austin.
  • View Beaux Jazz's All About Jazz profile Beaux Jazz

    Beaux Jazz provides a perspective on modern, creative, European music. The foundation supports jazz and improvised music in the south-west of the Netherlands, and brings together audiences and music in which improvisation plays an important role. The foundation hosts a monthly concert series and organises the yearly festival "Sounds of Europe". Beaux Jazz aims to focus on the collaborative and creating nature of jazz music, by realizing collaborations between Dutch and European artists, and bringing young professionals in contact with nationally famed musicians.
  • View James Rosocha's All About Jazz profile James Rosocha

    Bassist James Rosocha holds a Bachelor of Music degree from the Berklee College of Music in Boston. He's toured the US and Europe as a long-time member of the BD Lenz group. Together they've released seven albums under the New York jazz label "Apria Records" and can heard on a number of television shows such as MTV, VH1, USA, A&E, Nickelodeon, Travel Network, Food Network, Spike TV, Comedy Central and a long host of others. A student of New Jersey's late jazz legend/ guitarist Harry Leahey and Steve Morse Band/Dixie Dregs bassist Dave LaRue, James has been fortunate to share the stage with trumpet legend Randy Brecker, guitarist Hiram Bullock, drummer Joel Rosenblatt, saxophonist Jay Beckenstein, pianist Jeremy Wall of Spyro Gyro and Phish leader Trey Anastasio. He appears alongside Trey in the new Phish Companion book, which documents the band's history and music. James endorses Spector Basses, Eden Electronics and Hipshot Detuners. ..."Note worthy too is Rosocha's extended solo on "Quiet Desperation," proving again that the electric bass in such hands claims a crucial and encompassing piece of musical turf."...Bob Gish Jazz Improv Magazine ..."Bassist Mark Egan plays beautifully , but don't miss Rosocha on "Cut and Paste"-smokin'!...John W. Patterson All About Jazz ...Only “Juxtaposition,” featuring compelling work by bassist James Rosocha and a wind-controller solo by Mattoon, and “Fi’Fo’,” anchored by keyboardist Dan Paul and drummer Tom Cottone, have any bite...Bill Meredith JazzTimes Magazine ...Even Steve Wonder, not to mention Stevie Ray Vaughn would hold this guy and his ultra hot band in awe (most especially featured bassist James Rosocha and Geoff Mattoon)...Bob Gish Jazz Inside Magazine
  • View Ben Cohen's All About Jazz profile Ben Cohen
  • View Kermit Sewer Slide's All About Jazz profile Kermit Sewer Slide

    smash the clay between your fingers let it slip lemons grow on the trees sweet citrus rotten body rotten soul rotten mouth rotten eyes moldy clay, moldy lemons and moldy, moldy, me
  • View pit hermans's All About Jazz profile pit hermans

    Playing django jazz, impro, world music
  • Neil Bush

    No way will I ever have the chops to perform professionally. That doesn't mean I don't think about it though. Alas, I will continue to toil away at my day job but practice diligently in hopes of acquiring the unobtainable. At least I'm having fun. That's what music should be about: fun and making you feel good.
  • View Thos Shipley's All About Jazz profile Thos Shipley

    "Come the witching hour, his voice turns to magic" says the DAILY NEWS. “A link in the line of charismatic performers from Nat Cole to Al Jarreau to Luther Vandross; Vocals—ultrasuede; scat—undulating; funk— sleek.”extols HARPER'S BAZAAR. Every so often, a singer comes along who offers something truly special. There are those with great voices who we know and love, and there are those who have that “you can’t take your eyes off of them” presence. Thos Shipley seems to be both of these rolled into one - a singer with a stunning voice and a magnetism that can only be described as star quality. Thos brings this unique quality to us beautifully through the idiom in which he seems naturally at home, vocal jazz. His debut recording, MY FAVORITE THINGS, is a remarkable collection from the classic American Songbook intermingled with fine contemporary songwriting, brought to life from a jazz point of view. Thos’ voice is not easily pinned down, a flexible and powerful instrument that swings so easily and spontaneously flows from crooning into R & B flourishes. But there is also a core of immediacy that has an intimate theatrical excitement to it. Mr. Shipley, an experienced Broadway performer and 5-time MAC award winner (Manhattan Association of Cabarets and Clubs) for Outstanding Jazz Vocalist, is proud of this combination. He explains the inspiration for the CD ~ “I have a love for musical theatre but come from a jazz background in the way I hear things. The repertoire of the Musical Theatre is the jazz bible. The lyrics and melodies of these tunes are so strong they lend themselves to many interpretations. I look at Jazz as an approach to music, a way to orchestrate the emotions and images that these songs evoke, to somehow score the lyric.” Thos Shipley was born in Vernon Parish, Louisiana to a military father and a mother who taught first grade. He grew up in Aberdeen, Maryland where his father played upright and electric bass as well as all bass brass in the 327th Army band and in his own jazz group. Thos’ childhood ambition to be a performer got him started playing drums at the age of 10 in a band with his brothers. Later in high school, he began singing and playing rock n’ roll, much to his father’s chagrin. But his early exposure to classical and jazz music won out. A desire to study music in college was thwarted by his parents’ practical concerns and Thos majored in Electronic Engineering at the Ohio Institute of Technology. But, he continued to play and studied jazz piano with Bobby Pierce at the Bexley Conservatory of Music until he had to choose between getting his degree and practicing. He graduated and got a job working as a technician on board ships doing seismic research for oil companies, lasting for one 23-day cruise in the Pacific. Thos soon returned to Ohio, found another job, and started pursuing things he truly wanted to do such as dancing. He studied at the Ohio Ballet, performed in theatre, and ended up moving to Nashville. “I’ve come to find that if you don’t have the guts to do what you truly want to do in your heart, it will still happen but perhaps not as smoothly as it could have,” he muses. A gig as a singing waiter soon appeared and later a job playing drums for a touring show. The show brought him to Knoxville, Tennessee where he met jazz clinician Jerry Coker and began studying jazz vocal improvisation with his wife, singer, Patti Coker. During a performance at the Knoxville World’s Fair Thos caught the eye of managers who encouraged him to move to Atlanta and pursue a solo career as a vocalist. Thos was soon making a living by playing clubs, doing theatre in Atlanta, and singing back-up vocals on other people’s albums. During this time, he appeared one evening at a lounge called The Veranda. Where he was discovered by singer/actress Leslie Uggams She beckoned him North and introduced him in a solo show to a celebrity-packed room at the Claridge in Atlantic City. Thos then hit the New York club scene, performing at various jazz venues such as Iridium and Upstairs at Green Street where he opened for future stars as comedian Mario Cantone. Before long, he rose to new heights, performing an SRO concert in the Weill at Carnegie Hall, playing the Spoleto Festival and performing in a one-man Off-Broadway show, "Broadway Goes Jazz." His first New York review by Bob Harrington of the NEW YORK POST hailed Thos Shipley as “On The Way To Stardom.” A turning point came when Thos was cast in the Broadway production of Miss Saigon. He stayed with the show for a three-year stint in New York then went on to Asia as a solo jazz artist to perform at Harry’s International in Singapore. As a crowd-pleasing feature at Town Hall’s Cabaret Convention, he shared the stage with such talent as Bill Charlap and Andrea Marcovicci, performed in Nantes, France at La Nuit Du Jazz in October and is part of the developmental cast recording of a new musical with a big band score which is based on Othello called Ivory Joe Cole. Thos Shipley served on the faculty of Singer’s Forum and is a voice over artist with national and international credits. MY FAVORITE THINGS is a lush exploration of classic American songs along with new grooves and sentiments, all generated by the performances of world class jazz musicians such as Darrell Grant, David Budway, Kim Plainfield and William Gallison to mention a few, and Thos Shipley’s tremendous voice. One may be reminded of Johnny Hartman, Nat Cole, or Al Jarreau, but Mr. Shipley’s unique expression takes the listener to new and exciting places. The arrangements of the priceless This Nearly Was Mine (arr. Darrell Grant & Thos Shipley), and the darkly colored, The Way You Look Tonight (arr. By Thos Shipley, Darrell Grant & David Budway) offer intimate conversations with the singer, and the title track is a crisp and swinging promise of the best in life, which can’t help but evoke a bit of John Coltrane. After touring and having one of those “you don’t know what you got till it’s gone” experiences, Thos wrote a true New Yorker’s blues, Sunday In New York. Says the MANHATTAN TIMES, “Thos Shipley leaves you with a feeling that you have been half way around the world. One moment exudes the feel of a chic uptown New York café and the next, Thos’ voice transports you to a small secluded French restaurant waiting for the love of your life to walk through the door.” So stop, look and listen -- to Thos Shipley.
  • View Nadine Fambrough-Gates's All About Jazz profile Nadine Fambrough-Gates

    Nadine Fambrough-Gates is a native of Philadelphia, Pa. Born into a musical family, her mother was an organist of various churches in the Philadelphia area; father sang bass in the Male Chorus at they church and her brother The Late Charles Fambrough was a professional jazz bassist, composer, producer and teacher. Nadine was introduced to music at the years of age 4 by her mother. She sang in the children's choir at church and learned to play piano under her mother's tutelage before transferring to Settlement School of Music. She also performed with The Philadelphia All-City Elementary Girls Choir. Nadine continued singing until she graduated Junior High Schools. Nadine started her music journey as an instrumentalist and songwriter at West Philadelphia High School; studying harmony and theory. She also played cello, clarinet and flute in the orchestra and marching band. Nadine continued her education at various music schools in the Philadelphia area. To name a few The Granoff School of Music, Philadelphia College of the Performing Arts and Temple University Music Preparatory; studying vocal and various instruments including saxophone. Nadine performed with various gospel groups. To name a few, Barbara Ward Farmer and the Wagner Phase II Choir, The Brockington Ensemble. She also toured with The Gabriel Hardeman Delegation, Arneld Dupree & Company and The Philadelphia AME Mass Choir. In 1992 Nadine has worked with some of the finest jazz musicians; Kenny Garrett, Kenny Kirkland, Bill O'Connell, Grover Washington Jr., Jeff Watts and Charles Fambrough, on his "The Charmer" CD . Nadine recorded and published her first song entitled Precious Time under her own publishing company Fambrough Gates Music; which was recorded on the Jazz/FM Disc Makers Philadelphia Jazz Showcase Compilation CD in December 1995. The song was written for the Temple University Public Radio CD project which showcased the local songwriters and musicians in the Philadelphia area. Charles Fambrough produces this song. Nadine performed as a saxophonist and became one of the songwriters for The Commonwealth of Pennsylvania Church of God in Christ Mass Choir's CD Projects. She presented three songs to the choir. Two songs entitled Come and Praise the Lord and Praise Him, was Recorded Live at the 80th and 82nd Annual Holy Convocation Compilation CD September 2000 and August 2002 in Philadelphia, Pa. The third song entitled God Has Been So Good was performed at the 83rd Annual Holy Convocation for the Mass Choir's 4th Live Recording in King of Prussia. Pa. This project was created to showcased songwriters of various Church of God in Christ churches in the Commonwealth of Pennsylvania area. In 2013 Nadine joined The Remedy Jazz Band as a saxophonist and flutist, along with her husband Al Gates, bassist. The band performs jazz standards for private parties and church functions in the Philadelphia area.
  • View louis romanos's All About Jazz profile louis romanos

    Louis Romanos studied percussion under Idris Muhammad, Johnny Vidacovich and Art Perretta.  At nineteen he moved from Connecticut to go to the birthplace of Jazz, New Orleans, to study music and philosophy.  Louis has since performed and recorded with a number of renowned musicians including Tommy James (Director of the  Duke Ellington Orchestra), Gene Bertoncini, Steve Masakowski, Chuck Leavell, Keith Richards, John Mayer, Charles and Cyril Neville, Al Hirt, Dave Easley of Brian Blade’s Fellowship Band, Charlie Miller of Dr. John’s band, Jazz Legend Earl Turbinton, Tricia Boutte, Marva Wright and  Dave Anderson of the Louisiana Philharmonic and many, many more. As a Composer, Louis writes for live bands, dance, TV, video games, indie movies and commercials.   His band, Permagrin, released three albums co written with Dan Sumner.  Permagrin performed in SXSW music conference, the NOW music festival, the New Orleans Jazz Fest, the Indy Jazz Fest, the Boom Boom Room in San Francisco, and were nominated for best electronica band in New Orleans in 2005 Big Easy Awards.  Permagrin licensed Classical to the documentary movie, Plane Spotting.   Louis’s commissioned works include 5 works for the Confederacy of Dances performance in New Orleans at the Contemporary Arts Center, Take Me There, for the University of Monroe guitar ensemble and a piece for Mirari Brass Quintet.   Louis wrote Light Waves for visual artist and Chicago producer, Nancy Bechtol, and together they have a work on Culture T.V.  Louis also composed about a dozen pieces for C-E-N-T-E-R, a collaborative project between visual artists and composers, in Los Angeles, California.   Additionally, his composition, Tyco at the Gates was licensed to the major motion picture, Cool It. Recent credits include a dystopian futuristic score for the short movie, Odessa,  an action score for Fira’s Game, and an uplifting score for feature documentary, Pink and Blue: the colors of hereditary cancer.  Louis has also scored live theater (The Bakkhai), video games (The Dark Ages of Titan, Corpse Wagon), the modern ballet (Interior Borders by choreographer, Joan Buttram, at University of Georgia) and recording drums on the new theme song for the Squidbillies on Cartoon network. Currently, Mr. Romanos leads and writes for his own quartet, The Louis Romanos Quartet (, which released it’s debut album, Take Me There, in 2015.  His quartet performs concerts and clinics in the mainland USA and in Hawaii.   Mr. Romanos recently developed a workshop for Brenau University’s Dance Department teaching dancers basic music and communications skills need for cross discipline collaboration.   Mr. Romanos is currently  scoring the full length feature film, Above the Fruited Plains.  Website:
  • View Kohji Ebisawa's All About Jazz profile Kohji Ebisawa
  • Art Baxter

    Thank God my parents and extended family had taste in music. I was surrounded by jazz exclusively from as early as I recall. Nothing has changed except my passion for the music has increased with time.
  • View Josh Prewett's All About Jazz profile Josh Prewett
  • View Line Up Italia- Unit New Media's All About Jazz profile Line Up Italia- Unit New Media
  • View alfred vogel's All About Jazz profile alfred vogel

    Born 1972, Bregenz, Austria Education: Master Degree of Economics Innsbruck 1998 Musical Student of Alex Deutsch, Billy Hart, Wolfgang Muthspiel, Billy Ward, Memo Ascevedo, Bobby Sanabria, Jojo Mayer, Billy Martin, Adam Nussbaum NewYork 1999 Activities: Experimentel Avantgarde Improvised Rock Funk Soul Jazz Punk Attitude, basically playing his ass off ... Since 2004 recording and producing for his own label BOOMSLANG RECORDS groups: hang em high, heavy metal rabbit, kontaktchemie, hendrix ackle, kdrsociety, harry marte, peter madsen trio, the magnificent seven, intensivstation a.m.o Discographie: 2017 blow + beat: mats gustafsson & alfred vogel 2016 rene mosele´s ramblin´ 2016 kontaktchemie: christy doran & alfred vogel 2016 heavy metal rabbit: lucien dubuis / barry guy / alfred vogel 2016 il piccolo incidente: peter evans & alfred vogel 2015 KDRSociety: Dance for Peace 2015 Norbert Mayer & Alfred Vogel: ÜÜ 2014 Peter Madsen Trio: Elvis never left the building 2014 Harry Marte & Big Pit: A blue line 2014 Hang Em High: Beef & Bottle 2014 Freiwild / alfred vogel lucien dubuis 2014 Die Glorreichen Sieben – a tribute to Neil Young: Keep on rockin ´in the free world 2013 Hendrix Ackle: Logbook 2013 Peter Madsen Trio: Transformation 2013 Peter Madsen / Alfred Vogel: Soul of the underground 2013 Hang em High 2011 Vogelperspektive Vol 1. bis Vol. 5 (2013) 2011 the big bäng / alfred vogel kevin shae 2011 hellhound&bird DVD 2011 Ü norbert mayer / alfred vogel 2011 Souldepartment: Stripped 2010 the Mellowtones 2010 the Brendan Adams Group: Better Days 2010 Peter Madsen´s CIA: Thousand Miles Journey 2009 KDRSociety: Hip to be happy 2009 the Brendan Adams Group: Ugly Universe digital release + Video 2008 the Brendan Adams Trio: 17 eternities + Video 2008 Peter Madsen´s CIA: DVD live at Feldkirchfestival 2007 KDRSociety live at Jazzit Salzburg 2007 Kofi Quarshie / Alfred Vogel : Nightdrummer 2006 the Brendan Adams Trio: Pearly Sue 2005 KDRSociety: last flight from Rwanda 2004 Stefan Latt / Alfred Vogel: ANKUNFT 2004 los tequila sharks: Duoaufnahmen 2003 Alfred Vogels giggos gaggos oirmuos 2003 ackle.cousins.vogel feat. Charles McNeal: tryin´to make it real 2002 Geflutet
  • View Vinil Review's All About Jazz profile Vinil Review
  • View Erick Froom's All About Jazz profile Erick Froom

    I'm a deliberate jazz fan. Why deliberate you ask. Well, who on Earth isn't deliberate in one's choices? Our preferences are the deliberate choice of our mind that controls our attitudes and gives us signals to what we like.
  • View Pietro Postorino's All About Jazz profile Pietro Postorino

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