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Book Excerpts
Mosaics: The Life and Works of Graham Collier
The following is an excerpt is from “Chapter 9: The Eighties or Graham Collier -The Wilderness Years" of Mosaics: The Life and Works of Graham Collier by Duncan Heining (Equinox Publishing, 2018). All Rights Reserved. The late Graham Collier was a bandleader, a composer and a jazz educator. As far as this latter role was concerned he was arguably one of the most significant figures in jazz education, a point supported by the many awards he received ...
read moreJazz Bursts Forth in Delaware Water Gap, PA
The following is an excerpt is from Chapter 1 of The Poconos in B Flat by Debbie Burke (Xlibris, 2011). All Rights Reserved. The iconic image of your approach from Interstate 80 coming from New York City and going west is of the negative space between two massive mountains that form a backdrop behind the Delaware River. Delaware Water Gap--the first stop on the Pennsylvania side of the Interstate coming from New Jersey and NYC- ...
read moreGo Slow: The Life Of Julie London
The following is an excerpt is from “Chapter 12: For the Night People" of Go Slow: The Life of Julie London by Michael Owen (Chicago Review Press, 2017). All Rights Reserved. In 1965, after three years of largely recording pop tunes under Liberty Records' hit-making producer Snuff Garrett, Julie London was eager to return to the types of songs--and the style of singing--which had brought her fame and success a decade earlier with her debut album, Julie ...
read moreA Conversation with Mike Mainieri
The following is an excerpt from the chapter “A Conversation with Mike Mainieri" of Masters of the Vibes by Anthony Smith (Marimba Productions, 2017). So you've been working on a new project this week? Yes, just finishing some overdubs... it's a project I'm involved in with some friends, but I really can't talk about it right now. Sure. Also, my daughter and I performed at her school this week. She's a harpist ...
read moreThe Royal Roost: Birthplace of Bop
The story of the development of jazz in New York is tied to the story of a few seminal clubs and promoters who helped nurture the music. Just as new musical styles were developing during World War II that would lead to the birth of bebop, so was the jazz scene changing. The clubs that thrived on Fifty Second Street during the mid to late '30s were strictly segregated; black musicians could play at them but could not patronize them. ...
read moreSpirits Rejoice! Jazz and American Religion
Spirits Rejoice! (Oxford University Press, 2015) presents a critical study on jazz and American religion from the 1940's to the present, and engages the religiosity and spirituality of America's foremost jazz musicians. The book features over 200 jazz musicians and is the first book solely dedicated to unpacking the history of jazz and religion in America. The author is Dr. Jason Bivins, a well-respected professor of philosophy and religion at North Carolina State University. This excerpt is from chapter five ...
read moreZappa and Jazz: Did it Really Smell Funny, Frank?
The following is an excerpt from “Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in jny: San Diego in 1955, his first exposure to the elitist snobbery of a certain type of jazz fan occurred. It was like a red rag to a bull, and was no doubt the source of all ...
read moreThe Soul of Jazz: Stories and Inspiration from Those Who Followed the Song in Their Souls
The Soul of Jazz: Stories and Inspiration from Those Who Followed the Song in Their Souls by Trish Richardson (Grayson James Press, 2011) includes interviews with nineteen world renowned jazz artists. The following is an excerpt from saxophonist Mindi Abair's chapter: What have you learned about your character as a result of being in this business? My dad was a musician, but he would never teach me music. My dad played sax and keyboards and bass--he ...
read moreMingus Speaks
Mingus on the Avant-Garde and Tradition Here's Charles Mingus talking about two of his favorite subjects, the avant-garde pretenders and the need for jazz players to understand the traditions of their music. The excerpt is from my book Mingus Speaks (2013, University of California Press). --John F Goodman Mingus: Everybody's got ego and everybody who lives in a human body thinks they're better than another guy. Even if a guy's considered to be a nigger ...
read moreJive-Colored Glasses
The following is an excerpt from “Chapter 4: Chicago" of Jive-Colored Glasses by John F Goodman (jg publications, 2015). Growing up in and around jny: Chicago in the 1950s brought me to all kinds and flavors of jazz. Between the house parties, clubs and concerts, there was a menu to please everyone. The Rush Street and downtown clubs like the London House were flourishing, and so of course was the Blue Note, where the Ellington and Basie bands ...
read moreShowcase
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Venetian Blinds by Mike Freeman
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The Heart Intact by Wataru Uchida
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La Fenice by Keith Jarrett
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Don't You Feel My Leg (The... by Maria Muldaur
Story of the Day
I love jazz because of the freedom that comes with listening to it. When words seem to fail, jazz will always be the thing that is able to communicate the indescribable.
By Blessing Borode
Member since: 2018
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