“Romus has been central to the creative music world of the West Coast for a number of years, and he keeps stretching the boundries of originality with each new release.” Frank Rubolino - onefinalnote.com/Cadence
Rent Romus is a saxophonist/multi-instrumentalist, composer, bandleader, music producer, and community leader hailed by Downbeat as having "...a bold sound, unmistakable sincerity and conviction". A third generation Finnish American born in the great north of upper Michigan and growing up in the San Francisco Bay Area, Romus' work on the saxophone has been dubbed “ferocious” by the San Francisco Weekly and “central to the creative music world of the West Coast” by writer jazz critic Frank Rubolino. From his very beginnings as a student of jazz while being exposed to the twilight tutelage of Stan Getz he found himself drawn to the outer realms of Sun Ra and Albert Ayler, as well as Arthur Blythe, Derek Bailey and Merzbow.
He runs the Lords of Outland a free jazz unit since 1994, the Life’s Blood Ensemble a contemporary jazz ensemble, and works with pianist Thollem McDonas in the Bloom Project as well as runs the collective improvisation group The Ruminations.
Rent Romus has recorded 37 albums exploring improvisation and composition in a wide variety of musical settings both as a leader and sideman which have included Chico Freeman, John Tchicai, Vinny Golia, Thollem McDonas, Stefan Pasborg, James Zitro, Kash Killion, and Jon Bridsong to name a few.
He is the founder of Edgetone Records with over 30 years of independent music production, and performance experience as well as the founder and Executive Director of Outsound Presents under which curates the bi-weekly music series known as SIMM at the Musicians Union Hall, the weekly Luggage Store Gallery Creative Music Series, as well as annual Outsound New Music Summit, the Bay Area's creative music festival held every summer in San Francisco.
My Jazz Story
Published on: 2017-04-27
My advice to new listeners... Leave your expectations at the door. Jazz is a living music that has a long history of change. Start
with the standards then leave them behind.