The Vinyl Post

Daily articles carefully curated by the All About Jazz staff. Read our popular and future articles.

THE VINYL POST

Summer Solstice

Read "Summer Solstice" reviewed by C. Andrew Hovan

Founded in 1949 by Bob Weinstock, the Prestige label was home to some of the best hard bop, swing, and blues music of the '50s and '60s. The diversity of the catalog through subsidiary labels such as Swingville and Bluesville was nothing short of extraordinary. Be it spoken word albums, Southern blues, or the folk strains from India, Japan, or Ireland-there was something for everyone through this ambitious program. By 1971 when the label was sold to Fantasy ...

THE VINYL POST

Coltrane 58: The Prestige Recordings

Read "Coltrane 58: The Prestige Recordings" reviewed by C. Andrew Hovan

Some fifty-two years since his death, the shadow of John Coltrane looms large in the minds of many jazz fans and musicians. Over the past few years this has been aided and abetted by the fact that his music continues to be repackaged. In the case of last year's Both Directions at Once, some previously unissued sides even brought further clarity to the saxophonist's development at Impulse Records in the mid '60s. Concurrent with the fascination of all-things-Coltrane ...

THE VINYL POST

The Atlantic Years

Read "The Atlantic Years" reviewed by C. Andrew Hovan

Now that the vinyl boom has officially become big business, it is not surprising that major labels are scrambling to put together reissue projects from their back catalogs that will benefit from this cash cow. Rhino has already successfully tapped their holdings for superb mono boxed sets from both John Coltrane and Ray Charles. For their latest endeavor, they have turned to an artist on the fringes of jazz popularity. Ornette Coleman is far from being a household name and ...

THE VINYL POST

Beloved of The Sky

Read "Beloved of The Sky" reviewed by C. Andrew Hovan

Back in the late '80s, the life cycle of the vinyl record seemed to have run its course. Promoters of the compact disc had lulled people into the ideal that the little silver discs would offer perfect sound forever. Fast forward to today's marketplace and it's ironic to see new releases as available in both CD and vinyl formats. While the reissue concerns were the first ones to jump on board the record resurgence, several new music labels have started ...

THE VINYL POST

The Holy Trinity of Soul: Three Craft Reissues

Read "The Holy Trinity of Soul: Three Craft Reissues" reviewed by C. Andrew Hovan

Last fall, Craft Recordings issued a four CD compilation focusing on Isaac Hayes and his recordings for Stax, Volt, and Enterprise. Spanning the years 1962 to 1976, the set cut a wide swathe of Southern soul and managed to put into perspective the importance of Hayes' impressive oeuvre. Now, Craft turns its attention to upscale vinyl reissues of Hayes' most important recordings, namely Hot Buttered Soul, Shaft , and Black Moses. With new remastering undertaken by Dave Cooley at Elysian ...

THE VINYL POST

Way Out West: The Deluxe Edition

Read "Way Out West: The Deluxe Edition" reviewed by C. Andrew Hovan

It was eventually bound to happen. Surveying the vinyl boom of the last few years, large record companies have decided that there is money to be made from their back catalogs. So instead of licensing their material to companies like Music Matters and Analogue Productions, they have started issuing their own vinyl reissues. Hence the impetus for the formation of Concord's Craft Recordings. As owner of the Fantasy vault stash that includes Prestige, Riverside, Contemporary, Stax, and many other smaller ...

THE VINYL POST

Other Worlds Other Sounds

Read "Other Worlds Other Sounds" reviewed by C. Andrew Hovan

In this frantic age of vinyl rediscovery, it still never ceases to amaze as to the kinds of projects that companies are willing to go for broke on for what has become a booming and buying audience. In many ways it is truly a win-win situation. There's so much great music out there and the idea of bringing it back to our attention or finding a new audience in the guise of its original intent can rarely be seen as ...


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