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John Bailey
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Trumpeter John Bailey travels time – stylistically and rhythmically – on his vibrant third album
Time Bandits, due out January 13, 2023 via Freedom Road Records, features a brilliant all-
star quartet with pianist George Cables, bassist Scott Colley, and drummer Victor Lewis
“[John Bailey is a] horn player that sounds like he took the brass torch from Dizzy Gillespie...
as crisp and sharp as a Dolce & Gabbana suit.” – George W. Harris, Jazz Weekly
“When describing John Bailey as a trumpeter, musician, and composer, it is easy to run out of
superlatives... a mature musician at the height of his game and waiting to be transcribed by
the next generation.”
– Michael Hackett, ITG Journal
Straightahead, swing, blues, Latin, free playing – John Bailey has traversed virtually every
style and era of jazz possible during his career, forging an instantly recognizable voice and
becoming the first-call trumpet player for a staggering variety of artists along the way. He
leaps between those diverse interests with the dizzying agility of a veteran time traveler on
Time Bandits, his spirited third album as a leader.
Due out January 13, 2023 via Bailey’s own
Freedom Road Records imprint, the album finds Bailey fronting a stellar quartet featuring
pianist George Cables, bassist Scott Colley, and drummer Victor Lewis. The quartet spent two
days in the hallowed confines of the Van Gelder Studio in Englewood Cliffs, New Jersey in
early 2022.
The band is a dream team for Bailey, who has assembled an equally stunning ensemble for
each of his three releases. Victor Lewis is the sole constant among them. “Victor has a gift
that is on such a high level,” Bailey says, “and he can apply it over virtually any groove, all
while constantly orchestrating musical events!”
Bailey’s desire to work with George Cables hardly needs explaining. The pianist has
collaborated with most of the music’s giants, from an early stint in Art Blakey’s Jazz
Messengers to gigging and recording with Sonny Rollins, Joe Henderson, Woody Shaw,
Dexter Gordon, Freddie Hubbard, Bobby Hutcherson, and Art Pepper, among others. He
continues to amaze as part of the all-star band The Cookers. Bailey proclaims, “George is
deeply inspiring. He first blew me away when I heard Dexter Gordon's Manhattan Symphonie
as a teen. When we met I quickly felt his warmth and generosity, both musically and
personally.”
An always in-demand bassist, Scott Colley’s gifts were exemplified for Bailey by a duo
performance with guitarist Jim Hall at the Village Vanguard. “I could see that he was not only
a virtuoso on his instrument but also a stunningly empathic musician,” Bailey says. “Great
pitch, great swing and great ears; all qualities that musicians value highly!”
Throughout his nearly four-decade career, Bailey has worked with some of the most revered
names across a wide spectrum of styles. He grew up listening to both bebop and classic rock,
was mentored by the great Chicago trumpeter and multi-instrumentalist Ira Sullivan, played
with legendary drummer Buddy Rich before leaving college, and served long lasting stints
with R&B icon Ray Charles, master conguero Ray Barretto, singer Frank Sinatra, Jr., and Latin
jazz innovator Arturo O’Farrill, among others.
Bailey made his leader debut in 2018 with In Real Time, followed two years later by Can You
Imagine?, which loosely posited an alternate reality in which Dizzy Gillespie had actually won
his larkish presidential run in 1964. It’s no accident that “time” recurs in the title of Bailey’s
new album, as he’s the first to recognize how crucial the concept is to jazz music. “If you think
about music in terms of Western and Non- Western heritages, jazz is actually both,” he
explains. “Jazz can be defined as syncopated African rhythm with Western European
harmony. Though above all, the rhythmic feel is what defines the music as jazz.”
Those ideas come out swinging on the title cut, which opens the album veering between an
almost Second Line parade feel and a vigorous swing rhythm. “Various Nefarious” seems to
almost literally laugh at the travails of the modern world (“various” can’t help but suggest
those endlessly mutating variants that have kept us on the run for the past few years, while
“nefarious” seems as good an adjective as any to point at the political class) as Lewis dances
nimbly around the tune’s shuffling lope.
The reverence in which Bailey holds the legendary trumpeter Thad Jones, a member of one of
jazz’s royal families, shines through on the gorgeous ballad “Ode to Thaddeus.” Built on the
unison lines shared by Bailey and Colley, “Rose” takes the album in an angular, free roaming
direction built upon five 12-tone rows (see the pun?), while “Groove Samba” ends the
proceedings at a rollicking tempo.
Lewis brought in the sharp, jabbing “Oh Man, Please Get Me Out of Here!,” where nods to Diz,
Freddie Hubbard, Joe Henderson and Woody Shaw reveal the drummer as Bailey’s partner in
sonic banditry. Cables’ “Lullaby” is reprised from Frank Morgan’s 1989 album Mood Indigo,
rendered here as a tender, intimate duet with Bailey’s breathy flugelhorn. Bailey points to
“Long Ago and Far Away” as one of Jerome Kern’s “quirkier” songs, while the Beatles classic
“She’s Leaving Home” is given properly aching treatment that suggests the generational
heartbreak of Paul McCartney’s lyric. Garry Dial’s “How Do You Know?” originally opened
Sprint, the 1982 album by the Red Rodney and Ira Sullivan Quintet, making the piece a
tribute from Bailey to his mentor Sullivan, who passed away in September 2020.
Time Bandits – the title has nothing to do with the 1981 Terry Gilliam film, though Bailey’s
love of the Pythons couldn’t have hurt its appeal – showcases the eclectic tastes and
surprising juxtapositions that suggest that maybe he has mocked up a time machine in his
rare spare time between gigs. How else to explain his mastery of so many disparate
influences? “It's always a good idea for us jazz artists to go
back in time and listen to the masters, have some fun absorbing what appeals to us, and
rejecting what doesn’t. Taking, as a bandit may, the material and relentlessly playing around
with it until we are satisfied.”
John Bailey
John Bailey – Time Bandits
Freedom Road Records – FRR 002 – Recorded Jan. 16-17, 2022 Release date January 13,
2023
johnbailey.com