Reassessing

REASSESSING

Full House

Read "Full House" reviewed by C. Michael Bailey

Wes Montgomery's recording of his June 25, 1962 live performance at the Tsubo Jazz Club in Berkeley, California intersects significantly with two recent Resonance releases. One intersection involves the Wynton Kelly trio, comprised of pianist Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. It was with this same trio that Montgomery would record his essential Wynton Kelly Trio with Wes Montgomery: Smokin' at the Half Note (Verve, 1965) and then, later, be captured with on Smokin' in Seattle: Live At ...

REASSESSING

Of Things Not Seen

Read "Of Things Not Seen" reviewed by C. Michael Bailey

How Jeff Baker avoided full coverage at All About Jazz is beyond me, but now is a fine time to write this wrong. In 2009, Baker took a professional and stylistic chance in producing a jazz treatment of songs from the American Christian Songbook, Of Things Not Seen. He had worked up to this bold statement with his preceding recordings: Baker Sings Chet (OA2, 2004); Monologue (OA2, 2005); and Shopping for Your Heart (OA2, 2007). Proving deft and smart with ...

REASSESSING

Shorty Rogers: Short Stops

Read "Shorty Rogers: Short Stops" reviewed by Richard J Salvucci

In the 1980s, trumpeter and Kenton alum Mike Vax put together a Supersax-type group called TRPTS. It released an album of harmonized trumpet classics, one of which was “Short Stop." There are lots of great tunes including “Night in Tunisia," “Trumpet Blues and Cantabile," and “Heckler's Hop." Oh yeah, one I never heard, Shorty Rogers' Short Stop. Really? How do you get to 35 years of age, listen to jazz almost daily, and not know about Shorty Rogers? I vaguely ...

REASSESSING

Black Market

Read "Black Market" reviewed by Jeff Winbush

As Weather Report returned to the studio to cut their next album the band was yet again in flux. Gone from 1975's Tale Spinnin' line up were percussionist Alyrio Lima and drummer Ndugu Leon Chancler. Zawinul explained the latest comings-and-goings in a 1976 interview, “We're always happy with the group, because if we're not happy, we change it. There are a lot of musicians out there in the world. All the people who have played with us are ...

REASSESSING

Amigos

Read "Amigos" reviewed by Jeff Winbush

It's a cliche, but for Carlos Santana, the year of 1976 was a critical turning point in his long career. Coming after Borboletta, his third consecutive jazz fusion record, he was catching heat from the execs at Columbia Records to come up with something reminiscent of the classic Latin rock which had made him a star at Woodstock.Santana changed managers and looked change course by bringing in an outside producer (David Rubinson) and recruited a new vocalist in ...

REASSESSING

Oscar Peterson & Stephane Grappelli: Skol

Read "Oscar Peterson & Stephane Grappelli: Skol" reviewed by C. Michael Bailey

Oscar Peterson and Stephane Grappelli Skol OJC 1979/2013 Music impresario Norman Granz (1918-2001) was a cagey so-and-so. When he inaugurated Pablo Records in 1973, he already had a catalog of recordings and an immediate pool of exceptional performers who also happened to be under his management (often making his acquaintance through Granz's Jazz at the Philharmonic program). With this combination of fortunes, Granz was able to release some 350 recordings in 15 years, before ...

REASSESSING

Dizzy Gillespie: Dizzy’s Big 4

Read "Dizzy Gillespie: Dizzy’s Big 4" reviewed by C. Michael Bailey

Dizzy Gillespie Dizzy's Big 4 OJC 1975/2013 Concord Music Group kicked off their Pablo Records 40th anniversary celebration with the releases of John Coltrane: Afro Blue Impressions (Pablo, 1963/2013) and Sarah Vaughan: Sophisticated Lady: The Duke Ellington Songbook (Pablo,2013) both supplemented by improved programming. These releases have been followed by additional straight remasters of: Zoot Sims And The Gershwin Brothers (Pablo, 1975/2013), Art Tatum: Solo Masterpieces, Volume 1 (Pablo, 1975/2013), and, now, Dizzy's Big ...


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